Girlfriend Boyfriend

She loves him! he loves him! If the relationship is not established when time is not established, we are not willing to endure hardships for anyone, we are just asking for hardship. No matter how much we fall in love, we can't stand the most primitive cold of the world. Love is bigger than being loved, we are all Meibao, we are all Ah Liang, we believe in love and suffering for love, and later surrendered to become a good medicine. Magnolia floated by, things have changed.

A well-made, coming-of-age drama that explores friendship, romance, sexuality and politics, Yang Ya-Che's GF*BF (alternatively titled as GIRLFRIEND BOYFRIEND) is one of the best Taiwanese movies I've ever come across. No wonder the movie is well-deserved to earn 7 nominations at the 49th Golden Horse Awards (which later won Gwei Lun-Mei a Best Actress award as well as Audience Choice Award).

Told over the span of three decades (1985, 1997 and 2012), the movie begins with a brief prologue set in the present day before it goes back in time in 1985, where we are introduced to three Taiwan high-schoolers Mabel (Gwei Lun-Mei), Liam (Joseph Chang) and Aaron (Rhydian Vaughan). All of them are activists rebelling against the martial law during the turbulent period of 1980s Taiwan. On the personal side, Mabel loves Liam a lot, but Liam doesn't really have a feeling for her. So she ends up falling in love with Aaron instead. Liam, in the meantime, is actually a closeted homosexual who's been longing for Aaron. This is one complicated love triangle which will make your head spin upon watching the movie.

Which is why the trio's love triangle is one of the unique selling points in GF*BF. All three actors delivered top-notch and remarkably convincing performances where you'll feel emotionally involved with them. Gwei Lun-Mei is particularly excellent in what would be her best performance to date as a spunky girl with hidden vulnerability. Joseph Chang is equally captivating as a silent-type individual who loves to bottle up his emotion, and he's especially good when he communicates his character through his expressive eyes. Rhydian Vaughan is perfectly cast as a playful and sweet-talking Aaron.

Yang's direction is well-calculated and more than often, he successfully delivers a roller-coaster ride of varied emotions ranging from happiness to heartbreak with such genuine affection. On the other hand, Yang's keen observation over the multiple themes he's been exploring throughout his movie is passionately told, yet thought-provoking enough at the same time. Even the political aspect depicted earlier in the movie, which is actually served as a mere backdrop, has a certain impact served in his storyline.

The 1985 segment is easily the most memorable moment of all as Yang captures the sheer exuberance of what it's like to be a rebellious youth during that particular era where rules don't apply and freedom of speech is crucial for living a life to the fullest.

If there's a flaw in the movie, I must say that Vaughan's performance can be a bit underwhelming at times. Other than that, Yang's complicated storyline can be a little convoluted.

Production values are ace, while the soundtrack hits all the right notes in term of capturing the essence of the three different eras as well as the overall context of the movie.

You should really go with your Asian friend.

This is the best Taiwanese movie i have ever seen, which talks about love.

The way it presents the story is so romantic, that you will literally fall in love with the movie.

Main actors and actress are so cute, their acting is natural, sentimental, and tear-alluring.

I really hope more and more MADE IN TAIWAN can find its market in the U.S., there are so many people here who appreciates Taiwanese products, especially their amazing movies.

Love it

"GF*BF" is one of those tragic life experiences disguised within layers of a coming of age kind of youthful romance, but really it is a deep and complicated emotional turmoil about three tragic souls growing up in Taiwan during the 80s period of immense social change.

"GF*BF" is an immensely difficult film to review, as it is one of those films that is impossible to dislike. It is well directed, stylishly filmed, complicatedly and originally scripted, filled with some truly wonderful and convincing performances, but somehow, it doesn't totally go the distance. In saying so, director Yang Ya-che does a wonderful job in bringing such a complicated and layered script to life and almost pulled it off convincingly. In fact, there are times when I was almost overwhelmed by the volume of feelings and emotions on display, but somehow the film lacks a resonance emotional connection with the audience that could have propel the film to reach its lofty ambitions. Not unlike 2006′s Taiwanese youth romance "Eternal Summer" (also starring lead actor Joseph Chang), the film deals with similar issues and situated during a testing period of time in Taiwan and for youth growing up in general.

In many ways the film attempts to say too much, striving to be far too complex and by the end of it, the film itself is caught within its own web. There is just so much potential that director Yang could've explored, but somehow fails to fully capitalize on it. In fact, some scenes are so powerful and notable, namely the intense confrontation scene at the karaoke room, the simple good bye gesture from Gwei Lun Mei looking on by the bedroom window and the brilliant scene at the airport near the end. At times, the quality from these scenes feels as though it came from a different movie all together. However, a few scenes do not make a movie and instead of uplifting the audience to the ultimate emotional connection, the film decides to cut and chop to another time period.

Joseph Chang ("Eternal Summer") at times is able to even outshine the always brilliant Gwei Lun Mei ("Secret"). Chang is quietly wonderful in the conflicted role and carries the film with the most difficult character on hand. Rhydian Vaughan ("Love 2012") tries hard, but is given far too little material to work with, other than being a total jerk. In a way, Gwei Lun Mei is fast becoming the Taiwanese's version of Zhou Xun and that's the highest order of compliment an Asian actress can receive in this day and age. Her chemistry with Chang is undeniable and the subtle moments between the two are best left in the unspoken scenes of early tiny touches, wandering eyes and some stirring emotions. What director Yang is able to achieve is being able to create and allow the audience to focus on the two main characters (Gwei Lun Mei and Joseph Chang) that in more than one ways or another are clearly two complete mirror images of each other.

At the end of the day, Yang tries extremely hard to convince the audience about the subject matter that he is trying to say. While there are notions of life, love and friendship that one can possibly learn from or even relate, the film seems more occupy with the twists and turns of complexity into the dynamics of the trio relationships than actual cinematic experience for the audience. With that being said, "GF*BF" is easily a good film, filled with some truly wonderful performances, helmed by an ambitious director and illuminated by a difficult period of change in Taiwanese history. One just cannot help compare the similarities with 2006's "Eternal Summer", but of the two films, there is no doubt that Yang takes it much further. A good film that comes up short of its lofty ambitions (Neo 2012)

I rate it 8/10

Taiwanese films are becoming sexy again, and this probably is due in part of its crop of up and coming directors who are now holding their own against the art-house veterans, with their box office success being indication of their connecting with the audience at large, both local and overseas. Writer-director Yang Ya-Che's second feature film gf*bf shows the kind of appeal that's attractive to the general audience with its themes of romance starring a good looking cast, but in essence has a powerful story as gravitas to back it up.

Told over three decades from the martial law of the 80s, to the free spirited 90s and of today, the story revolves around three students, rebellious in their own right during their school days, but forming firm relations and friendship during their formative years. The brilliance in the scripting is in how Yang managed to craft really complex relationships between these three primary characters alone that worked on multiple levels, and showed a very fine and keen observation of the human condition, in the way we allow ourselves to be influenced by society at large, whether to conform or rebel against it, and how such decisions affect and change our behaviours, attitudes, and perhaps personality as well.

It's about how people change over time due to events and ever growing experience, whether jaded ones or otherwise, and how these changes affect the people around us, especially those whom we care about most. For Mabel (Gwei Lun-Mei), Liam (Chang Hsiao-Chuan) and Aaron (Rhydian Vaughan), life in school meant plenty of opportunities to work against the uniformed establishment, to try and break free from restrictive, and sometimes inexplicable rules. The impetuousness of youth continues into the 90s where the student movement got larger and more proactively vocal, before life in the present requires a lot more responsibility and level- headedness, with a surprise in the twist of narrative thrown in for good measure.

The trio's love triangle is what made this film come alive, and that's all that should be mentioned about it. While the title may be that little giveaway, suffice to say the romance in the film, amongst the characters, prove to be the best thing about the movie. All three actors gave convincing performances, that you'll feel every heart break, every heart wrench, and share in their little moments of happiness and warmth when things go their way, albeit not most of the time. Yang Ya-Che shows off some incredible sensitivity in making all of them multi-faceted, and multi-dimensional, and each of the actors did brilliantly to flesh their characters, making all of them pretty much endearing as we chart their ups and downs in life, especially their luck in love, or lack thereof.

Gwei Lun-Mei anchors the film, being the female amongst the two male leads, probably put in the best performance to date in a role that has plenty of spunk, yet filled with girly vulnerability when she gets her heart open and prone to heartbreak. There's a little sub plot involving her getai performing mom, and that provided a little bit of a distraction from the main narrative. While Rhydian Vaughan will likely set hearts aflutter with his good looks, playing the brash and sweet talking Aaron, Chang Hsiao-Chuan puts in a performance that's completely opposite as if to starkly contrast in broad terms, two different categories of men, and excelled in playing the strong, silent type who had too much bottled within him. For a reason of course.

gf*bf hardly put in a wrong foot in its story telling, and makes the audience work for their reward. There are films which make it easy to understand from the onset no thanks to having everything told in verbatim fashion, but this one allows some piecing together of facts and information, with a little bit of cultural and historical significance put on the side, that makes it unique, moving, and a masterful piece of filmmaking.