IMDb-BEWERTUNG
5,7/10
41.953
IHRE BEWERTUNG
Nach dem Tod dreier Kinder, die anscheinend von Wölfen getötet wurden, wird der Schriftsteller Russell Core von den Eltern eines vermissten sechsjährigen Jungen angeheuert, um ihren Sohn in ... Alles lesenNach dem Tod dreier Kinder, die anscheinend von Wölfen getötet wurden, wird der Schriftsteller Russell Core von den Eltern eines vermissten sechsjährigen Jungen angeheuert, um ihren Sohn in der Wildnis Alaskas ausfindig zu machen.Nach dem Tod dreier Kinder, die anscheinend von Wölfen getötet wurden, wird der Schriftsteller Russell Core von den Eltern eines vermissten sechsjährigen Jungen angeheuert, um ihren Sohn in der Wildnis Alaskas ausfindig zu machen.
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Empfohlene Bewertungen
This was a fantastic film. The acting was solid, stoic, and appropriate for the subject matter. The cinematography was absolutely stunning; leave it to Saulnier to remind us just how red blood really is against the snow.
The story itself was bleak. Bleak doesn't mean boring. On the contrary, this film is a commentary on the darkness in human nature.
Yes the ending is ambiguous, yes it is a slow burn, and yes the subject matter is bleak. I believe these three things only constitute a bad film in the eyes of someone whose idea of perfect cinema is superhero movies.
I cannot state this loudly enough: unfortunately, IMDb reviews no longer reflect the quality of a film. I understand this film is not for everyone; however, the amount of reviews stating "this didn't make sense" is abysmal.
The story itself was bleak. Bleak doesn't mean boring. On the contrary, this film is a commentary on the darkness in human nature.
Yes the ending is ambiguous, yes it is a slow burn, and yes the subject matter is bleak. I believe these three things only constitute a bad film in the eyes of someone whose idea of perfect cinema is superhero movies.
I cannot state this loudly enough: unfortunately, IMDb reviews no longer reflect the quality of a film. I understand this film is not for everyone; however, the amount of reviews stating "this didn't make sense" is abysmal.
The worst movie i have ever seen in my life.
nothing happens and there is no story line.
Now they're saying we should've read the book first. That really ticks me off. A good screenplay should be able to stand on its own, even if from another source. The best part of this movie was the ending, as it ended my suffering. Almost everything in this story, from beginning to end, made no sense at all. And it crawled like a sick slug.
Jeffrey Wright was good, but then he always is.
Jeffrey Wright was good, but then he always is.
The basic premise of Jeremy Saulnier's adaptation of Hold the Dark takes place in Alaska where wolf expert Russell Core has arrived to investigate the disappearance of a child claimed by his mother to have been taken from the very animal Core studies. From there Core discovers that the wolves may be the least of his concern.
The film is interesting through its dark atmospheric tone and gorgeous yet haunting cinematography of the wild landscape. As with any other of his, the violence is very sudden and brutal. It sneaks up behind you and leaves you in gasp from the site of it. While the body count is way higher and on a much bigger canvas, it lacks the self-contained momentum of Green Room and Blue Ruin. The pacing felt very inconsistent at times especially as it seems it never quiet matches the shocking shootout scene that happens in the middle act. Both Jeffrey Wright and Alexander Skarsgard get to show great character work in their performances. Wright shows Core as a man whom is sympathetic towards wolves as he sees their behaviour isn't intentionally evil but is disturbed and often times terrified of what horrifying acts human beings themselves do throughout the story. And Skarsgard as the missing boy's veteran father Vernon brings an intensity and intimidating presence while still conveying there is still a little bit of humanity left in him to understand his motivations. While the characters are certainly compelling, the vaguely defined supernatural element makes the story's direction feel too plot heavy and less compelling. The story is very much an exploration of how human behaviour can be more vicious then nature itself. While the conclusion makes sense thematically, it can feel anti-climatic depending on how much you are invested in the themes.
Hold the Dark I wouldn't call a disappointment but does not live up to the quality of his past films. It still has some really good scenes that are still worth watching.
The film is interesting through its dark atmospheric tone and gorgeous yet haunting cinematography of the wild landscape. As with any other of his, the violence is very sudden and brutal. It sneaks up behind you and leaves you in gasp from the site of it. While the body count is way higher and on a much bigger canvas, it lacks the self-contained momentum of Green Room and Blue Ruin. The pacing felt very inconsistent at times especially as it seems it never quiet matches the shocking shootout scene that happens in the middle act. Both Jeffrey Wright and Alexander Skarsgard get to show great character work in their performances. Wright shows Core as a man whom is sympathetic towards wolves as he sees their behaviour isn't intentionally evil but is disturbed and often times terrified of what horrifying acts human beings themselves do throughout the story. And Skarsgard as the missing boy's veteran father Vernon brings an intensity and intimidating presence while still conveying there is still a little bit of humanity left in him to understand his motivations. While the characters are certainly compelling, the vaguely defined supernatural element makes the story's direction feel too plot heavy and less compelling. The story is very much an exploration of how human behaviour can be more vicious then nature itself. While the conclusion makes sense thematically, it can feel anti-climatic depending on how much you are invested in the themes.
Hold the Dark I wouldn't call a disappointment but does not live up to the quality of his past films. It still has some really good scenes that are still worth watching.
Don't go in expecting Green Room. This film is more of an atmospheric, slow burn with occasional bursts of intensity rather than a straightforward thriller.
Some of the plot elements and how they are handled will turn people off but the craftsmanship here is impossible to ignore. The performances are for the most part strong and the visuals are beautifully bleak. The violence is explosive and disturbing. Fans of Saulnier, and fans of genre in general, will find a lot appreciate here.
Those who want things wrapped up neatly may be disappointed, as the themes the film deals with, along with how it presents them, warrants a second watch. It's not necessarily a story with a satisfying conclusion and no loose ends. Some of the ambiguity felt unnecessary and could have been handled better, but the script is overall solid, if a bit of a mixed bag.
Overall the film's story gets its message across, regarding the exploration of the line between human and animal, and the feral tendencies we bury deep in ourselves. It could have used a bit of cleanup getting there, but it's still a strongly crafted film above all else.
6/10.
Some of the plot elements and how they are handled will turn people off but the craftsmanship here is impossible to ignore. The performances are for the most part strong and the visuals are beautifully bleak. The violence is explosive and disturbing. Fans of Saulnier, and fans of genre in general, will find a lot appreciate here.
Those who want things wrapped up neatly may be disappointed, as the themes the film deals with, along with how it presents them, warrants a second watch. It's not necessarily a story with a satisfying conclusion and no loose ends. Some of the ambiguity felt unnecessary and could have been handled better, but the script is overall solid, if a bit of a mixed bag.
Overall the film's story gets its message across, regarding the exploration of the line between human and animal, and the feral tendencies we bury deep in ourselves. It could have used a bit of cleanup getting there, but it's still a strongly crafted film above all else.
6/10.
Wusstest du schon
- WissenswertesThe film was shot in 61 days in Alberta, Canada, approximately 2,000 miles away from its setting.
- PatzerCheeon tells Vernon there's a blue Ford Bronco waiting for him. There's not. It's a Chevy Blazer.
- VerbindungenReferenced in WatchMojo: Top 10 Must See Trailers of August 2018 (2018)
- SoundtracksYou'll Lose a Good Thing
Written by Huey P. Meaux and Barbara Lynn (as Barbara Lynn Ozen)
Performed by Lou Ann Barton
Courtesy of New West Records
By arrangement with Sugaroo!
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Details
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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