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Kill Your Friends

  • 2015
  • 16
  • 1 Std. 43 Min.
IMDb-BEWERTUNG
6,0/10
10.458
IHRE BEWERTUNG
Nicholas Hoult in Kill Your Friends (2015)
Trailer #2 for Kill Your Friends.
trailer wiedergeben1:28
5 Videos
18 Fotos
Schwarze KomödieKomödieKriminalitätMusikThriller

Im Jahr 1997 ist die BritPop-Welle auf ihrem Höhepunkt und der Musik-Manager Steven Stelfox tut alles dafür, um das nächste große Talent ausfindig zu machen.Im Jahr 1997 ist die BritPop-Welle auf ihrem Höhepunkt und der Musik-Manager Steven Stelfox tut alles dafür, um das nächste große Talent ausfindig zu machen.Im Jahr 1997 ist die BritPop-Welle auf ihrem Höhepunkt und der Musik-Manager Steven Stelfox tut alles dafür, um das nächste große Talent ausfindig zu machen.

  • Regie
    • Owen Harris
  • Drehbuch
    • John Niven
  • Hauptbesetzung
    • Nicholas Hoult
    • Thomas Conroy
    • James Corden
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    10.458
    IHRE BEWERTUNG
    • Regie
      • Owen Harris
    • Drehbuch
      • John Niven
    • Hauptbesetzung
      • Nicholas Hoult
      • Thomas Conroy
      • James Corden
    • 47Benutzerrezensionen
    • 102Kritische Rezensionen
    • 45Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Nominierungen insgesamt

    Videos5

    Official Trailer #2
    Trailer 1:28
    Official Trailer #2
    Official Trailer
    Trailer 1:01
    Official Trailer
    Official Trailer
    Trailer 1:01
    Official Trailer
    Kill Your Friends: The Lazies Gig
    Clip 1:56
    Kill Your Friends: The Lazies Gig
    Kill Your Friends: Indie Kids
    Clip 3:27
    Kill Your Friends: Indie Kids
    Kill Your Friends: Nichols Hoult Q & A
    Featurette 5:37
    Kill Your Friends: Nichols Hoult Q & A

    Fotos17

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    Topbesetzung99+

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    Nicholas Hoult
    Nicholas Hoult
    • Steven Stelfox
    Thomas Conroy
    • Clubber
    • (Nicht genannt)
    James Corden
    James Corden
    • Roger Waters
    Georgia King
    Georgia King
    • Rebecca
    Craig Roberts
    Craig Roberts
    • Darren
    Jim Piddock
    Jim Piddock
    • Derek Sommers
    Joseph Mawle
    Joseph Mawle
    • James Trellick
    Dustin Demri-Burns
    Dustin Demri-Burns
    • David Schnieder
    Damien Molony
    Damien Molony
    • Ross
    Bronson Webb
    Bronson Webb
    • Rob Hasting
    Ella Smith
    Ella Smith
    • Nikki
    Rosanna Hoult
    • Katy
    Ed Skrein
    Ed Skrein
    • Rent
    Tom Riley
    Tom Riley
    • Parker Hall
    Kurt Egyiawan
    Kurt Egyiawan
    • Tim
    Hugh Skinner
    Hugh Skinner
    • John
    Moritz Bleibtreu
    Moritz Bleibtreu
    • Rudi
    Alex Gillison
    • Gunter
    • (as Alexander Gillison)
    • Regie
      • Owen Harris
    • Drehbuch
      • John Niven
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen47

    6,010.4K
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    5Oli_palmer23

    "The issues for KILL YOUR FRIENDS stem from a very unfocused script that never seems to have a chief goal to aim for"

    "Get fucked, you wouldn't last 10 minutes" quips Steven Stelfox (Hoult) right into the camera early on in KILL YOUR FRIENDS, the adaptation of John Niven's 2008 novel. He's aiming this put-down at the viewer as an exclamation of his superiority over us. He wants us to be envious, jealous, maybe even hate him. He's an A&R man in the music business, and he wants us to know that his life is awesome, and ours is not when compared to his. This set-up is then followed by roughly 90 minutes of the sort of drug-taking, jet-flying and partying exploits that could be expected, with the odd merciless killing thrown in for good measure. By the end though, it's difficult to feel envious of him, because when it comes down to it, his life (and by implication; this film) is really not that great.

    Set in the year 1997, Stelfox is consistently hunting for the next big thing in music. In doing so, his excessive lifestyle can be permitted to continue. He will stop at nothing to be successful in this business and he's not afraid to step on toes to get there. When even that won't work, there are always... other options.

    Nicholas Hoult, at first glance appears too young to play this role. The baby-faced actor is a little difficult to take seriously as a top A&R man when the majority of his colleagues appear at least 10 or 15 years older than him. Hoult however, carries himself nicely in the lead role, doing all that can be reasonably required of him. Unfortunately the issues for KILL YOUR FRIENDS stem from a very unfocused script that never seems to have a chief goal to aim for. The story attempts to make up for this by throwing in some genuinely shocking scenes of violence that will long be the images engrained in people's mind when they think back to this film.

    The consistent fourth-wall breaking nature of Stelfox's character, coupled with the ever-present voiceover means we always know exactly what's going on in Stelfox's head. But this doesn't necessarily ensure we always know why he's doing the things he's doing. His eventual foray into murderous tendencies is not handled with any clear focus and subsequently just feels out of character, even for someone with his levels of excess.

    John Niven's adapted screenplay is keen to hammer in the point that the music business is full of people, tasked with pulling the strings of artists who all have egos that outweigh their talent by a considerable margin. Niven himself worked in the music business for ten years, so its more than likely his characters are loosely based on real people that he has came across during this time. This adds a certain authenticity to the proceedings here, and it's not exactly too difficult to imagine some of the people were genuinely like this, especially in the 'experimental' 90's music era.

    For all the good intentions involved here, KILL YOUR FRIENDS comes across as a distant British second cousin to both THE WOLF OF WALL STREET and AMERICAN PSYCHO, paying homage to both but never really finding its own identity.
    8Seth_Rogue_One

    Sex, Drugs and A&R's

    Pretty slick dark comedy a bit similar to American Psycho but set in the British music-scene circa 1997 about a A&R man who'll do anything to get a new hit.

    Nicholas Hoult does really well in the lead I thought, doing something really different to anything I've seen him in before which mostly have been American films.

    It doesn't have any likable characters but it doesn't really need to, that's not really what this movie is about after all it's a (extreme) satire on the music-business and if you are aware of the 90's music-scene you can easily tell some groups that are being poked fun of, but mostly it's about the people behind the scenes.

    I can't really say too much more about it than that as I might end up spoiling something, but yeah it's a pretty cool flick, fairly fast paced and with a rocking 90's soundtrack to match.
    6subxerogravity

    Great satire on the music industry.

    I like Nicholas Hoult enough to check out the movie when I saw the poster at my local theater, plus I became really found of music around the time period the movie takes place in and was a fan of the Britpop thing going on at the time. Also, this is the second time I've seen Hoult do something that was not Superhero or genre (the first being Dark Places, starring Charlize Theron).

    Although the title did make it seem like it may be a horror movie. In a way. it is, especially if you seen American Psycho.

    Hoult plays a brutally honesty (which makes him very unlikeable) A&R rep for a record label, who's trying to climb to the top of the ladder, at the same time trying to find the next Britpop sensation. He falls under all the clichés of a man trying to reach the top, coping with stress with sex and drugs, all the while trying to be the cool guy in the room. Then we discover how far he will go to climb up that ladder to success, of which the term back stabbing does not fully explain.

    It's brilliant as a satire on the music industry as a whole during that time. They go over the bubblegum pop machine that is boy bands and pretentiousness of bands that want to be considered indi, it even pokes fun of the techno scene that was developing and the moment when Hip hop was about to dominate. No stone is left unturn making it a hard hitting poke at whatever category you fit in and really hopes you have a good sense of humor about it.

    Holt plays the villainous protagonist that has become popular on TV (like Tony Sprano and Walter White). It's something different than the Awkward but good looking kid he plays in a lot of his movies and he handles that fact that not everyone will fancy his character and keeps it completely true to form.

    For everyone who remembers the late 90s and loves stories on the music industry.
    8marc27ffm

    Black comedy

    I attended the world premier for "kill your friends" at the fantasy film festival in Berlin which was the opening film - and was pleasantly surprised. Usually the open movie is OK, this time it was the best I have seen in the last 15 years going to the fantasy film festival.

    I had not read the book on which it is based, had not read the description (as I always go to the opening movie no matter what), so I did not know what to expect.

    Kill your friends is about a hotshot in the finding and signing music talent industry who wants to be the department head, however is clueless but very determined. It is an over the top black comedy that has tons of coke and pills, some nudity and gore, and great lines.

    I was very entertained and can only recommend the movie. Most likely will get an 16/R rating for the violence, drugs and nudity.
    Gordon-11

    London psycho

    This Film tells the story of a record industry talent scout in the 1990's London, who stops at nothing when it comes to career advancement.

    Firstly, the music in the film is great because those songs are the songs I grew listening to. Hearing relatively non hit tracks such as "The Private Psychedelic Wheel", or other big hits like "Encore Une Fois" brings back memories of those great years!

    Nicholas Hoult is insanely handsome in this film. He's charming and likable even though his character is reminiscent of "American Psycho". That's what make the film very interesting and engaging. I really enjoyed it.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      The film takes place in 90s, a 'Cool Britannia' era where Britpop music has dominated the industry. Most of the songs in official soundtrack album feature real-life stars at the moment such as 'Oasis', Blur and Radiohead.
    • Patzer
      The film is set in 1997. Stelfox is standing outside the 'Eventim Apollo' (A.K.A. The Hammersmith Odeon). A sign on the building can be seen saying Eventim Apollo, when this film is set the venue was called 'Hammersmith Apollo' it has changed hands several times and did not become the Eventim Apollo until 7th of September 2013.
    • Zitate

      [last lines]

      James Trellick: What is the meaning of life?

      Darren: [as Steven is about to answer] To drive your enemies before you and hear the lamentations of their women.

    • Crazy Credits
      In the fine print at the end of the credits, it says "No animals or A&R persons were harmed in the making of this film."
    • Verbindungen
      Featured in Film '72: Folge #44.8 (2015)
    • Soundtracks
      Beetlebum
      Written by Damon Albarn, Graham Coxon, Alex James and Dave Rowntree

      Performed by Blur

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    Details

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    • Erscheinungsdatum
      • 6. November 2015 (Vereinigtes Königreich)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Убий своїх друзів
    • Drehorte
      • Black Hangar Studios, Hampshire, England, Vereinigtes Königreich
    • Produktionsfirmen
      • Unigram
      • Altitude Film Entertainment
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    Box Office

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    • Weltweiter Bruttoertrag
      • 533.147 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 43 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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