Lan se da men
- 2002
- 1 Std. 25 Min.
IMDb-BEWERTUNG
7,4/10
4591
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn is-she-or-isn't-she gay comedy focused on a Taiwanese teen, the boy she might like, and the girl she may love.An is-she-or-isn't-she gay comedy focused on a Taiwanese teen, the boy she might like, and the girl she may love.An is-she-or-isn't-she gay comedy focused on a Taiwanese teen, the boy she might like, and the girl she may love.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Lun-Mei Gwei
- Meng Kerou
- (as Lun-mei Guey)
Chen Bolin
- Zhang Shihao
- (as Bo-lin Chen)
Yolin Liang
- Lin Yuezhen
- (as Shu-hui Liang)
Ding-Yang Weng
- Accosting person
- (as Guey-bang Wung)
Empfohlene Bewertungen
"A fantastic film about adolescence"
Unfortunately, I doubt many in the U.S. will ever see it. I'm also unsure as to whether U.S. audiences would like it much anyway. I myself loved it - it's very beautiful, one of the best films on that age group I've ever seen.
The story revolves around three teens in a Taipei high school, two girls and a boy. The girls like to think of themselves as BFFs ("best friends forever!") and, like any two best friends, they talk to each other about boys. The third character is the boy one of them likes. The two girls look for him one night and the girl who doesn't like him approaches him to tell him that her girlfriend has a crush on him. The second girl, however, is too nervous and flees the scene. The boy then thinks that the girl who approached him actually likes him but won't say it straight out.
I won't go on with the plot. If I am wrong and it does get a U.S. release, I don't want to be the one who ruins the surprises (I'll let the professional critics do that). Suffice it to say that, unlike American films about high school, Blue Gate Crossing remains simple and honest all the way through. There are no subplots or melodramatic developments. No one gets knocked up or dies in a tragic drag racing accident. We are just left to witness the sweet and beautiful events in the lives of these three characters. The reason that I believe it will never be officially released in the United States is this: it'll seem far too innocent. These kids are meant to be between 16 and 18 years old. For a U.S. audience, their actions and attitudes will seem like those of sixth graders. Perhaps even in Taiwan it will be seen as quaint. One of the film's producers, Peggy Chiao, was present at the screening I attended and she said that the director himself (Yi Chih-yen) was afraid that the film was too sweet. It's really up to 1) distributors and 2) film critics. Let's face it, the first obstacle for U.S. distribution will be nearly impossible to overcome. As for critics, people love to flaunt that critics in this modern day and age are meaningless. That may be true for the latest teen sex comedy, but for foreign films they are of the utmost importance. I am afraid that they will see little but an after school special in Blue Gate Crossing. Let's all hope I'm wrong and that this'll be the biggest foreign hit since Crouching Tiger, Hidden Dragon. 9/10.
Unfortunately, I doubt many in the U.S. will ever see it. I'm also unsure as to whether U.S. audiences would like it much anyway. I myself loved it - it's very beautiful, one of the best films on that age group I've ever seen.
The story revolves around three teens in a Taipei high school, two girls and a boy. The girls like to think of themselves as BFFs ("best friends forever!") and, like any two best friends, they talk to each other about boys. The third character is the boy one of them likes. The two girls look for him one night and the girl who doesn't like him approaches him to tell him that her girlfriend has a crush on him. The second girl, however, is too nervous and flees the scene. The boy then thinks that the girl who approached him actually likes him but won't say it straight out.
I won't go on with the plot. If I am wrong and it does get a U.S. release, I don't want to be the one who ruins the surprises (I'll let the professional critics do that). Suffice it to say that, unlike American films about high school, Blue Gate Crossing remains simple and honest all the way through. There are no subplots or melodramatic developments. No one gets knocked up or dies in a tragic drag racing accident. We are just left to witness the sweet and beautiful events in the lives of these three characters. The reason that I believe it will never be officially released in the United States is this: it'll seem far too innocent. These kids are meant to be between 16 and 18 years old. For a U.S. audience, their actions and attitudes will seem like those of sixth graders. Perhaps even in Taiwan it will be seen as quaint. One of the film's producers, Peggy Chiao, was present at the screening I attended and she said that the director himself (Yi Chih-yen) was afraid that the film was too sweet. It's really up to 1) distributors and 2) film critics. Let's face it, the first obstacle for U.S. distribution will be nearly impossible to overcome. As for critics, people love to flaunt that critics in this modern day and age are meaningless. That may be true for the latest teen sex comedy, but for foreign films they are of the utmost importance. I am afraid that they will see little but an after school special in Blue Gate Crossing. Let's all hope I'm wrong and that this'll be the biggest foreign hit since Crouching Tiger, Hidden Dragon. 9/10.
Yes, this is a Taiwanese "art film"; and it does explore an old and worn theme - coming of age in high school. However, it does so in a tender, unusual way. Additionally, it tells a teen lesbian awakening, still now quite daring material for film from that part of the world. But, it is a sweet film, which really does not come off as being neither artsy nor gay. The characters are common people, yet sensitive and well developed. They come across as average, normal people one can relate to. In short, this is a little gem: simple, very believable, well told, leaving one full of good feelings at the end.
Dreamy, Romantic, Tender. OK We've been given those on the poster. They are not ones I would use. Instead I'd go with: Adorable, Sweet, Sensitive, Well-acted, Well-directed, Well-written. It was a JOY to watch this film.
It took me a few minutes to warm up to the characters, but only a few. We meet the two girls first, a girly-girl who seems to be in control, and a brooding follower. Not much to go on with that. Girly girl spots sensitive boy and wants him, but insists that brooding girl act as the go-between.
The film focuses on the friendship that develops between brooding girl and sensitive boy after that. Brooding girl becomes razor-sharp, adorably mixed up commando teen when paired up with sensitive boy who has fallen in love with her.
This film did a remarkable job of capturing teens as they are: insecure and passionate; as easily hurt as they are to fall in love. They provoke each other without knowing why. One of the many highlights of this film is when the boy and girl, when they've run out of verbal ammunition, begin a shoving match. It goes on for some time and then the director simply cuts to a scene of the two of them straightening up their surroundings together. The director makes many decisions like that to keep us focused on the big picture: (stuff) happens, and then something else happens. There's no stopping it.
I have to point out that watching this Taiwanese film with English subtitles added quite a bit to the adorableness of it. For example, after brooding girl sets up sensitive boy with girly-girl, who knows he likes brooding girl, (you have to see the film to see how that happens), sensitive boy walks girly-girl home. After an uncomfortably done good-bye, girly-girl calls out after sensitive boy as he's about to mount his bicycle and says: "Zhang Shihao, (pause) can you date with me?" I don't know exactly what was said in Taiwanese, but that odd translation seemed to capture the moment perfectly.
I smiled from ear to ear while watching this movie from the time sensitive boy was introduced until the very end. This is an exceptionally well done film.
It took me a few minutes to warm up to the characters, but only a few. We meet the two girls first, a girly-girl who seems to be in control, and a brooding follower. Not much to go on with that. Girly girl spots sensitive boy and wants him, but insists that brooding girl act as the go-between.
The film focuses on the friendship that develops between brooding girl and sensitive boy after that. Brooding girl becomes razor-sharp, adorably mixed up commando teen when paired up with sensitive boy who has fallen in love with her.
This film did a remarkable job of capturing teens as they are: insecure and passionate; as easily hurt as they are to fall in love. They provoke each other without knowing why. One of the many highlights of this film is when the boy and girl, when they've run out of verbal ammunition, begin a shoving match. It goes on for some time and then the director simply cuts to a scene of the two of them straightening up their surroundings together. The director makes many decisions like that to keep us focused on the big picture: (stuff) happens, and then something else happens. There's no stopping it.
I have to point out that watching this Taiwanese film with English subtitles added quite a bit to the adorableness of it. For example, after brooding girl sets up sensitive boy with girly-girl, who knows he likes brooding girl, (you have to see the film to see how that happens), sensitive boy walks girly-girl home. After an uncomfortably done good-bye, girly-girl calls out after sensitive boy as he's about to mount his bicycle and says: "Zhang Shihao, (pause) can you date with me?" I don't know exactly what was said in Taiwanese, but that odd translation seemed to capture the moment perfectly.
I smiled from ear to ear while watching this movie from the time sensitive boy was introduced until the very end. This is an exceptionally well done film.
10Bigprisc
Do you remember what you have done when you are 17? If it is similar to how i remembered mine, then this movie would invoke alot of memories. Isn't life like that: simple, un-eventful, yet confusing and full of uncertainties?
I applaud the way the director handled this coming-of-age movie. He managed to touch a really heavy topic like homosexuality without throwing it into our face. He had managed to keep everything simple, with no dramatic ups and downs, but accurately reflect the lives of 17 year olds. The lead characters may seem too sweet and innocent, but pretty accurate to people in Asia.
To keep the movie real, the director went to the streets and got the male lead Chen Bo-lin (Zhang Shi Hao) and the female lead Gui Lun Mei (Meng Ke Rou) and all of the other cast. And knowing that they were all first time actors really lifts up the mood of the movie. I say they did a great job. By the way, the name 'Meng Ke Rou' means 'fierce subdue the gentle' (although not the exact words, the pronunciation is similar), which to me is a subtle undertext to her character. The biggest applause goes to Gui who did a great job portraying in Meng's confusion and awkwardness, and her struggle to conform to society's standards.
Watch the movie for its simplicity, if you are looking for a plot heavy, technically driven movie, this is the wrong place. One of my fave movies of all times.
I applaud the way the director handled this coming-of-age movie. He managed to touch a really heavy topic like homosexuality without throwing it into our face. He had managed to keep everything simple, with no dramatic ups and downs, but accurately reflect the lives of 17 year olds. The lead characters may seem too sweet and innocent, but pretty accurate to people in Asia.
To keep the movie real, the director went to the streets and got the male lead Chen Bo-lin (Zhang Shi Hao) and the female lead Gui Lun Mei (Meng Ke Rou) and all of the other cast. And knowing that they were all first time actors really lifts up the mood of the movie. I say they did a great job. By the way, the name 'Meng Ke Rou' means 'fierce subdue the gentle' (although not the exact words, the pronunciation is similar), which to me is a subtle undertext to her character. The biggest applause goes to Gui who did a great job portraying in Meng's confusion and awkwardness, and her struggle to conform to society's standards.
Watch the movie for its simplicity, if you are looking for a plot heavy, technically driven movie, this is the wrong place. One of my fave movies of all times.
I went to see this by chance one wet afternoon after work and came out feeling great. It's a quirky little gem that carries you along and reminds you of the innocence and emotions you felt as a teenager. It does this in a manner that is totally authentic to the culture from which it comes and reminds us of our own cultures loss of identity.
The male character is interesting as he is initially manipulated as a naive male teen by the lead female (who is lesbian), but later metamorphosis's into a strong and true friend who we could all use. I loved the bit where they sit on their bicycles next to each other in the traffic and watch each others faces in between inching alternatively ahead of each other.
The male character is interesting as he is initially manipulated as a naive male teen by the lead female (who is lesbian), but later metamorphosis's into a strong and true friend who we could all use. I loved the bit where they sit on their bicycles next to each other in the traffic and watch each others faces in between inching alternatively ahead of each other.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Blue Gate Crossing
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 6.242 $
- Eröffnungswochenende in den USA und in Kanada
- 2.547 $
- 23. Nov. 2003
- Weltweiter Bruttoertrag
- 292.576 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
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