Das Talent des Genesis Potini

This went straight into my top 5 movies of all time. Powerful story, raw in places. It brought a real depth of emotion and connection to the viewer. Cliff Curtis is a tour De force in this film, the best role I have seen him in. The supporting cast, despite being largely unknown, add a richness to the film, and also an authenticity to the setting. The fact that it is a true story also adds to the film, and made me want to find out more about the lead character, Genesis Potini. Although there are elements of violence, and that can be harrowing, they are tempered by extraordinary scenes of tenderness, and of humor. While the story has a New Zealand setting, it is a film for all people, from all parts of the world. If you are going to see one film this year, this is it. A must see.

Behind the beautiful cinematography, engaging and detailed performances, and deftly-paced editing is a master work of a screenplay. A wholly empathetic protagonist, with his wellbeing so delicately balanced, bombarded by obstacles. The stakes continue to rise, the subplots interweave seamlessly, with the whole story building to a perfectly weighted, moving, climax.

Once filmmakers could be just "good" or "interesting" and pull a crowd to the cinema to see their kitchen-sink dramas. The new Golden Age of television has put paid to that. We get great storytelling and interesting ideas pushing boundaries all the time, delivered on-call to our living rooms. if filmmakers are not making blockbusters, or special effect laden sensual experiences, then the stories must be wonderful and totally captivating to get a crowd in the car and front up with the ticket price. There's no place to hide...

This film is a great reminder of why there is still a place at the cinema for a low budget, domestic drama, they just need to be this good!

Spectacular. What can I say. I saw this film yesterday and I am still emotionally changed by it. Cliff Curtis' portrayal of the main character Genesis is incredible. Every facial movement, gaze and words contain such intent and delivery that it makes you imagine or see what is going on in his mind. The opening scene is stunning directing and DOP work and creates the mood for the entire film.

James Rolleston as Mana is excellent. Very powerful delivery and believable. Same can be said for Wayne Hapi who plays Mana's father Ariki. Kirk Torrance as Noble and the rest of the cast is great.

I also felt a close connection to this film because I grew up in a small town in Australia with people similar to the roles portrayed in this film so I can relate.

Great work, I will see again very soon and can't wait to own it when it is released.

This film easily ranks as one of the 3-4 greatest films to come out of New Zealand for me.

NZ film has produced some powerful drama over the years, particularly films like Whale Rider, Once Were Warriors and The Piano. IMO, The Dark Horse stands shoulder-to-shoulder with all those and actually exceeds them in some regards.

It's not an easy watch at times, there were moments I felt myself almost having to turn away from the screen... The tension is pretty relentless during periods, and I actually felt exhausted by the end.

But there was also plenty of genuine laugh out loud humour littered throughout, which balanced it all out nicely.

And boy was I glad for the experience. I actually had moments of not wanting to laugh because I was worried it would start me crying...! It was pointless... I ended up doing plenty of both in the end.

An instant NZ classic. Bravo to the filmmakers.

I had some trepidation about it - mental illness and some Maori themes had been explored in excellent "The Insatiable Moon" - and the opening with film-effects rain didn't inspire.

However, a little further in and the film grabbed you by the throat and didn't let go. There are some very intense scenes and some things that are hard to watch though the violence is mostly off-screen. Chris Curtis delivers a truly stunning Genesis - an acting tour-de-force that just has to be seen. Telling his history to Mana up on the monument was a sight to behold - as well as his occasional slips out of the sane world. I know a few bipolars and it was very convincing.

While Curtis carries much of the film, he is very well supported by James Rolleston who has grown up since "Boy", Kirk Torrence, Hapi and the ensemble of kids. Te Hira's malevolence is also important to the script.

The script was brilliant. I thought Mana's attraction to Genesis was a little under-written but everything else came together in a very satisfying way. The linking of chess to warrior tradition and identification with family/tribe was inspired. I wonder if the real Genesis did this - it was certainly convincing as a way to touch these kids. Some excellent sets.

All in all, not one to be missed. The setting and culture are obviously very familiar to NZers, but I cant see why overseas audiences wouldn't enjoy it. The themes are pretty universal.