Es ist ein Dschungel da draußen für Blu, Jewel und ihre drei Kinder, nachdem sie von Rio de Janeiro in die Wildnis des Amazonas geschleudert wurden.Es ist ein Dschungel da draußen für Blu, Jewel und ihre drei Kinder, nachdem sie von Rio de Janeiro in die Wildnis des Amazonas geschleudert wurden.Es ist ein Dschungel da draußen für Blu, Jewel und ihre drei Kinder, nachdem sie von Rio de Janeiro in die Wildnis des Amazonas geschleudert wurden.
- Nominiert für 1 BAFTA Award
- 2 Gewinne & 24 Nominierungen insgesamt
Jesse Eisenberg
- Blu
- (Synchronisation)
Anne Hathaway
- Jewel
- (Synchronisation)
Jemaine Clement
- Nigel
- (Synchronisation)
Andy Garcia
- Eduardo
- (Synchronisation)
Jake T. Austin
- Fernando
- (Synchronisation)
Carlinhos Brown
- Audition Bird
- (Synchronisation)
Kristin Chenoweth
- Gabi
- (Synchronisation)
Jim Conroy
- Capoeira Turtle
- (Synchronisation)
Rachel Crow
- Carla
- (Synchronisation)
Bernardo De Paula
- Carnival Barker
- (Synchronisation)
- …
Nola Donkin
- Opera Bird
- (Synchronisation)
Miguel Ferrer
- Big Boss
- (Synchronisation)
Jamie Foxx
- Nico
- (Synchronisation)
Pierce Gagnon
- Tiago
- (Synchronisation)
Jeffrey Garcia
- Spoonbill
- (Synchronisation)
- …
Bebel Gilberto
- Eva
- (Synchronisation)
Jason Harris
- Old Bird
- (Synchronisation)
Amy Noonan
- Rapping Sloth
- (Synchronisation)
- (as Amy Heidemann from Karmin)
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While it wasn't the best movie or even the best animation I have seen this year, this movie is definitely entertaining.
The movie begins with Blu, Jewel and their three kids having fun in their home in Rio, while Blu's former owner, Linda, and her husband, Tulio, are in the amazon. While in the Amazon, they discover a flock of blue macaws. Seeing this on the news, Jewel is desperate to visit and the story begins as Blu, his family and his friends from the last movie accompany him to the Amazon.
The story is decent. There are quite a few songs and plenty of comedic moments as well. While Blu is trying to fit in the tribe, there are a couple of dangerous foes around, Nigel and an illegal tree logger (one of which had plenty of moments which kind of reminded me of Avatar). There are plenty of great moments in the amazon when Blu is trying to fit in, which leads to one of my favourite moments, which was when they revealed the Pit of Doom. Also, it was fun to see Nigel (the white cockatoo) back, along with some new characters. The voice-work and music were quite good as well.
This movie is entertaining, the story and ending are nice as well. Although I have rated it the same as Rio, I think this was a little better. Found it to be quite funny and more action packed as well. A fun family movie.
The movie begins with Blu, Jewel and their three kids having fun in their home in Rio, while Blu's former owner, Linda, and her husband, Tulio, are in the amazon. While in the Amazon, they discover a flock of blue macaws. Seeing this on the news, Jewel is desperate to visit and the story begins as Blu, his family and his friends from the last movie accompany him to the Amazon.
The story is decent. There are quite a few songs and plenty of comedic moments as well. While Blu is trying to fit in the tribe, there are a couple of dangerous foes around, Nigel and an illegal tree logger (one of which had plenty of moments which kind of reminded me of Avatar). There are plenty of great moments in the amazon when Blu is trying to fit in, which leads to one of my favourite moments, which was when they revealed the Pit of Doom. Also, it was fun to see Nigel (the white cockatoo) back, along with some new characters. The voice-work and music were quite good as well.
This movie is entertaining, the story and ending are nice as well. Although I have rated it the same as Rio, I think this was a little better. Found it to be quite funny and more action packed as well. A fun family movie.
Story: The story here suffers from too many subplots, and a lack of focus. It also doesn't help that all the subplots here are generic. This would would kill a film......if it was made by someone like Pixar or Studio Ghibli. But since this film's plot isn't the main focus, or why audiences watched the 1st Rio, then the bad story doesn't really hurt this film as much as it could've been. But it's still a bad story nonetheless. 4/10
Animation: It's beautiful, gorgeous, colorful, and worth watching on Blu-ray or Blu-ray 3D. 10/10
Characters And Comedy: All characters here follow standard archetypes we all know of, but Nigel and Gabi serve as the most original and most entertaining. Comedy is solid with some funny moments in the film. 6/10
Sound: Good score and amazing soundtrack. Love the songs here more than Frozen, but none really hit the heights of Hot Wings from the 1st. Although some of the songs do come close. 9/10
Acting And Casting: All actors/actresses do a good job voicing their roles, especially with Jesse E. as the voice of Blu. I'm also surprised Bruno Mars didn't suck. 7/10
Verdict: Don't watch this film for the story. Watch it like you would a Madagascar film and just sit back, relax, and enjoy an entertaining family film with some beautiful animation, good comedy, and amazing songs.
Extra: +1 for being a sequel I enjoyed.
Rating: 8/10
For a more in-depth review (stupid 1000 word limit), check out my Metacritic review: http://www.metacritic.com/user/DemonicSoul?myscore- filter=Movie
Animation: It's beautiful, gorgeous, colorful, and worth watching on Blu-ray or Blu-ray 3D. 10/10
Characters And Comedy: All characters here follow standard archetypes we all know of, but Nigel and Gabi serve as the most original and most entertaining. Comedy is solid with some funny moments in the film. 6/10
Sound: Good score and amazing soundtrack. Love the songs here more than Frozen, but none really hit the heights of Hot Wings from the 1st. Although some of the songs do come close. 9/10
Acting And Casting: All actors/actresses do a good job voicing their roles, especially with Jesse E. as the voice of Blu. I'm also surprised Bruno Mars didn't suck. 7/10
Verdict: Don't watch this film for the story. Watch it like you would a Madagascar film and just sit back, relax, and enjoy an entertaining family film with some beautiful animation, good comedy, and amazing songs.
Extra: +1 for being a sequel I enjoyed.
Rating: 8/10
For a more in-depth review (stupid 1000 word limit), check out my Metacritic review: http://www.metacritic.com/user/DemonicSoul?myscore- filter=Movie
As someone who loved the first film, while the advertising was not the best it didn't put me off seeing Rio 2. And it was very enjoyable, not as good as the original but it is an example of animated sequels that do work. The story and the pacing are uneven here, with the film getting off to a slightly slow start and feeling rushed in other places, though you do have to admire the energy there is. There are plenty of fun parts with the second half far more compelling than the first and the film rarely has a dull moment, but structurally it is on the thin side and content-wise it feels overstuffed. However, if you want lots of colour, catchy music, fun and good characters and voice acting, Rio 2 very like its predecessor doesn't disappoint. The animation is amazing with lots of vibrant detail especially in the backgrounds and nothing looks hurried or static. The colours are even more brighter and colourful than the first film too. The music has that Brazilian flavour and the songs are incredibly catchy. Don't Go Away is a very touching song, but the highlights are the pizazz-personified Poisonous Love and the hilarious rap version of I Will Survive(thought I'd never say this, can't stand rap on the most part). While the film does feel overstuffed, the content is actually really good, dialogue-wise it's smartly written and has a fair amount of heart while the gags provide plenty of laughs with sharp timing, the best being the soccer match, the jungle auditions and any scene(the Romeo and Juliet part in particular) with Gabi and Nigel. The characters are still engaging, Blu and Jewel are likable lead characters though they had more to do in the first one and Nigel has that menacing streak but is a riot. There are some great new characters as well, with Gabi as good a character as and in some cases even better the original ones. The voice acting adds to that, Jemaine Clement and Kristen Chenoweth are both phenomenal helped by that they have the film's best moments, though Jesse Eisenberg, Anne Hathaway, Andy Garcia and everybody else acquit themselves more than fine too. To conclude, a good sequel to a great original, enjoyed it a lot and when it comes to animated sequels there is definitely much worse(ie. Secret of NIMH 2). 7/10 Bethany Cox
Getting back into thinking about how narratives get put together, I am reminded of how many radically different strategies there are in approaching a film.
If you talk to the (old) Pixar guys, what you'll hear is a focus on story, a cinematic notion of story, above all else. The story comes first; characters emerge whether they are promising franchise characters or not. It is all about making the flow engaging and creating a lasting experience.
As I go through my list of valued filmmakers, I can pull out a number of different approaches: Ruiz looks for the dissonance between narrative layers and removes the middle. Cronenberg finds a disturbing edge, creates a situation, then builds things to present it. Spielberg makes comics that are refined in story boards then mechanically reproduced in film. I'll have to think about the varieties.
Then we have this guy, Saldanha, who has sold a lot of tickets to happy viewers.
The strategy here seems to be to create characters above all else. Make characters. Find some kind of simple enclosing story, it doesn't matter what. Have all the characters create their own local, small static narrative. Then just embellish and display those.
I suppose this approach has been refined over on the half hour TeeVee comedy side where story is just an excuse to have character spaces interact. I am always surprised when I see this work, and it plainly does here, though none of the characters are compelling in the ordinary way.
I suppose I shouldn't be surprised. In other films, I see stories getting ever more compelling in surprising ways and exhibiting self-awareness with increasing sophistication.
These are fun movies, not art films I'm talking about. So it makes sense to have films like Ice Age and Rio for minds that don't work that way, that have shorter narrative attention spans and undeveloped narrative sense.
While this is designed for international audiences, and made by a Brazilian and set in Brazil. But most of the voices and nearly all the songs are hip hop urban style that is uniquely American.
If you talk to the (old) Pixar guys, what you'll hear is a focus on story, a cinematic notion of story, above all else. The story comes first; characters emerge whether they are promising franchise characters or not. It is all about making the flow engaging and creating a lasting experience.
As I go through my list of valued filmmakers, I can pull out a number of different approaches: Ruiz looks for the dissonance between narrative layers and removes the middle. Cronenberg finds a disturbing edge, creates a situation, then builds things to present it. Spielberg makes comics that are refined in story boards then mechanically reproduced in film. I'll have to think about the varieties.
Then we have this guy, Saldanha, who has sold a lot of tickets to happy viewers.
The strategy here seems to be to create characters above all else. Make characters. Find some kind of simple enclosing story, it doesn't matter what. Have all the characters create their own local, small static narrative. Then just embellish and display those.
I suppose this approach has been refined over on the half hour TeeVee comedy side where story is just an excuse to have character spaces interact. I am always surprised when I see this work, and it plainly does here, though none of the characters are compelling in the ordinary way.
I suppose I shouldn't be surprised. In other films, I see stories getting ever more compelling in surprising ways and exhibiting self-awareness with increasing sophistication.
These are fun movies, not art films I'm talking about. So it makes sense to have films like Ice Age and Rio for minds that don't work that way, that have shorter narrative attention spans and undeveloped narrative sense.
While this is designed for international audiences, and made by a Brazilian and set in Brazil. But most of the voices and nearly all the songs are hip hop urban style that is uniquely American.
Rio I was good enough to be entertaining and loved. It was fun. However, there wasn't much of a necessity to a sequel unless it matches its level and authencity. They are already happy, one, satisfied. There isn't a huge plot to look for. There isn't much space for comedy or even the twists and turns. It was so unoriginal I couldn't even connect them back to the ones they already were. The visuals make us awestruck and are very creative. However, only visuals can't make a movie complete. I didnt enjoy it. Heisenberg was good when his csreer stafted, hasn't been as effective in theast few years. However, He's still young and already a big name.
Wusstest du schon
- WissenswertesThere are roughly 150 Spix's Macaws that make up the giant "2" of the U.S. teaser poster. The number of Spix's Macaws within that formation seems to loosely follow the real-life population of the species left in existence (most of which are kept in captivity around other parts of the world).
- PatzerWhen Linda and Tulio notice that their canoe is coming towards a waterfall, they act frightened and start back-paddling like crazy, when all they had to do was climb out of their canoe before it reached the waterfall.
- Crazy CreditsThe 20th Century Fox fanfare that plays during the opening studio logo has a samba beat to it.
- VerbindungenEdited from Rio (2011)
- SoundtracksWhat Is Love (Cast)
Music by Janelle Monáe, Nate 'Rocket' Wonder (as Nathaniel Irvin III) and Roman GianArthur Irvin (as Roman Irvin)
Lyrics by Janelle Monáe
Performed by Janelle Monáe, Will.i.am (as will.i.am), Anne Hathaway, Jesse Eisenberg, Jamie Foxx and Carlinhos Brown
Produced by Wondaland and John Powell
Janelle Monáe performs courtesy of Wondaland/Atlantic Recording Corporation
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Río 2
- Drehorte
- Brasilien(All the action of the film)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 103.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 131.538.435 $
- Eröffnungswochenende in den USA und in Kanada
- 39.327.869 $
- 13. Apr. 2014
- Weltweiter Bruttoertrag
- 498.781.117 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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