Ein Abenteuer in Raum und Zeit
Füge eine Handlung in deiner Sprache hinzuAn actor tapped by a succession of hard-man roles and a wannabe producer frustrated by the TV industry's glass ceiling find unlikely hope and unexpected challenges in the form of a Saturday ... Alles lesenAn actor tapped by a succession of hard-man roles and a wannabe producer frustrated by the TV industry's glass ceiling find unlikely hope and unexpected challenges in the form of a Saturday tea-time drama, time travel and monsters.An actor tapped by a succession of hard-man roles and a wannabe producer frustrated by the TV industry's glass ceiling find unlikely hope and unexpected challenges in the form of a Saturday tea-time drama, time travel and monsters.
- Nominiert für 1 BAFTA Award
- 1 Gewinn & 9 Nominierungen insgesamt
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"One day, I shall come back..." I live in Australia, and this special was screened on ABC1 at 8:50PM on Sunday November 24, immediately after an encore screening of "The Day of the Doctor". I only got to see the first fifteen minutes or so before being told to go to bed, however I was recording it. When I watched most of it the next night, it changed everything.
It was only a few days ago that I watched the special in full for the first time. (It was the third time I'd sen it, however the first in one full sitting). I was home alone, so nobody got to see me crying.
That's what happened. The cast and crew of "An Adventure In Space And Time" have created a drama filled with action, emotion and, importantly, history. I congratulate writer Mark Gatiss for his success with the wonderful script. I feel he captures the essence of all seen in the programme as they were in 1963 perfectly. Of course it is an ultimate dream, I Definitely would do something like this, and he has made a work of equisite art of it. Mr Gatiss, your love letter to "Doctor Who" is truly 'fantastic!'.
The actors cast as roles are evidently well-thought of. I particularly liked Jesscia Raine's portrayal of producer Verity Lambert, David Bradley's performance as the original Who, William Hartnell; and also Sacha Dhawan's living performance as first director Waris Hussein. All capture what it must have been like during the pioneering days of the series. The portrayal of William Hartell by David Bradley is what made me cry. Hartnell had his hearts broken at least twice, and to see the man who began it all so sad, it nearly broke mine. I also liked the cameo roles from two original companions: actors William Russell and Carole Ann Ford, as the Guard and the Mother, Joyce respectively. Also, the surprise of seeing Matt Smith opposite the First Doctor is a highlight, showcasing that, although no one knew it at the time, the show would reach a golden 50-year landmark. Who'd have thought? These roles added to the spirit, the magnificence on how "Doctor Who" has touched the lives of millions of people.
In all, this docudrama fittingly celebrates the Fiftieth Anniversary of the world's longest-running Sci-Fi series. It's emotional, historical, educational, and inspiring. It made me cry, and I haven't done that since David Tennant left in "The End of Time: Part Two".
The cast and crew definitely should go ahead and recreate classic/missing Doctor Who stories. Why not? They've got the cast, the production values, the spirit.
Congratulations to all involved in the making of this special. It was definitely a highlight of 2013, the year of all time. A fitting way to celebrate the best television show on the planet, or indeed the universe.
11/10
All through the fuss and hype, I did feel like we were celebrating where the show was right now, not its roots and as a result I was really glad of this film for focusing on the origins of the show. As Theo will probably tell you better than I, the facts are dusted up in the sake of a good story and the film moves better for it. I disagree with Theo where he says this film presented it as some sort of great cultural moment – I thought the film did a good job of showing how throwaway it was, how little interest there was and how it is more or less a matter of good fortune that the characters caught the public imagination and made an impression that has endured for decades. The story is presented in an affectionate manner, particularly towards Hartnell, who is probably given a bit too much nostalgic cheer for what he deserves, but he is given his dues and is very well played by Bradley.
The tone of the show is affectionate and humorous; we are not spared the fluffed lines and the set malfunctions and yet these are given over to part of the charm. The supporting cast play up their outsider status in a pleasing way, although as Theo says, I'm not sure if Cox was told that his role was to inject energy and color into the film, but his performance is so overblown as to be pure caricature. Still though, it all works really well and with so much hype and fanfare for the current show, it was so nice to have something looking back with such gentle affection – I didn't even mind the appearance of Matt Smith as I thought that was a nice moment and more a nod to the origins than it was to the present.
It is however not entirely a happy story, for all good things must come to an end. Without spoiling it for everyone I would like to say that the end is very heart-breaking but filled with hope for the future.
In short, the movie was beautifully told with a fine pace. The acting was good conveying emotions at the right time. Furthermore, I'm very happy that this movie used almost no CGI and a lot of props which I think is becoming a lost art.
I give this movie an 8.
People I really recommend this movie if you want to see a good drama.
The irony is, that if William Hartnell hadn't had his health issues, the BBC would have never been forced to write in the "Regeneration" plot device that has kept the show alive this day.
The scenes with Bradley as Hartnell are kind of touching, where you see an actor who really never quite hit the level of fame he wanted, getting the role of a lifetime and then watching it slip through his fingers because of his own physical ailments.
The portrayal of Verity Lambert as a visionary was great as well. Let's be honest, most of the things that we associate with Doctor Who- The Tardis, (It's bigger on the inside and looks like a police box) The Daleks, the Cybermen, all came from this era of the series.
Kudos also for the recreation of 1960's era England.
It is mesmerising from start to finish. The cast is just superb and although everyone is giving special mention to David Bradley, I thought it was Jessica Raine who stole the show as Verity Lambert.
Some amazing recreations of sets, props and characters from the first three series of Doctor Who means that the film makers obviously have a real passion for the show and the making of this film. It is the ending though that is extremely sad and without giving away spoilers, a perfect cameo at the end just makes it even more special.
Even if you are not into Doctor Who you should really enjoy this. I cant believe how much I enjoyed this and I have ordered the DVD already. By the way, the scene with the Cyberman with the fag on is just hilarious :) :) :)
Without a doubt the best television I have seen all year. 10/10!!!!
Wusstest du schon
- WissenswertesIn some scenes the original props from the Hartnell era were used.
- PatzerDuring the rehearsal scene for the first episode, there is a shot of Verity Lambert, leaning on a monitor that is showing a test card. In the top left corner of the testcard you can see the "play" icon of a DVD-Player OSD, in the top right corner the track information "44/44".
- Zitate
William Hartnell: [repeating lines said by the Tenth Doctor] I don't want to go.
- Alternative VersionenThe ending scene was slightly altered for the 23rd November 2023 broadcast. Instead of Matt Smith, Ncuti Gatwa has been added to the TARDIS set.
- VerbindungenFeatured in William Hartnell: The Original (2013)
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