IMDb-BEWERTUNG
5,0/10
12.879
IHRE BEWERTUNG
Eine Galeristin riskiert ihre Familie und ihre blühende Karriere, als sie eine Affäre mit einem talentierten Maler eingeht und langsam die Kontrolle über ihr Leben verliert.Eine Galeristin riskiert ihre Familie und ihre blühende Karriere, als sie eine Affäre mit einem talentierten Maler eingeht und langsam die Kontrolle über ihr Leben verliert.Eine Galeristin riskiert ihre Familie und ihre blühende Karriere, als sie eine Affäre mit einem talentierten Maler eingeht und langsam die Kontrolle über ihr Leben verliert.
- Regie
- Drehbuch
- Hauptbesetzung
Kat Graham
- Diamond
- (as Katerina Graham)
Empfohlene Bewertungen
When I first saw that there was a movie coming out, I was excited and apprehensive at the same time. I've come to accept "Based on the book/novel/bestseller/etc" as a disclaimer that if you have read the book you should probably expect the movie to be LOOSELY based, with kudos given to movies who stick to the book while keeping the cinematic liberties to a minimum. But boy oh boy does this adaptation go waaaaay beyond taking liberties. Except for the characters and very few key scenes, this could have been a totally unrelated movie.
Without giving away any spoilers, basically the main character is addicted to sex, so you would think that there would be a whole lot of exposition, especially with the back drop being dialogue between the main character and a therapist. But okay, let's say you haven't read the book, or it's been a while since you have. There's so much missing as to why this woman has an addiction to sex. Why does she cheat? Why should we care that she cheats? She's painted as this spoiled and deprived woman who you don't feel sorry for,( when, in the book, there's actually a lot that went on in her past that affects her present.) There's no examination of the main character and the relationships she has.
This movie was an hour and 45 minutes. I could have maybe dealt with the other stuff that wasn't included if there was a portion devoted to her past and not the 2 and half second flashback and 1 sentence literally at the end of the movie where we're just supposed to go, "oh, it all makes sense now", and walk out satisfied.
While Addicted was erotic fiction, it still kept you on the edge of your seat because you wanted to find out what happened next. I couldn't put it down. All the movie did was show some soft core sex scenes, some violence, and then it hopped skipped and jumped to the end. If you've read the book, this isn't worth your time or money. And if you haven't, well you've been warned. Wait til it comes out on cable. It's a shame too, the cast was really let down.
Without giving away any spoilers, basically the main character is addicted to sex, so you would think that there would be a whole lot of exposition, especially with the back drop being dialogue between the main character and a therapist. But okay, let's say you haven't read the book, or it's been a while since you have. There's so much missing as to why this woman has an addiction to sex. Why does she cheat? Why should we care that she cheats? She's painted as this spoiled and deprived woman who you don't feel sorry for,( when, in the book, there's actually a lot that went on in her past that affects her present.) There's no examination of the main character and the relationships she has.
This movie was an hour and 45 minutes. I could have maybe dealt with the other stuff that wasn't included if there was a portion devoted to her past and not the 2 and half second flashback and 1 sentence literally at the end of the movie where we're just supposed to go, "oh, it all makes sense now", and walk out satisfied.
While Addicted was erotic fiction, it still kept you on the edge of your seat because you wanted to find out what happened next. I couldn't put it down. All the movie did was show some soft core sex scenes, some violence, and then it hopped skipped and jumped to the end. If you've read the book, this isn't worth your time or money. And if you haven't, well you've been warned. Wait til it comes out on cable. It's a shame too, the cast was really let down.
This movie has a lot of problems.
Briefly, it's the story of a young professional woman, Zoe, with a husband, Jason, who would be every woman's - and some men's - wet dream. He has a perfect, muscled body, a smile that could melt an iceberg, and he even washes the dishes. They have sex 2 or 3 times a day. Not a week, a day.
But it isn't enough for her. She wants more.
But more of what? That's one of the problems with this movie. There is a lot of sex in it, though none of it shocking by modern movie standards. But for all the sex, we still have to guess at what Zoe wants. Is it yet more sex? Different sex? Kinkier sex? Is this a distant cousin to *Fifty Shades of Grey* that dares not speak of its desires? Zoe hooks up with an unsubtle but muscled white painter - who, in my eyes, has no talent - and has with him what looks like pretty much the same sort of sex she had been having with her husband. Then she hooks up with a messenger on a motorcycle. Their sex, though no doubt wonderful, looks pretty much the same as what she is having with the other two men, though it usually takes place on a table.
In between all this, Zoe ignores her children and lets her work go down the drain. She is, we are to believe, a sex addict.
That's the first problem. Zoe comes across as insatiable, but not really addicted. She only has men who are so astoundingly handsome/sexy that they would tempt all but the most virtuous. Yet if this movie had been called *Insatiable*, she would have come across as a harlot rather than a sick individual to be pitied, and would have lost the sympathies of the intended audience of well-meaning 20-40 something women. If she were actually addicted to sex, she would have had sex with anyone, and that is not the case. She is only attracted to the hottest men.
The second problem is that her poor husband, Jason, evidently detects nothing once Zoe is unfaithful to him - daily. When he does finally learn he's unhappy, of course, but we know so little about him, he's so poorly developed, that we still can't sympathize with him, though he is the potentially most sympathetic character in the movie.
These actors could probably all have done a lot better if they had been given a script that had developed characters and not just cardboard cut-outs. As it is, we get to watch a lot of evidently passionate sex performed by beautiful bodies, and then at the end have to listen to a few lectures on sexual addiction, which don't come across as very convincing. Zoe's particular case is never explored, so it's hard to believe in it or feel for her.
Zoe's sexual problems with Jason needed to be made clearer. How was he failing her? Jason needs to have been given a character; it's not enough for him just to look great. The script just doesn't make any of the characters interesting and sympathetic, and that's fatal here.
Briefly, it's the story of a young professional woman, Zoe, with a husband, Jason, who would be every woman's - and some men's - wet dream. He has a perfect, muscled body, a smile that could melt an iceberg, and he even washes the dishes. They have sex 2 or 3 times a day. Not a week, a day.
But it isn't enough for her. She wants more.
But more of what? That's one of the problems with this movie. There is a lot of sex in it, though none of it shocking by modern movie standards. But for all the sex, we still have to guess at what Zoe wants. Is it yet more sex? Different sex? Kinkier sex? Is this a distant cousin to *Fifty Shades of Grey* that dares not speak of its desires? Zoe hooks up with an unsubtle but muscled white painter - who, in my eyes, has no talent - and has with him what looks like pretty much the same sort of sex she had been having with her husband. Then she hooks up with a messenger on a motorcycle. Their sex, though no doubt wonderful, looks pretty much the same as what she is having with the other two men, though it usually takes place on a table.
In between all this, Zoe ignores her children and lets her work go down the drain. She is, we are to believe, a sex addict.
That's the first problem. Zoe comes across as insatiable, but not really addicted. She only has men who are so astoundingly handsome/sexy that they would tempt all but the most virtuous. Yet if this movie had been called *Insatiable*, she would have come across as a harlot rather than a sick individual to be pitied, and would have lost the sympathies of the intended audience of well-meaning 20-40 something women. If she were actually addicted to sex, she would have had sex with anyone, and that is not the case. She is only attracted to the hottest men.
The second problem is that her poor husband, Jason, evidently detects nothing once Zoe is unfaithful to him - daily. When he does finally learn he's unhappy, of course, but we know so little about him, he's so poorly developed, that we still can't sympathize with him, though he is the potentially most sympathetic character in the movie.
These actors could probably all have done a lot better if they had been given a script that had developed characters and not just cardboard cut-outs. As it is, we get to watch a lot of evidently passionate sex performed by beautiful bodies, and then at the end have to listen to a few lectures on sexual addiction, which don't come across as very convincing. Zoe's particular case is never explored, so it's hard to believe in it or feel for her.
Zoe's sexual problems with Jason needed to be made clearer. How was he failing her? Jason needs to have been given a character; it's not enough for him just to look great. The script just doesn't make any of the characters interesting and sympathetic, and that's fatal here.
This is supposed to be a tale of sex addiction? Because it feels a lot more like one of those terrible Lifetime melodramas.
Synopsis: Addicted is a 2014 American erotic thriller drama film directed by Bille Woodruff from a screenplay by Christina Welsh and Ernie Barbarash, based on Zane's novel of the same name. It stars Sharon Leal, Boris Kodjoe, Tasha Smith, Tyson Beckford, Emayatzy Corinealdi, and William Levy. The film was released in the United States on October 10, 2014, by Lionsgate. It received generally negative reviews from critics.
Successful businesswoman Zoe Reynard (Sharon Leal) seems to have a charmed life. She has a wonderful, loving husband (Boris Kodjoe), two beautiful children and a thriving career. However, as perfect as her life might look to other people, Zoe is secretly tormented by nymphomania. Her need for constant sexual gratification leads her into a secretive existence -- one that, ultimately, may put her family, career and life on the line. Based on a novel by Zane.
Synopsis: Addicted is a 2014 American erotic thriller drama film directed by Bille Woodruff from a screenplay by Christina Welsh and Ernie Barbarash, based on Zane's novel of the same name. It stars Sharon Leal, Boris Kodjoe, Tasha Smith, Tyson Beckford, Emayatzy Corinealdi, and William Levy. The film was released in the United States on October 10, 2014, by Lionsgate. It received generally negative reviews from critics.
Successful businesswoman Zoe Reynard (Sharon Leal) seems to have a charmed life. She has a wonderful, loving husband (Boris Kodjoe), two beautiful children and a thriving career. However, as perfect as her life might look to other people, Zoe is secretly tormented by nymphomania. Her need for constant sexual gratification leads her into a secretive existence -- one that, ultimately, may put her family, career and life on the line. Based on a novel by Zane.
Addicted is a 2014 American erotic drama thriller directed by Billie Woodruff starring Sharon leal, Boris Kodjoe, Tyson Beckford, Kat graham and William Levy. So the storyline is not bad as this does happen in real life as Zoe in the film being addicted to sex and how it can cause serious problems when in a relationship I think there showed that rather well in the movie with plenty of hot men lol. The acting was not the best but there did try their best to portray the characters. Very predictable In places but okay film have seen so much better though. So if you like fifty shades then you will like this just not as good. Currently streaming on Netflix right now. For adults only.
I love movies and never walk out. I walked out of this one after sitting through a painful 40 minutes or so. It is hideously awful in every way: terrible script (written by idiotic middle school kids?), god-awful, idiotic acting and directing. It was boring to boot, even though it was supposed to be about sex addiction, and it was supposed to have beautiful people in it. It wasn't even good as porn. Actual porn is far better, even as non-porn, than this. The leading actress was not beautiful, or believable in any way. None of the actors had any credibility nor did they rescue any part of the incomprehensibly stupid script so as to make any moment seem even vaguely possible or real. Was everyone associated with this "film" a complete idiot with an IQ below 80?
Wusstest du schon
- WissenswertesIn the book Quinton is black.
- PatzerWhen the Brina places the artist's material on Zoe's desk; the History Brochure is on top and the book of references is next from the top. However in the next cut after Zoe puts down the brochure the orientation of the material has changed and now the Catalog of Art is next from the top.
- Zitate
[last lines]
Jason Reynard: Our love is forever.
Zoe Reynard: Always has been.
Jason Reynard: Always will be.
- SoundtracksWrong or Right
Written by Kwabena Adjepong and Christopher Taylor
Performed by Kwabs
Courtesy of Warner Music U.K. Ltd.
By arrangement with Warner Music Group Film & TV Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Perversa adicción
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.390.770 $
- Eröffnungswochenende in den USA und in Kanada
- 7.485.346 $
- 12. Okt. 2014
- Weltweiter Bruttoertrag
- 17.534.314 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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