Das ruhige Leben eines mysteriösen Außenseiters wird auf den Kopf gestellt, als er in sein Elternhaus zurückkehrt, um einen Akt der Rache zu vollziehen. Er erweist sich als Amateur-Attentäte... Alles lesenDas ruhige Leben eines mysteriösen Außenseiters wird auf den Kopf gestellt, als er in sein Elternhaus zurückkehrt, um einen Akt der Rache zu vollziehen. Er erweist sich als Amateur-Attentäter und endet in einem brutalen Kampf um den Schutz seiner entfremdeten Familie.Das ruhige Leben eines mysteriösen Außenseiters wird auf den Kopf gestellt, als er in sein Elternhaus zurückkehrt, um einen Akt der Rache zu vollziehen. Er erweist sich als Amateur-Attentäter und endet in einem brutalen Kampf um den Schutz seiner entfremdeten Familie.
- Auszeichnungen
- 7 Gewinne & 21 Nominierungen insgesamt
Empfohlene Bewertungen
Blue Ruin.
OK. If you like No Country For Old Men, Falling Down, Reservoir Dogs, Taxi Driver, ...take out the commercial element from all of these and just leave the bare-bones of the pure cinema with: A/ actor who's face looks like your shy friend B/you cannot see any high-budgeted actor in it but all of them play better than Daniel Craig and Al Pacino altogether C/the script will take your head off even if you have been prepared for it and watched thousands of B/Indie movies in advance D/the camera work is magnificent E/Trust me, I am a Doctor: if you like a good action movie not set up upon Hollywood standards watch this movie after 00:00 and you will not be disappointed.
So far the best MOVIE of the year.
OK. If you like No Country For Old Men, Falling Down, Reservoir Dogs, Taxi Driver, ...take out the commercial element from all of these and just leave the bare-bones of the pure cinema with: A/ actor who's face looks like your shy friend B/you cannot see any high-budgeted actor in it but all of them play better than Daniel Craig and Al Pacino altogether C/the script will take your head off even if you have been prepared for it and watched thousands of B/Indie movies in advance D/the camera work is magnificent E/Trust me, I am a Doctor: if you like a good action movie not set up upon Hollywood standards watch this movie after 00:00 and you will not be disappointed.
So far the best MOVIE of the year.
A very tense and taught thriller that puts you along side Dwight as events unfold. I am so accustomed to the actions of characters in your typical Hollywood revenge thrillers that in my mind I was intensely screaming at Dwight's actions when IT, hit the fan. Then the realization came, this is not a film where the lead character becomes a fuel raged unstoppable hero suddenly becoming an expert on how to kill.
The quietness is very intense in this film and you focus everything on the characters. That is how good the directing and the script are, the film is not afraid of the silence. You become aware of how fast your heart is beating in the silence. The directing by Jeremy Saulnier was handled expertly and was feast for the eyes. Beautiful cinematography and his utilization of natural lighting made it easy to get lost in the film. There are scenes that will make you squirm and there are humorous tension releasing moments, that is how tight the script is you are relived that you have those moments. Everyone in this cast is on point, I did not feel one off key from any of actors. The gamut of emotions that run through Dwight's ( Macon Blair) eyes alone is worth the price of admission. There are some great actor finds and also some actor re-found here. Eve Plum as an unredeemable character in the film. Yes, that Eve Plum. Applauds to the whole cast. The score from the Blair Bros is haunting and never over powers a scene. It might sound like I am gushing over this film, but if you can talk and think about a film long after the lights come up then gush I must.
If you find this film near you, do yourself a favor and see it and be kind to your friends and bring them along. You are guaranteed a long conversation over drinks afterward. This is not your typical revenge film, yes it bleeds, but it also bleeds emotions.
The quietness is very intense in this film and you focus everything on the characters. That is how good the directing and the script are, the film is not afraid of the silence. You become aware of how fast your heart is beating in the silence. The directing by Jeremy Saulnier was handled expertly and was feast for the eyes. Beautiful cinematography and his utilization of natural lighting made it easy to get lost in the film. There are scenes that will make you squirm and there are humorous tension releasing moments, that is how tight the script is you are relived that you have those moments. Everyone in this cast is on point, I did not feel one off key from any of actors. The gamut of emotions that run through Dwight's ( Macon Blair) eyes alone is worth the price of admission. There are some great actor finds and also some actor re-found here. Eve Plum as an unredeemable character in the film. Yes, that Eve Plum. Applauds to the whole cast. The score from the Blair Bros is haunting and never over powers a scene. It might sound like I am gushing over this film, but if you can talk and think about a film long after the lights come up then gush I must.
If you find this film near you, do yourself a favor and see it and be kind to your friends and bring them along. You are guaranteed a long conversation over drinks afterward. This is not your typical revenge film, yes it bleeds, but it also bleeds emotions.
A low-budget independent film that is nevertheless handsomely and confidently shot, Blue Ruin is a consistently unpredictable, twisty, and excellent thriller. At no point will you be quite sure where the film will take you, or what direction it will go next, up until maybe around the final scene.
Indeed, the film is so unpredictable, it would be a sin to tell you much about it.
But-- "Dwight is a vagrant, scavenging for food in dumpsters and sleeping by the beach in a broken-down car. His aimless existence is interrupted, however, when he receives notice that a man from his past is being released from prison." That's an abridged version of the PFF summary, and about all you need to know. I would recommend reading nothing else about the story of this film. Take the risk and dive in blind.
I was shocked how good Saulnier, a director I've never heard of until now, was good at generating suspense.
It was accepted into the Director's Fortnight at Cannes.
Indeed, the film is so unpredictable, it would be a sin to tell you much about it.
But-- "Dwight is a vagrant, scavenging for food in dumpsters and sleeping by the beach in a broken-down car. His aimless existence is interrupted, however, when he receives notice that a man from his past is being released from prison." That's an abridged version of the PFF summary, and about all you need to know. I would recommend reading nothing else about the story of this film. Take the risk and dive in blind.
I was shocked how good Saulnier, a director I've never heard of until now, was good at generating suspense.
It was accepted into the Director's Fortnight at Cannes.
BLUE RUIN is a fine revenge thriller of the type that you thought America couldn't make anymore. These low-fi films are the opposite of the bloated and glossy Hollywood-style blockbuster and all the better for it. The film I can most liken it to is THE ROVER, a similar low-key Aussie story about the path of revenge and the unusual outcomes that one must face when embarking down it.
To say too much about the plot of BLUE RUIN would be to spoil it, so I won't. What I will say is that this is a slow paced and spare film that keeps you gripped throughout, including in the moments where not much happens. It has a drive and consistency that makes it work. The suspense keeps you hooked to the ensuing events and the violence, when it comes, is brief but extremely hard-hitting. A squad of naturalistic performances enhance a film in which realism is key, and the result is one of the freshest American thrillers to be made in years.
To say too much about the plot of BLUE RUIN would be to spoil it, so I won't. What I will say is that this is a slow paced and spare film that keeps you gripped throughout, including in the moments where not much happens. It has a drive and consistency that makes it work. The suspense keeps you hooked to the ensuing events and the violence, when it comes, is brief but extremely hard-hitting. A squad of naturalistic performances enhance a film in which realism is key, and the result is one of the freshest American thrillers to be made in years.
This movie 'Blue Ruin' has received so much acclaim despite it lacking a star cast or any major publicity that I had to find out why. However once you have seen this film, it's easy to understand how this movie has captured the attention of so many people. Revenge thrillers are about a strong lead character who embarks on an impeccable road of destruction which is heroic and clinical, this is what we have come to expect but here we have something different. This movie follows a down and outer who returns home once he hears the murderer of his parents has been released. His aim is to take revenge which is something he has no preparation for and this leads to a series of tragic events. The film is riveting and compelling, with a real feel of the main character as he goes deeper and deeper into a path of self-destruction. This film is so different, you need to be patient with it and empathise with the lead character who makes some difficult decisions and is forced to bear the consequences.
Wusstest du schon
- WissenswertesBen Gaffney (Devin Ratray) is based on a real high school friend of director Jeremy Saulnier. Saulnier contacted the real Ben while he was writing the script to get an accurate representation of Ben's moral views, and gun collection.
- PatzerWhen Dwight stops at the diner to inspect the parked cars, he tests the handle of the Chevrolet truck. The door is supposed to be locked, he goes on to bust the window out. However, when he tests the handle, the door opens a little bit, thus revealing that it wasn't locked in the first place.
- VerbindungenFeatured in Half in the Bag: 2014 Movie Catch-up: Part 1 (2014)
- SoundtracksStunt Double
Written by Billy Brent Malkus
Performed by The Texas Sapphires
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Box Office
- Budget
- 420.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 258.384 $
- Eröffnungswochenende in den USA und in Kanada
- 32.608 $
- 27. Apr. 2014
- Weltweiter Bruttoertrag
- 993.313 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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