The Boy Next Door

The classic literature teacher Claire Peterson (Jennifer Lopez) lives alone with her teenage son Kevin (Ian Nelson) in a house in the suburb. She is separated from her husband Garrett Peterson (John Corbett) since she has found he had an affair with a coworker in Los Angeles. Garrett wants to have a fresh restart with Claire but she is reluctant and prefers to stay alone. When the handsome nephew of her next door neighbor Noah Sandborn (Ryan Guzman) loses his parents in a car accident, he moves to the house and befriends Claire and Kevin. Noah seems to be an adorable young man and soon there is a sexual tension between Claire and he and one rainy night they have one night stand. On the next morning, Claire regrets but Noah becomes obsessed for her and shows his real personality.

"The Boy Next Door" is an unoriginal standard thriller with a well- known story. The viewer knows the whole predictable story from the beginning in a common screenplay that probably lays on the shelf of studios para every now and then make a movie. The attraction of "The Boy Next Door" is the hot Jennifer Lopez only; otherwise it would be complete garbage. My vote is four.

Title (Brazil): "O Garoto da Casa ao Lado" ("The Boy in the Next Door House")

Of course, this is a bad movie. Yet, there are plenty of guilty pleasures to behold here. When I say it's bad, I didn't say I didn't enjoy it. I mean, there's a lot of potential going on. Unfortunately, it leads to a bit disappointing finale. But, it is salvaged by an amount of suspense before the ensuing chaos.

At first, J.Lo... why did she even bother signing on this? I thought that this is too low even for her standards. But, later on, I think that she's pretty committed on doing this role. So, I decided to lay back and enjoy the ride.

Then, along came Ryan Guzman, as the so-called "Boy Next Door". Hmmm... He did a pretty fine job. When the tension ratchets up, he looks threatening convincingly, despite what critics say about his performance.

The supporting casts are good as well. Kristin Chenoweth stood out for me, adding comic relief and zing along the way.

My main criticism is the script. Not only it's a bit sloppy, almost made-for-TV writing, but it falters in the end. There are some characters' action including Lopez's, that's nonsensical and... stupid, actually.

When it comes to nonsensical and stupid, I just wished they would close it with being campy and over-the-top. It doesn't truly reached that level and the result is only a half-baked mess.

But, all those flaws don't matter too much because Rob Cohen's direction are superior than most of his movies, especially his last offering "Alex Cross", although it's his fault too.

For a movie released in January, it's better than expected. But, for a real nerve-wracking thriller, don't get your hopes up too high.

Just watch it for pure brainless entertainment without much to think about. It's not that bad...

Like its subject matter, 'The Boy Next Door' is getting such a hush- hush treatment it almost seems as if someone didn't want you to see it. If that is any indication that someone was embarrassed by how this reverse 'Fatal Attraction' thriller turned out, well we're glad to say that it isn't as bad as we had feared. To be sure, that should not be mistaken for any endorsement of its merit, but given how little pre-release publicity its distributors bestowed upon it, we were sure expecting something much, much worse.

In her first big-screen role in two years, Jennifer Lopez plays a middle-aged high-school literature teacher who is still struggling to recover emotionally from her husband's (John Corbett) betrayal one year on and raising her teenage son, Kevin (Ian Nelson, on her own. Enter new neighbour Noah (Step Up's Ryan Guzman), who has moved in next door with his ailing uncle and proves himself to be quite the fix-it hero around her place, especially since Garrett's (Corbett) absence means that there is a space for a man to be around the house. Even better, Noah loves poetry and his intimate knowledge of Homer's 'The Iliad' becomes one of the first few things over which he and Claire (Lopez) develop a connection over.

There is however no mistaking their (mutual) sexual attraction, not when director Rob Cohen introduces Noah bicep-first when he glides into frame to prepare Claire's wonky garage door. When Kevin takes off with Garrett for a weekend camping trip and Claire's had one drink too many after a failed dinner date, Noah seizes the opportunity to get it on with Claire. The morning after, Claire wakes to proclaim their coupling a mistake – no matter that Guzman looks older than he is meant to be in the movie, he is a new transfer senior attending Claire's class at her school. Her rebuff doesn't sit well with Noah, whom we slowly learn is in fact a psychotic stalker who grows even more enraged when he catches her responding to Garrett's advances to give their marriage a second chance.

First-time screenwriter Barbara Curry slowly ratchets up the stakes against Claire – first, Noah 'poisons' Kevin's relationship with his father; then, he threatens to make public photos and even a video of their one-night dalliance; then, he sabotages the brakes on Garrett's Dodger; and finally, he kidnaps Garrett and Kevin – which Cohen builds up as an increasingly thrilling chain of events leading up to their final confrontation. Not only does Noah prove himself to be a master manipulator, he also shows himself to be prone to bouts of violence, in particular against Claire's good friend and the school's vice principal (Kristin Chenoweth).

That said, it isn't anything we haven't yet before, or done to more titillating extremes; yet, despite its familiarity, Cohen guides the proceedings along with the sure hand of a veteran, and it is to his credit that the end result is much more engaging than it ought to be. We're not sure what Lopez saw in the material for her to not only star but produce this rehash of 90s exploitation thrillers, but she at least makes her character sympathetic. The same however cannot be said of Guzman, whose portrayal of menace and malevolence doesn't go much deeper than the acting you'll see in a high school play. And for those who are expecting to see Lopez and Guzman get hot and heavy, well let's just say that you're likely to find yourself left cold.

It is probably too easy to lambast a movie like 'The Boy Next Door', but the truth is there are many worse films out there which deserve to be buried more so than this does. The premise does feel dated, but there hasn't been a sexual thriller like 'Basic Instinct' or for that matter 'Fatal Attraction' in a while, so if you're in the mood for some trashy B-grade thrills, you'll probably find some of those urges satisfied somewhat by this teaser that never does really get past first base.

This movie is really nothing we haven't seen before: A woman on the brink of divorce has an affair with her younger next door neighbor and, afterward, wants nothing more to do with the man. As a result, the neighbor gets violent and stalks her.

It is a fast-pace thriller with steamy love scenes and quick action sequences. However, the plot is predictable and the acting is sub-par at best. For a movie called, "The Boy Next Door," there should be more suspense and plot twists that lead up to the title role, rather than a one-time encounter that basically reveals almost immediately who the antagonist is.

It's not a entirely bad movie to pass the time with; however, you will find much more suspenseful and captivating thriller than this one.

Grade C-

This movie was so predictable, and so obvious, that I knew a certain image from the very first scene would presage the denouement. And it did. The acting was mostly adequate, given the material. I had never heard of this Ryan Guzman, and will be surprised if I hear of him again. He was, well, adequate, but his was a role that an accomplished actor would sink his teeth into, and not relent until ALL of the scenery was masticated. Guzman was unable to be scary enough, creepy enough, or charming enough. Blah. Which brings me to Jennifer Lopez. I think she has become a pretty good actress, even though it is hard to tell in this one, due to the script. But I see that she has a producer credit. Can you not tell from a script that a film will be a dud? I'm actually asking. I do not know, having never read a script. The only real redeeming feature of this movie is the extreme beauty of Ms. Lopez. Wow. She is 45 now and is such eye candy. But she is the ONLY reason to see this film.