Vampire Nation

While I did enjoy this movie, I am by no means in love with it. To me it seems a bit like a modern True Grit mixed with I Am Legend. Bear in mind that's not a bad thing. I'm just using a reference to recent movies as a context. Although I will say that I am already a bit dismayed with the whole sub-genre of "Let's get to the last piece of unspoiled humanity by killing our way through zombies/vampires/what have you".

I like to think the film is really more about the bond that holds humanity together rather than killing vampires to get to some fabled promised land. Sure, killing bad guys is fun, but it's rather meaningless without knowing why the characters protect each other. I quite like the whole "Us against the world" feel of the film. To me the plot line was only so-so, but what really got my attention was the acting. Certainly not Oscar material, but everyone is just about perfect for their part. When all is said and done, I'd definitely recommend it for what it is...I just kind of wish it didn't have to be all about vampires.

Stake Land is a dark vision of a post-apocalyptic America that stands out in a sea of formulaic look-alikes. In director Jim Mickle's world, creatures who blur the line between vampires and zombies are creeping northward toward the Canadian border and eating everyone in their path. This is no typical genre film, though, as the real story unfolds slowly and deliberately with surprises at every turn.

Nick Damici is "Mister," vampire hunter and mentor to orphaned teen Martin (Connor Paolo) as they fight "the vamps" on their trek to New Eden, a monster-free zone where humanity has staked a claim. But darkness is the real enemy here, as they only come out at night, of course. Then there are the cult groups who see the plague as a golden opportunity to spread their own unique brands of oppression.

A veteran film crew member, this is Jim Mickle's second feature as a director. He co-wrote the script with Damici, who stars along with Paolo, Danielle Harris (Belle), Kelly McGillis (Sister), and Michael Cerveris (Jebedia Loven). The production team includes genre icon Larry Fessenden.

Utilizing mostly exterior shots, Stake Land's look is appropriately dreary, grimy, and gray. The cool color palette of blues and muted earth tones enhance the dullness of life in this dying landscape. Each new stop along the way seems to shout, "Abandon hope, all ye who enter here." The viewer can almost smell the stench of death and feel the blood being drained, literally, from the victims' bodies. Ryan Samul's widescreen cinematography serves to punctuate the diminishing importance of the individual on this sad but still breathtaking landscape. Yes, there is still hope in them thar' hills.

The music masterfully matches the combination of horror and poignancy. Jeff Grace has composed a score that is a character unto itself. Like the best genre films, the soundtrack serves to telegraph only slightly the horrors to come without overpowering the narrative with heavy-handed cues.

Most of all, though, Stake Land is a character-driven coming-of-age tale. Mister is an effective father figure to Martin, whose past is a mystery but can be gleaned from the circumstances surrounding their unlikely relationship. Damici's Charles Bronson/Clint Eastwood works even in his slightly over-the-top characterization. Gruff yet tender when called for, violent yet gentle toward those he protects, Damici is pitch-perfect.

But it's Paolo's narration that leaves no doubt the story is being told from Martin's point of view. He struck me as someone to watch for in the midst of the darkness that is Snow Angels. In a film that is distinctly down, he provided most of the much-needed comic relief. He began his film career in Mystic River and played the young Alexander in the film of the same name. He's made nine feature films and numerous television appearances since the age of 12, including two highly acclaimed episodes of Law & Order: Special Victims Unit. Paolo is perhaps best known as Eric on Fox's hit television show Gossip Girl.

This is clearly his biggest role to date and he's on screen from start to finish. Paolo is the heart and soul of Stake Land. Despite his growing attachment to Mister and increasingly violent encounters with the antagonists, his innocence and vulnerability are never abandoned. The film works largely because his performance is so authentic. With Stake Land, Paolo firmly plants his flag as a young leading man on the cinematic landscape.

Take The Road, I Am Legend, The Karate Kid, and The Forbidden Kingdom and put George Romero at the helm and you have Stake Land, a truly original horror film -- no small achievement in a genre that's currently populating local cinemas. Don't miss it. Its nightmarish images will stay in your mind long after the credits roll.

People are turning into grotesque vamps. The remaining humanity survive in isolated communities or even as rumored cannibals. Mister (Nick Damici) is able to save young Martin (Connor Paolo) when his family is attacked by vamps. They are driving north. On the way, they rescue a nun Sister (Kelly McGillis) being hunted by two rapists. They are then captured by a dangerous religious cult leader Jebedia Loven. Mister and Martin escape leaving Sister behind. They continue north and take on pregnant Belle (Danielle Harris) and former marine Willie.

This is well-made considering its low budget. Director Jim Mickle concentrates on a dirty ugly dystopia. The characters are simple and well-drawn. It's not breaking new grounds but it's got good grit. There are also some good actors and familiar faces. It's dirty and harsh. The long rambling road trip may actually fit better as a TV show.

I was in the mood for a campy cheesy movie, saw this and though "Stake Land...perfect!"

I was wrong. Dead wrong.

This movie was incredibly well done and was instantly added to my list of rainy day movies.

If you haven't seen this you should.

"Stake Land" is a thought-provoking and well-executed vampire film that offers a fresh take on the genre. With its strong performances, atmospheric cinematography, and a compelling blend of genres, the movie stands out as a notable entry in the post-apocalyptic and horror genres. If you enjoy character-driven stories set in dystopian settings, "Stake Land" is definitely worth a watch.

The film's atmosphere is bleak and haunting, capturing a sense of desolation and hopelessness. The cinematography effectively captures the desolate landscapes, abandoned towns, and darkened forests, further enhancing the post-apocalyptic atmosphere. The sparse use of music and sound design contributes to the overall sense of unease, creating a tense and foreboding ambiance throughout the film.