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2073

  • 2024
  • R
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
5,1/10
3486
IHRE BEWERTUNG
2073 (2024)
It will tackle challenges the world faces and is inspired by Chris Marker's iconic 1962 featurette La Jetée, about a time traveler who risks his life to change the course of history and save the future of humanity.
trailer wiedergeben1:56
2 Videos
7 Fotos
DokumentarfilmScience-FictionThriller

The world ist inspiriert von Chris Markers Kultfilm La Jetée aus dem Jahr 1962 über einen Zeitreisenden, der sein Leben riskiert, um den Lauf der Geschichte zu verändern.The world ist inspiriert von Chris Markers Kultfilm La Jetée aus dem Jahr 1962 über einen Zeitreisenden, der sein Leben riskiert, um den Lauf der Geschichte zu verändern.The world ist inspiriert von Chris Markers Kultfilm La Jetée aus dem Jahr 1962 über einen Zeitreisenden, der sein Leben riskiert, um den Lauf der Geschichte zu verändern.

  • Regie
    • Asif Kapadia
  • Drehbuch
    • Asif Kapadia
    • Tony Grisoni
  • Hauptbesetzung
    • Naomi Ackie
    • Samantha Morton
    • Nigel Farage
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,1/10
    3486
    IHRE BEWERTUNG
    • Regie
      • Asif Kapadia
    • Drehbuch
      • Asif Kapadia
      • Tony Grisoni
    • Hauptbesetzung
      • Naomi Ackie
      • Samantha Morton
      • Nigel Farage
    • 90Benutzerrezensionen
    • 34Kritische Rezensionen
    • 52Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 2 Nominierungen insgesamt

    Videos2

    Official Trailer
    Trailer 1:56
    Official Trailer
    2073
    Trailer 1:56
    2073
    2073
    Trailer 1:56
    2073

    Fotos6

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung10

    Ändern
    Naomi Ackie
    Naomi Ackie
    Samantha Morton
    Samantha Morton
    • Ghost
    Nigel Farage
    Nigel Farage
    • Self
    Mohammad Bin Salman
    Mohammad Bin Salman
    • Self
    • (Archivfilmmaterial)
    Viktor Orbán
    Viktor Orbán
    • Self
    Narendra Modi
    Narendra Modi
    • Self
    • (Archivfilmmaterial)
    Rodrigo Duterte
    Rodrigo Duterte
    • Self
    Hector Hewer
    Hector Hewer
    Maria Ressa
    Maria Ressa
    • Self
    • (Archivfilmmaterial)
    Mohammed Al-Bashir
    • Self
    • Regie
      • Asif Kapadia
    • Drehbuch
      • Asif Kapadia
      • Tony Grisoni
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen90

    5,13.4K
    1
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    Empfohlene Bewertungen

    7vxqyvj

    I don't know where to begin...

    Ignore this being called a "movie". It is not. It is a documentary punctuated by some illustrative fictional moments. Just keep in mind that this can be a very upsetting viewing experience.

    As if we needed anything else to make us angry, divided, stressed, worried, etc, this hard slap across our faces is meant to wake us up to what is actually happening in our world...and where we are heading if we let it. No wonder the 1% want us to keep our eyes locked on our smartphones and Tik Tok.

    I was not expecting this when I pressed play, but I'm glad I squirmed through it.

    Be sure and stay beyond the credits, as there is an interesting hidden scene.

    I need a drink...
    6justahunch-70549

    It is what it says it is: A warning! Take it seriously.

    "A woman living in a ruined Earth tries to comprehend how the world was destroyed."

    And thus begins some of the greatest hits of the dark side of humanity since the 1990's. As the trailer states, this is not fiction and it is not a documentary, so what is it?! It also states that what you view is a warning and that is exactly what it is. It starts with what seems like the usual apocalyptic scenario, but it quickly becomes obvious that is not the intention of this film. The film starts off in 2073 and backtracks constantly to actual events that have occurred from then to now and it is indeed a scary, punishing thing to view. Since this frequently returns to the present, it is quite clear what the warning is about and you should be frightened as the future is perilous as I write this. This is not entertainment. It is primarily clips of real events over the past few decades, but it also has some interesting visuals for what life might look like in 2073. To say it's not pretty would be putting it mildly. Humans! As smart as we can be, as much as we learn, so many just can never stop being greedy, power hungry and violent. Sadly, it has been this way since our existence began and clearly some never learn and seemingly never will. Good luck.
    7Jaiare

    Doom Scroll Meta-verse

    This is not a film. This is not a documentary. This is a warning.

    This is a quote from 2024's 2073, a dystopian docudrama that brilliantly uses news and television clips to weave a science fiction story we are already living. Imagine Facebook doom scrolling for one hour and twenty-four minutes and you have the emotional impact of this prescient movie. Unfortunately, I believe the title is as optimistic as the movie is bleak. 2028 would have been more appropriate, as we hurl toward Democracy's demise faster than the director, Asif Kapadia, could imagine.

    2073 premiered at the 81st Venice International Film Festival in the category "Out of Competition," which could not be more appropriate for Kapadia's dynamic, passionate, admirable and beautifully rendered imagining of our near future. At its heart, 2073 immerses us into a Meta-verse where humanity teeters between incredible technological advancements and deep ethical dilemmas.

    Staring the frighteningly beautiful Samantha Jane Morton (Alpha from The Walking Dead), 2073 sets us in a vast metropolis that is both breathtaking and bleak, showcasing a stunning yet haunting city filled with vivid colors and dark shadows, the film maker using lighting to evoke emotions, and creating the documentary feel of this art piece. With skyscrapers towering into the clouds and streets pulsating with technological energy, each frame is meticulously designed and its this attention to detail that establishes a captivating visual language, beautifully complimenting the nearly extinct plot.

    Morton is a brilliant actress, and riveting on screen, but there's only so much heavy lifting she can do in a film so obviously motivated to sway audiences to one side of the political debate. In today's polarized politics, this feels manipulative even while I silently scream "Yes, yes, yes!" It's as if the director is inside my head, capturing my dismay at today's state of affairs and my fear of what's to come.

    This is a solid film. Very watchable. And at times, extraordinary in it's achievement of blurring fact and fiction. But at its core, its as shallow as the news anchors it highlights, reading from teleprompters with dead eyes and an emptiness that makes us feel as if we are reliving the news like a memory versus witnessing it in real time.

    I encourage you to watch it. And I know it will change nothing.

    God Bless the Americas.
    7Steve9920

    Not a great deal of new insights, but interesting enough.

    The documentary parts and the fictional parts did not really link together well. Perhaps if the short running time had been extended a more involving narrative to connect the two could have been presented.

    But it was well edited, with news footage included that is often censored from the mainstream media, making an uncomfortable watch for some. Whatever message you get is likely distorted by your own left/right biases, though its likely that those with right wing views will opt out after a few minutes, after all, there is much to think about here.

    On the very day I watched this, the news was filled with out of control wildfires in California, mark Zuckerberg joining Elon Musk on his ' free unmoderated speech' crusade, The Trump proclaiming how he might invade Greenland, Canada, and Panama?

    A few years back, crises would arise, take up all of the news, fade away, then everything back to normal. Its possible we might never see normal again?
    4grimmfilment

    Either Make A Movie Or A Documentary

    The atmosphere this "movie" sets up is brilliant. The downtrodden, harrowing, depressing, soul crushing vision of the future. Had it told that story in the fictional 2073 world and simply tied it to the real life events, it would have worked fine just fine.

    But then it drops back into early 2000's and starts weaving real life footage of events from all over the world into its tread... and loses what was built at the start.

    It becomes a documentary that's trying to present itself like in a feature film form but it ends up being neither. There isn't just one message here, there are countless, each touching on everything you'd see on some conspiracy theory You Tube video or obscure website visited by people with questionable mental faculty. Reemergence of the far left in mainstream politics, corrupt interconnected politicians, systematic disassembly of democracy, abuse of power, abuse of social media, racism, environment, and so on and so forth.

    Don't get me wrong, all of the topics it touches are worthy of your attention and should be addressed, sooner rather than later. But the moment you tangle real life events with fictional narrative... the relevance of the message becomes fictional itself.

    This documovie offers causes to issues, exacerbates them as a stepping stone into the fictional environment and the offers nothing in the form of a solution, just a melancholic voice over from the main character that deliberately tip toes around what it really wants to say.

    Shame. Because if this had been a fictional movie or a proper documentary... I think I would have loved it.

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    Verwandte Interessen

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Features a brief shot of Samantha Morton in the film 'Minority Report' during a flashback sequence.
    • Zitate

      Ghost: They've come for me. It's my turn.

    • Verbindungen
      Referenced in Film Junk Podcast: Episode 985: Baby Invasion (2025)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 22. Dezember 2024 (Deutschland)
    • Herkunftsländer
      • Vereinigtes Königreich
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Produktionsfirmen
      • Double Agent
      • Film4
      • HBO Theatrical Documentary
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 7.125 $
    • Eröffnungswochenende in den USA und in Kanada
      • 5.078 $
      • 29. Dez. 2024
    • Weltweiter Bruttoertrag
      • 56.269 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 25 Min.(85 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Surround 7.1
    • Seitenverhältnis
      • 2.39:1

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