IMDb-BEWERTUNG
5,5/10
4500
IHRE BEWERTUNG
Ein Geschäftsmann und eine Journalistin beginnen eine Romanze, geraten aber bald in ein gefährliches Labyrinth aus Lügen und Verschwörungen und sind gezwungen, aus dem Land zu fliehen.Ein Geschäftsmann und eine Journalistin beginnen eine Romanze, geraten aber bald in ein gefährliches Labyrinth aus Lügen und Verschwörungen und sind gezwungen, aus dem Land zu fliehen.Ein Geschäftsmann und eine Journalistin beginnen eine Romanze, geraten aber bald in ein gefährliches Labyrinth aus Lügen und Verschwörungen und sind gezwungen, aus dem Land zu fliehen.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Empfohlene Bewertungen
STARS AT NOON is a French romantic thriller that follows the story of an American journalist, Trish (Margaret Qualley), and a mysterious English businessman, Daniel (Joe Alwyn). Trapped in Nicaragua during the height of its civil war in the 1980s, they become embroiled in political conspiracies and must rely on each other to find a way out.
The film is a cat-and-mouse game where the stakes are high, and where tension is ever-present. The cinematography is stunning, with spectacular shots of Nicaragua's lush landscape and its turbulent political climate. Margaret Qualley and Joe Alwyn deliver powerful performances, convincingly capturing the desperation of their characters while still creating an intense and palpable chemistry.
STARS AT NOON is a slow burn - often too slow - that never quite reaches its potential. Though the story is compelling, the political intricacies of the era are not always clear, and the narrative fails to fully realize its themes.
Overall, STARS AT NOON is an ambitious and captivating thriller with moments of real beauty and insight. Though it could benefit from a more streamlined narrative and a faster pace, it's worth a watch for its gorgeous visuals and strong performances.
The film is a cat-and-mouse game where the stakes are high, and where tension is ever-present. The cinematography is stunning, with spectacular shots of Nicaragua's lush landscape and its turbulent political climate. Margaret Qualley and Joe Alwyn deliver powerful performances, convincingly capturing the desperation of their characters while still creating an intense and palpable chemistry.
STARS AT NOON is a slow burn - often too slow - that never quite reaches its potential. Though the story is compelling, the political intricacies of the era are not always clear, and the narrative fails to fully realize its themes.
Overall, STARS AT NOON is an ambitious and captivating thriller with moments of real beauty and insight. Though it could benefit from a more streamlined narrative and a faster pace, it's worth a watch for its gorgeous visuals and strong performances.
The talented Claire Denis fails to move the plot or character fast enough to maintain your interest in this languid tale of people thrown together during times of civil conflict in Nicaragua.
This may have worked if a Soderbergh or some suchlike would have gotten hold of the story but this just meanders along.
Why is there so much of Qualley naked? I get it that she is a 'hooker with a heart of gold' but why is an American prostitute in Nicaragua during a civil war?
The problem is the pacing which doesn't drive the story along considering its an actioner about a 2 'lovers' trying to flee a war zone even though US/Nicaraguan forces conspire to stop them.
This may have worked if a Soderbergh or some suchlike would have gotten hold of the story but this just meanders along.
Why is there so much of Qualley naked? I get it that she is a 'hooker with a heart of gold' but why is an American prostitute in Nicaragua during a civil war?
The problem is the pacing which doesn't drive the story along considering its an actioner about a 2 'lovers' trying to flee a war zone even though US/Nicaraguan forces conspire to stop them.
I can't understand the low imdb rating! Dont trust the bad ratings!
Beautifully crafted and perfectly and nicely put together! Stunningly beautifully cinematography! A intimate, erotic, fragile, raw, deep and thrilling story about love, escaping and conspiracy! Amazingly filmed and edited! The work with light is amazing! Gorgeous visuals!
Deserves all its nominations and awards!
Great acting which feels very authentic. Manuscript is perfect with depth.
Acting is very good!
PURE CINEMATIC ART!
Unfortunately a bit too long maybe, the last hour is a bit boring.
I totally recommend this!!!!
Beautifully crafted and perfectly and nicely put together! Stunningly beautifully cinematography! A intimate, erotic, fragile, raw, deep and thrilling story about love, escaping and conspiracy! Amazingly filmed and edited! The work with light is amazing! Gorgeous visuals!
Deserves all its nominations and awards!
Great acting which feels very authentic. Manuscript is perfect with depth.
Acting is very good!
PURE CINEMATIC ART!
Unfortunately a bit too long maybe, the last hour is a bit boring.
I totally recommend this!!!!
Claire Denis once again delivers a film of nuance, sensuality, secrecy. We are treated to excellent performances by Ms. Qualley, & Mr. Alwyn. Supporting roles by Mr. Romano, Mr. Ramirez, & Mr. Safdie contribute well. This world is one of heat, sweat, ruins.
Our protagonists are desperate people. There is subterfuge. There is danger. There's sex. There are secrets. There's heat, in the air and in their touch.
Qualley is riveting. She's on the move. Desperation emanates from her skin. Her glib retorts belie the fear darting from her wide eyes. She is relentless in her ability to look for allies.
Alwyn is at first slow, measured, calm. Later, there's anxiety building within his edifice of control. He is abandoned. He is left.
These are two people caught up in circumstances beyond their control. Each has lost their moorings. Needing each other, yet hesitant to fully trust. They are in their own singular world for which they are ill equipped & poorly prepared.
Sex brings comfort; momentary perhaps, yet with a sense of intimacy and security. They are thrown together on the run.
Denis creates a milieu of darkness, where one cannot see well. Then there cracks letting streaks of light in. Could it be love?
Our protagonists are desperate people. There is subterfuge. There is danger. There's sex. There are secrets. There's heat, in the air and in their touch.
Qualley is riveting. She's on the move. Desperation emanates from her skin. Her glib retorts belie the fear darting from her wide eyes. She is relentless in her ability to look for allies.
Alwyn is at first slow, measured, calm. Later, there's anxiety building within his edifice of control. He is abandoned. He is left.
These are two people caught up in circumstances beyond their control. Each has lost their moorings. Needing each other, yet hesitant to fully trust. They are in their own singular world for which they are ill equipped & poorly prepared.
Sex brings comfort; momentary perhaps, yet with a sense of intimacy and security. They are thrown together on the run.
Denis creates a milieu of darkness, where one cannot see well. Then there cracks letting streaks of light in. Could it be love?
At the beginning we are introduced to the main character of the story who is suppose to be an American journalist in Nicaragua. She is a drunk and sleeps with men to earn money to buy shampoo !! She meets a British character and again sleeps with him for $50 !!
For the next two hours we are suppose to believe her romance with this guy and feel thrilled by their cat and mouse activities with authorities in this country. This film does not have a romantic angle nor a political intrigue to it. You have to insure long sex scenes and useless terrible story line that doesn't go anywhere. I don't understand what was Denis had in mind making this film, probably she loved the book and didn't realize 80s South America doesn't translate good to 2020s. At least she could have spend some time going through the politics of the country or the region. Once again Cannes Film Festival showed they give out their prizes based on whose turn it is to win rather than the quality of what is presented.
For the next two hours we are suppose to believe her romance with this guy and feel thrilled by their cat and mouse activities with authorities in this country. This film does not have a romantic angle nor a political intrigue to it. You have to insure long sex scenes and useless terrible story line that doesn't go anywhere. I don't understand what was Denis had in mind making this film, probably she loved the book and didn't realize 80s South America doesn't translate good to 2020s. At least she could have spend some time going through the politics of the country or the region. Once again Cannes Film Festival showed they give out their prizes based on whose turn it is to win rather than the quality of what is presented.
Wusstest du schon
- WissenswertesRobert Pattinson was originally cast alongside Margaret Qualley as the lead, but had to leave the project due to filming commitments for The Batman (2022) following delays of shooting due to the Covid-19 pandemic. Taron Egerton was cast as Pattinson's replacement, however he dropped out as well before filming started due to personal reasons and Joe Alwyn took the role.
- Zitate
Teen Travel Agent: Fuck is a good word. Fuck is the property of the whole world.
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Details
Box Office
- Weltweiter Bruttoertrag
- 225.509 $
- Laufzeit
- 2 Std. 15 Min.(135 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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