Die Legende der Prinzessin Kaguya

"The Tale of Princess Kaguya" is a very, very familiar story in Japan. It's from a story that is a thousand years old, "The Tale of the Bamboo Cutter". And, since it's a classic, there have been many movie versions of the story. Because of this, I was quite familiar with this, as I'd already seen "Princess From the Moon"--a 1987 live-action version. Unlike the other six versions of the story that I was able to find, this one is animated and it comes from Studio Ghibli--the same people who make the Miyazaki films, though this one is from Isao Takahata.

For the most part, the story you see in the film is the old tale. One day, a poor woodcutter slices into a stalk of bamboo and finds a beautiful thumb-size child. Since he and his wife are childless and have always wanted one, they are overjoyed with the discovery and raise the child. However, the same fortune that brought them the baby also rewarded them with gold when the woodcutter chopped additional bamboo. And, oddly, the child grows to normal size and becomes a lady in practically no time at all. Soon they are rich and able to give their girl the life of a princess and she's taught all manners and customs that a proper lady would need. However, it's obvious that young Princess Kaguya isn't happy in this life, as courtier after courtier come for her hand and she simply isn't interested. So, she gives them impossible tasks to complete before she'd agree to marry any of them. When they all fail, the Emperor himself comes to court her but she rebuffs him--mostly because she knows her time on Earth is drawing to a close. Where all this goes next, you'll find out if you watch the movie.

The animation for this movie is quite lovely--with a nice look that appears as if the film was made with colored pencils and watercolors. While it's more minimalistic than you'd usually find in a Ghibli film, it looks very appropriate to the Medieval Japanese period. In fact, the look of the film is the best thing about the movie. The story, as you probably noticed above, is odd--especially to non-Japanese audiences. The ending, is even odder, by the way. But the film still could have worked despite the unusual story. However, I found the pacing to be too slow and I noticed my attention waning from time to time. Not surprisingly, it's the longest film released by Ghibli to date. Had they trimmed about 15 to 20 minutes and removed the plot involving the poor boyfriend (which was not in the original story), I think the film would have worked better for me. Worth seeing for a very patient audience who is looking for something very different--otherwise a strange sort of picture that probably would offer little appeal to kids and folks wanting something light and Disney-like.

By the way, although I was not bowled over by this film, it has been nominated for the Academy Award for Best Animated Feature. My vote is for "The Box Trolls"...a film which managed to combine both artistry and an excellent original story.

One of Studio Ghibli's last feature films before the legendary animation studio went on an indefinite break, The Tale of the Princess Kaguya is Isao Takahata's first picture in over 15 years and happens to be an eloquently narrated, gorgeously animated & patiently paced cinema that attempts to bring on screen one of the oldest tales in Japanese folklore.

The Tale of the Princess Kaguya tells the story of its titular character who was found in a bamboo shoot by a bamboo cutter who, believing her to be a divine presence, brings her home to his wife. Although this mysterious tiny girl grows rapidly into a young lady, dazzling all who encounters her, she eventually is left with no alternative but to confront her own fate.

Co-written & directed by Isao Takahata (best known for Grave of the Fireflies), this tale is crafted with precision care & elegance plus how all of it is animated brings an artistic vibe of its own. The use of colour palette, sketch-like animation & minimalist approach leaves a lasting impression, the voice performances are spot-on while Joe Hisaishi's score nicely compliments the whole narrative.

The Tale of the Princess Kaguya also covers the various restraints women find themselves in every facet of life, no matter what society they happen to be part of, and exposes that without preaching. However, its 137 minutes of runtime feels a tad too long, the final act is stretched, and although its creativity is undeniably impressive, the whole story kind of lacks that immersive element, much like Takahata's earlier works.

On an overall scale, The Tale of the Princess Kaguya brims with some truly astonishing images and is another winning marvel from the acclaimed studio. It's aesthetically pleasing, artistically fulfilling & emotionally gripping and there are going to be many who will have nothing but endless praise for the manner in which this ancient Japanese folklore is illustrated on the film canvas. As for me, I do admire a number of things about Takahata's latest but don't feel any love for it. Still, I've no qualms in recommending it to anyone for it is worthy of a broader audience.

Based on real Japanese folklore, the animation takes its tone from those original artworks I've seen on Japanese scrolls, and mixes it with contemporary anime.

I love the way animation can take such simple things as eating a melon or watching birds fly into a tree so much more exciting. By using traditional animation (although I need notice some computerize layouts),The Japanese have done it again with their personal approach to the detail of animation you can only get from 2D.

Adding to my enjoyment, this English adaption of the film includes the voice talent of Chloë Grace Moretz as the princess, who I've become a fan of.

It was very beautiful artwork moving across the big screen.

I was a bit anxious before seeing this movie because it is not from Miyazaki but after seeing it I can say that there was no reason to be anxious about this movie. It's probably the most beautiful movie I've ever seen and it is equally as good, if not even better as spirited away and princess mononoke. The story is wonderfully told and it has some extremely sad moments. But probably the best thing about this movie is the breath taking animation. It's just incredibly beautiful and just so unique that you just won't forget it. As always for a Ghibli movie the movie has an eye for detail and you just feel the passion which was put into this movie. This movie was one of the best anime I have ever seen and probably also one of the best movies I have ever seen.

I've already watched this film 3 times! I was deeply moved and couldn't stop crying every time.

I believe that "Princess Kaguya" is the best Ghibli film in the past 10 years because of the beautiful hand-drawn animation and touching story.

Japanese audience and critics are also very positive for this film, compared to other Ghilbi films.

Hayao Miyazaki is a genius but his recent films are always controversial since "Haul's Moving Castle".

One of the reason is that he relies on his imagination and makes light of a script. That's why quite a few people can't fully understand his recent films and sometimes blame them. ("The Wind Rises" was a tragedy in this meaning.)

Isao Takahata, the director of "Princess Kaguya", is a very good director known for "The Grave of Firefly" but not so active since "My neighbor the Yamada".

His philosophy is very different from that of Hayao Miyazaki. Isao Takahata thinks the scenario is very important and he prefers realism to fantasy.

"Princess Kaguya" is based on the Japanese oldest folklore "The Tale of the Bamboo Cutter". But Isao Takahata transforms it into a universal humanistic story by describing Princess Kaguya as a realistic girl.

This film contains many fantastic scenes and they play as good eye candies. But the brilliantly illustrated life and emotions of the heroine is the most important part in this film. And that's what the director wants us to try to sympathize.

The beautiful and artistic style of this animation is suitable for this theme. Because this apparently unfinished animation gives us the room to imagine by ourselves.

Isao Takahata says, "The animations tend to deprive children of their own imagination by pushing them someone else's fantasy. We have to make another animation which let them imagine by themselves".

I can't wait to see the responses from the worldwide audience! Hope you will like this film too!