IMDb-BEWERTUNG
6,7/10
6343
IHRE BEWERTUNG
Rachel, die in ihrer mormonischen Gemeinde geboren und aufgewachsen ist, glaubt, dass sie durch das Hören von Musik geschwängert wurde und nach Vegas reisen muss, um den "Vater" ihres Wunder... Alles lesenRachel, die in ihrer mormonischen Gemeinde geboren und aufgewachsen ist, glaubt, dass sie durch das Hören von Musik geschwängert wurde und nach Vegas reisen muss, um den "Vater" ihres Wunderbabys zu finden.Rachel, die in ihrer mormonischen Gemeinde geboren und aufgewachsen ist, glaubt, dass sie durch das Hören von Musik geschwängert wurde und nach Vegas reisen muss, um den "Vater" ihres Wunderbabys zu finden.
- Auszeichnungen
- 5 Gewinne & 8 Nominierungen insgesamt
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Rebecca Thomas' first feature as writer-director is an interesting character study of a fifteen year old Mormon girl, Rachel, played with a wonderful and understated performance by Julia Garner. It begins with daddy dearest questioning the teen about her devotion to the Church of Jesus Christ of Latter Day Saints; also known as Mormons. The wide eyed innocent proclaims an unquestioned faith in the teachings to her father. He explains that the interview must be recorded on a cassette player. She later finds the device and pops in a tape with the song "Hanging on the Telephone" on it. While listening to it, she has an epiphany. She believes that the singer is a messenger of God, and that he has chosen her to carry a modern day Baby Jesus. She becomes pregnant; and, of course, mom and dad do not believe her story of an immaculate conception, and a quick marriage to a boy in the Amish looking community is arranged. Rachel has other ideas, and steals the family pick up truck and drives to Las Vegas in search of the singer who has impregnated her via audio tape. She meets a rock band who takes her in and she learns about life outside of her sheltered commune. A few plot twists are included and the ending is rather ambiguous, but I recommend Electrick Children for a very believable Julia Garner; a very promising young actress.
Electric Children is an interesting debut feature from writer/director Rebecca Thomas focusing on a 15-year-old girl from a fundamentalist Mormon community in Utah, who mysteriously gets pregnant, causing her to launch off on a hastily convened road trip to Las Vegas, in an effort to find "the father" of her unborn child. This somewhat left of centre storyline is made more believable, knowing Thomas herself was raised as a Mormon. Clearly her religious experiences have undeniably strongly influenced the making of this intriguing, but ultimately uneven film.
The first act primarily set in the creepily small, remote Utah hamlet arguably features the best scenes in the movie. I use the word "creepily" deliberately, as despite the rugged attractiveness of the locations, plentiful sunshine and pollution-free natural desert environment and bed-time story sessions, the sect's embrace of biblical studies and accountability, at the expense of a normal education and social upbringing of children is quite unsettling. We can certainly accept that when 15 year old Rachel discovers she is pregnant, she is convinced that she has conceived miraculously, like the Virgin Mary, via an old cassette recorder, owned and hidden away by her mother.
Julia Garner is perfectly cast as the naive, ethereal, but determinately positive teenager, opposed to a hastily arranged shotgun marriage, by her shady father, the leader of this tiny group. Rory Culkin is also surprisingly good and effective as a rebellious teenage skater, come musician runaway, she meets after absconding from her village in a stolen pick-up.
I feel Electrick Children would have been a better film if Thomas had just concentrated on Rachel's story, with greater emphasis on her relationship with her mother, whose influence on the story behind the cassette player and ensuring events is greater than either her or Rachel realise. Instead Rachel's brother Mr Will and his experiences after hiding away in Rachel's getaway truck, is introduced as an unneeded sub-story, which arguably comes to dominate and unbalance the main narrative. On top of all this, the audience is asked to accept a huge contrivance in the third act to deepen the overall story and add more sense to earlier snippets we see of Rachel's dreams/visions. The climax to the film, whilst providing some amusement, also seems a pretty blatant rip-off from more accomplished films such as The Graduate.
Electrick Children is still worthwhile investigating however, if you're interests lie in getting a realistic peek at the type of closed community, whose collective, at times distinctly dubious, ethical actions, many might argue, should face more transparent legal scrutiny in wider mainstream society.
The first act primarily set in the creepily small, remote Utah hamlet arguably features the best scenes in the movie. I use the word "creepily" deliberately, as despite the rugged attractiveness of the locations, plentiful sunshine and pollution-free natural desert environment and bed-time story sessions, the sect's embrace of biblical studies and accountability, at the expense of a normal education and social upbringing of children is quite unsettling. We can certainly accept that when 15 year old Rachel discovers she is pregnant, she is convinced that she has conceived miraculously, like the Virgin Mary, via an old cassette recorder, owned and hidden away by her mother.
Julia Garner is perfectly cast as the naive, ethereal, but determinately positive teenager, opposed to a hastily arranged shotgun marriage, by her shady father, the leader of this tiny group. Rory Culkin is also surprisingly good and effective as a rebellious teenage skater, come musician runaway, she meets after absconding from her village in a stolen pick-up.
I feel Electrick Children would have been a better film if Thomas had just concentrated on Rachel's story, with greater emphasis on her relationship with her mother, whose influence on the story behind the cassette player and ensuring events is greater than either her or Rachel realise. Instead Rachel's brother Mr Will and his experiences after hiding away in Rachel's getaway truck, is introduced as an unneeded sub-story, which arguably comes to dominate and unbalance the main narrative. On top of all this, the audience is asked to accept a huge contrivance in the third act to deepen the overall story and add more sense to earlier snippets we see of Rachel's dreams/visions. The climax to the film, whilst providing some amusement, also seems a pretty blatant rip-off from more accomplished films such as The Graduate.
Electrick Children is still worthwhile investigating however, if you're interests lie in getting a realistic peek at the type of closed community, whose collective, at times distinctly dubious, ethical actions, many might argue, should face more transparent legal scrutiny in wider mainstream society.
'Electrick Children' follows the story of a pregnant, 15 year old Rachel living in a present day Mormon society. She claims that the father of her unborn child is the voice of a singer on a rock cassette she listened to, insisting that 'God got her pregnant through the tape'. Her family insists otherwise, and Rachel goes to Las Vegas to search for the father
Electrick Children is fresh, vivid, indie feel is what makes this film I love the colors and textures in the movie to feel like it was filmed on actual film stock. The warm lights of Las Vegas, indie rock, and the desert all make way for a beautiful place for this story to unfold.
Writer/Director Rebecca Thomas understood what she meant to say, but as with so many independent filmmakers, she felt no obligation to communicate that message comprehensibly. Depicting events that could not possibly happen does not create symbolism. Failing to come up with an ending does not make the plot "open to multiple interpretations."
Electrick Children is fresh, vivid, indie feel is what makes this film I love the colors and textures in the movie to feel like it was filmed on actual film stock. The warm lights of Las Vegas, indie rock, and the desert all make way for a beautiful place for this story to unfold.
Writer/Director Rebecca Thomas understood what she meant to say, but as with so many independent filmmakers, she felt no obligation to communicate that message comprehensibly. Depicting events that could not possibly happen does not create symbolism. Failing to come up with an ending does not make the plot "open to multiple interpretations."
Electrick Children is the best kind of indie film, about characters unlike any you've probably seen before, experiencing genuine human relationships under intriguingly unusual circumstances. The scenes and characters stay with you in an almost haunting way long after you've watched it. More than just about any other film I've seen, Electrick Children "got" the true essence of a mother-daughter relationship, and there is much more to the story than that. You get the sense that the director genuinely cares about these characters and offers the viewer an honest, almost voyeuristic view of their lives. This film is no slapstick comedy, but it does have humor and warmth.
Admittedly I'm a bit jaded these days because I just watch to many darn movies. And a lot of them have been pretty bad of late. Well this one happens to be quite an unexpected gem!
The story is pretty enthralling from the beginning. And quite an unexpected plot. I can usually see plots unravel two steps ahead, but here it was smoothly unexpected or I was just enjoying it to much to notice.
I see this movie as a "human interest" and then partially a "coming of age" story. Smoothly eliciting a response that is very touching and self reflecting in greater or lessor degree about religion, cultural norms, life, romance, and in the end love.
One thing I didn't even get from the movie but read in the IMDb summery and from the one other comment is "Mormons". I think it's a mistake and unnecessary to the story. I've known a lot of Mormons for decades and none of them are like this. It might offend some with movie stereo types. I don't even recall them referring to them self as "Moron" in the movie. I just saw it as okay, some sort of fundamentalist/extremist religious group. It could of been of any faith, Amish, German Baptist, etc., that might share a remotely similar puritanical type lifestyle. Not a big deal, just saying calling them "Morons" detracts from the movie a little. Just forget the reference and enjoy the movie as it is.
The acting performances were very good, especially the lead who carried it through the whole movie. I hope to see more from this talented writer/director and the factors.
Highly recommended!
The story is pretty enthralling from the beginning. And quite an unexpected plot. I can usually see plots unravel two steps ahead, but here it was smoothly unexpected or I was just enjoying it to much to notice.
I see this movie as a "human interest" and then partially a "coming of age" story. Smoothly eliciting a response that is very touching and self reflecting in greater or lessor degree about religion, cultural norms, life, romance, and in the end love.
One thing I didn't even get from the movie but read in the IMDb summery and from the one other comment is "Mormons". I think it's a mistake and unnecessary to the story. I've known a lot of Mormons for decades and none of them are like this. It might offend some with movie stereo types. I don't even recall them referring to them self as "Moron" in the movie. I just saw it as okay, some sort of fundamentalist/extremist religious group. It could of been of any faith, Amish, German Baptist, etc., that might share a remotely similar puritanical type lifestyle. Not a big deal, just saying calling them "Morons" detracts from the movie a little. Just forget the reference and enjoy the movie as it is.
The acting performances were very good, especially the lead who carried it through the whole movie. I hope to see more from this talented writer/director and the factors.
Highly recommended!
Wusstest du schon
- WissenswertesAccording to Rebecca Thomas, Julia Garner was cast in the film after Peter Vack, who acted with Garner in I Believe in Unicorns (2014), recommended her.
- PatzerWhen Rachel first listens to music on the tape recorder, the play button is not depressed.
- VerbindungenReferenced in Jenny (2016)
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- Weltweiter Bruttoertrag
- 137.126 $
- Laufzeit1 Stunde 36 Minuten
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By what name was Electrick Children (2012) officially released in India in English?
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