These Final Hours

Great, absorbing, understated apocalypse drama.

Reasonably original plot. Set in Perth, Australia, the world will end in less than 12 hours. A man (played by Nathan Phillips) heads out to an End of the World party. On the way he saves a little girl (played by Angourie Rice) from the clutches of some kidnappers. Now his priorities and degrees of compassion are tested...

It's certainly not your average apocalypse drama. Focuses mainly on relationships and what matters most, rather than the usual survival- type stuff. Quite emotional at times.

Well-directed too. Small budgets tend to bring out the best in directors, as they have to rely on good old-fashioned camera angles and the like, and the audience's imaginations, rather than special effects. This movie is no exception: director (and writer) Zak Hilditch uses the camera well, and relies on the audience to fill in some of the details.

Fairly unknown cast put in solid performances. The standout is probably Angourie Rice as the little girl. Very convincing, especially for someone her age.

Production is a bit rough around the edges, but in some ways that helps, as it makes it feel more real.

What a film! Minimal budget but you wouldn't know it. Mad Max meets Leon The Professional meets Romeo and Juliet. Riveting from start to end. This is one of those rare films you will want to watch again. As a New Zealander born and bred, I have to admit our big brother Australia has raised the stakes. Yet again. Which can only be good. Great film. Watch it if you get the chance. You won't be disappointed. Jx

There are some special qualities in this end-of-the-world enactment. The main plus is that this is a large scale fable of the last days on earth that moves well. It never gets stuck on one theme, except the disruption of the leading character's relationships, which also signals the end of what is known about 'personal' life under would-be normal circumstances. There really is a fully owned dramatization of the total dislocation of normal society - & this is possibly among the best of such dramatizations. There is a faithfulness to the screenwriter's vision that's pretty awesome. Also awesome is some really good acting from the leading man, who gets convincingly tearful at the prospect of being parted from a 7-year old girl who'd become his charge through the course of the story's development. The imminent end of things near and dear is very well brought across, with hardly any mucking about in minor sub-plots.

I have been downloading/renting movies for yrs and using these ratings to decide if I should invest in the bandwidth/Cost. Felt it was time to contribute as this movie was way above what I expected. I am a SCI Fi/End of the world/Zombie movie lover and this totally entertained and kept my attention beginning to end.

This move met all my expectations and I could not stop watching till the end. And was the reason for me to create the account and add the review.

I recommend it. And have a few tissues waiting... it sure jolted my heart in the end. I know... being a guy I am not supposed to cry :)

Go/rent... whatever.. it's worth it

Well done to all involved... great movie. 8/10

Marketed as an end-of-days thriller, this Aussie production is better described as a sombre, thought- provoking drama that just so happens to precede an impending apocalypse. Nathan Phillips plays a self-obsessed man intent on spending his remaining time on Earth under the influence of cocaine, alcohol and self-pity. After he saves a young girl (Angourie Rice – amazing) from an unspeakable act, though, he reluctantly allows her to tag along and his journey takes a new shape. Played as a two hander between Phillips and Rice, who share remarkable chemistry together, These Final Hours is outstanding. Their unique partnership is built so carefully, intelligently and organically over the course of the movie that when their affecting and poignant climactic moment arrives, it is completely earned. Writer-director Zak Hilditch errs with his supporting players though, particularly in the middle act where we're introduced to three outlandish, imbecilic and downright aggravating characters, all of which are overplayed to the hilt by local actors. That this sequence is at least 20 minutes long is a huge misstep from Hilditch, but thankfully it doesn't spoil the overall progression of the central relationship. Bonnie Elliott's cinematography deserves a special mention too; her Perth is searing, grimy and harsh, yet somehow entirely beautiful at the same time. A flawed but worthy film that deserves to be on your 'to see' list.