IMDb-BEWERTUNG
6,5/10
7693
IHRE BEWERTUNG
Ein College-Absolvent nimmt einen Bürojob an und arbeitet für den Literaturagenten des renommierten, zurückgezogen lebenden Schriftstellers J.D. Salinger.Ein College-Absolvent nimmt einen Bürojob an und arbeitet für den Literaturagenten des renommierten, zurückgezogen lebenden Schriftstellers J.D. Salinger.Ein College-Absolvent nimmt einen Bürojob an und arbeitet für den Literaturagenten des renommierten, zurückgezogen lebenden Schriftstellers J.D. Salinger.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 13 Nominierungen insgesamt
Empfohlene Bewertungen
This film starts off a bit slow and hard to follow until you start to feel you are back in that time of your life when you had your first notable job. The story unfolds and you start to care about the depth of the cast. The music accompanies the scenes nicely. The images of New York are always appreciated by me. This is a gentle movie for those who appreciate writers, books and agents.
It's not an eventful story, but somehow it really engages you with realistic characters and an engaging story. I find it heartwarming.
Most people reviewing this film - understandably - look to it to be an examination of the world of New York literary agents, J.D. Salinger's work, aspiring writers, or some combination of all the above. Who can say - but it seems clear from seeing it just now (on its U.S. release) that it's a movie not principally concerned about those other things, but rather about its own central character, Joana Rakoff (as played by Margaret Qualley). It is, after all, *Joanna's* Salinger Year - not those other folks'; it's concerned with her *experience* of those things - not the things themselves. I find the movie to be highly underrated; indeed, it's got a few really standout moments (mostly things that play out in the confines of Joanna's mind) - as well as some good, solid performances. If you take it purely as a story of personal growth and development, *set against* the backdrop of the NY literary world, I think you'll enjoy it, as I did. It's "subtle," to be sure - but who needs sledgehammers? (Save that for "My Sledgehammer Year.")
What a charming, playful, subtle, witty and original movie this is!
The story: a young woman leaves everything behind to become a writer in the big city New York. Will she succeed or will she become another failed writer?
The good: this movie is a delight, because of it's playful, charming, subtle and witty nature. You dont have to be into books at all to love this movie.
What's most precious for me about this movie is the photography, especially the many GORGEOUS still screen shots of MARGARET QUALLEY. Those eyes of her, those wide open puppy eyes, ooze innocence and emotions so pure and gentle! I am instantly smitten with her acting performance, so delicate, so true to life, so expressive.
Any bad? This is a slowburning, subtle story, dont expect fireworks, it's probably best suited for a patient arthouse movie audience who are into subtle portraits of characters.
Amazing to see it has only gotten 62 reviews, but it must be the corona troubles with distributing movies that this movie has slipped from the radar, because it is definitely worth watching!
The story: a young woman leaves everything behind to become a writer in the big city New York. Will she succeed or will she become another failed writer?
The good: this movie is a delight, because of it's playful, charming, subtle and witty nature. You dont have to be into books at all to love this movie.
What's most precious for me about this movie is the photography, especially the many GORGEOUS still screen shots of MARGARET QUALLEY. Those eyes of her, those wide open puppy eyes, ooze innocence and emotions so pure and gentle! I am instantly smitten with her acting performance, so delicate, so true to life, so expressive.
Any bad? This is a slowburning, subtle story, dont expect fireworks, it's probably best suited for a patient arthouse movie audience who are into subtle portraits of characters.
Amazing to see it has only gotten 62 reviews, but it must be the corona troubles with distributing movies that this movie has slipped from the radar, because it is definitely worth watching!
This film isn't a gale of entertainment. Much like the book. It's a Sunday read in the sun while the breeze blows. Or a Saturday late movie when you can't sleep because the damn moon is full and is keeping you up. Wonderfully acted. Styled realistically. Engaged dialogues. Sigourney carries herself and the film along every time she appears and Margaret is a delight to watch- she is going places. Read the book and watch the film. Or watch the film and read the book. It matters not what comes first. The movie is for all book lovers, and whether time has read Catcher or not. A solid 7.
Wusstest du schon
- WissenswertesJoanna Smith Rakoff: the movie's real life subject matter appears when Joanna visits The New Yorker and sees Max with a woman entering an elevator.
- PatzerJoanna, referencing U.C. Berkeley, says she's like "a big cloud of East Coast irony haunting Southern California," but Berkeley is in Northern California.
- VerbindungenReferences Ich bin Kuba (1964)
- SoundtracksEveryday
Performed by Tinsley Ellis
Written by Bob De Pugh (as Bob DePugh) and Tinsley Ellis
Published by De Pugh Music, Frozen Inca Music
Courtesy of Alligator Records
Top-Auswahl
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Details
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- My Salinger Year
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Box Office
- Bruttoertrag in den USA und Kanada
- 54.730 $
- Eröffnungswochenende in den USA und in Kanada
- 28.851 $
- 7. März 2021
- Weltweiter Bruttoertrag
- 957.592 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
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