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Electric Children is an interesting debut feature from writer/director Rebecca Thomas focusing on a 15-year-old girl from a fundamentalist Mormon community in Utah, who mysteriously gets pregnant, causing her to launch off on a hastily convened road trip to Las Vegas, in an effort to find "the father" of her unborn child. This somewhat left of centre storyline is made more believable, knowing Thomas herself was raised as a Mormon. Clearly her religious experiences have undeniably strongly influenced the making of this intriguing, but ultimately uneven film.

The first act primarily set in the creepily small, remote Utah hamlet arguably features the best scenes in the movie. I use the word "creepily" deliberately, as despite the rugged attractiveness of the locations, plentiful sunshine and pollution-free natural desert environment and bed-time story sessions, the sect's embrace of biblical studies and accountability, at the expense of a normal education and social upbringing of children is quite unsettling. We can certainly accept that when 15 year old Rachel discovers she is pregnant, she is convinced that she has conceived miraculously, like the Virgin Mary, via an old cassette recorder, owned and hidden away by her mother.

Julia Garner is perfectly cast as the naive, ethereal, but determinately positive teenager, opposed to a hastily arranged shotgun marriage, by her shady father, the leader of this tiny group. Rory Culkin is also surprisingly good and effective as a rebellious teenage skater, come musician runaway, she meets after absconding from her village in a stolen pick-up.

I feel Electrick Children would have been a better film if Thomas had just concentrated on Rachel's story, with greater emphasis on her relationship with her mother, whose influence on the story behind the cassette player and ensuring events is greater than either her or Rachel realise. Instead Rachel's brother Mr Will and his experiences after hiding away in Rachel's getaway truck, is introduced as an unneeded sub-story, which arguably comes to dominate and unbalance the main narrative. On top of all this, the audience is asked to accept a huge contrivance in the third act to deepen the overall story and add more sense to earlier snippets we see of Rachel's dreams/visions. The climax to the film, whilst providing some amusement, also seems a pretty blatant rip-off from more accomplished films such as The Graduate.

Electrick Children is still worthwhile investigating however, if you're interests lie in getting a realistic peek at the type of closed community, whose collective, at times distinctly dubious, ethical actions, many might argue, should face more transparent legal scrutiny in wider mainstream society.

Rebecca Thomas' first feature as writer-director is an interesting character study of a fifteen year old Mormon girl, Rachel, played with a wonderful and understated performance by Julia Garner. It begins with daddy dearest questioning the teen about her devotion to the Church of Jesus Christ of Latter Day Saints; also known as Mormons. The wide eyed innocent proclaims an unquestioned faith in the teachings to her father. He explains that the interview must be recorded on a cassette player. She later finds the device and pops in a tape with the song "Hanging on the Telephone" on it. While listening to it, she has an epiphany. She believes that the singer is a messenger of God, and that he has chosen her to carry a modern day Baby Jesus. She becomes pregnant; and, of course, mom and dad do not believe her story of an immaculate conception, and a quick marriage to a boy in the Amish looking community is arranged. Rachel has other ideas, and steals the family pick up truck and drives to Las Vegas in search of the singer who has impregnated her via audio tape. She meets a rock band who takes her in and she learns about life outside of her sheltered commune. A few plot twists are included and the ending is rather ambiguous, but I recommend Electrick Children for a very believable Julia Garner; a very promising young actress.

'Electrick Children' follows the story of a pregnant, 15 year old Rachel living in a Mormon society in present day. She claims that the father of her unborn child is the voice of a singer on a rock cassette she listened to, insisting that 'God got her pregnant through the tape'. When being forced to confess to her parents that she has sinned, frustrated that they won't believe her miracle and are persistent in arranging a marriage for her the next day, Rachel steals her father's truck and journey's into Las Vegas in order to find the singer on the tape. This 'coming of age' story is the first feature film of director Rebecca Thomas and stars actress Julia Garner, who is very convincing in her performance of the naïve, 'fish-out-the water' teenager alongside our skater/stoner character that happens to take a shine to her when they meet in Las Vegas. Clyde, played by Rory Culkin, does a great job in capturing the emotions of his character and is beginning to step out of his brothers' shadows in becoming a star in his own right. The film is enticing up until the last half hour when a charge of events and little time for the audience to comprehend them leads the ending to seem quite messy. Regardless, this film is successful in capturing teenage emotion and I have nothing but praise for Julia Garner and Rory Culkin who performed their roles wonderfully.

Rebecca Thomas' Electrick Children is a generally obscure 2012 film that received very little attention from critics or the general public. Whether or not attention was deserved, Elecktrick Children is a bizarre and sometimes charming visuals-driven story of teen curiosity and adventure in an unknown world. It's quite literally a personal story for director Rebecca Thomas (who was a mainstream Mormon raised in Las Vegas) and it shows as Electrick Children is more of a feast for the senses rather than a cohesive narrative-driven story.

Electrick Children features a cast of talented teenagers with Julia Garner playing the lead. She does an excellent job portraying a naive and curious Mormon experiencing elements of the outside world for the first time. She is perfectly awkward when she needs to be as her innocence and purity makes her character easy to like. The cast includes many other rebellious teenagers but her character is really the only one that gets built upon and developed. This isn't too much of a flaw as the story is really supposed to only be focused on her and her mission, but some development to these supporting characters wouldn't have hurt. Overall, Julia Garner was fantastic and I look forward to seeing her in future titles.

The story, albeit quite simple, is full of wonder but sometimes uneven. The film is heavily stylistic as we witness things through the Mormon teenager's eyes as she gazes in wonderment at things she has never seen before. There is a heavy emphasis on lighting and music, helping to immerse us in the world that this girl is experiencing for the first time. We feel just as lost as her as we meet many different types of people and engage in nefarious juvenile actions. While the film is mostly entertaining, there are noticeable slumps in the pacing. Sometimes there are quite long stretches of slow and tedious drama, and while these sequences are infrequent, it still hurts the films pacing quite a bit. Another issue with Electrick Children is the unsatisfying ending. We get a pretty great third act filled with interesting interactions but all this builds up to an abrupt and inappropriate ending. Many important questions are not answered or even acknowledged, making the film feel unfinished.

Despite the few issues, Electrick Children is a charming and strangely intriguing story of teen curiosity that resonates quite personally with the director, who clearly showed passion in their work here. The story is interesting and mostly well told when it isn't treading too lightly. The great acting from the lead actress and the colorful and dreamy narrative makes Electrick Children an experience that is easy to enjoy despite uneven pacing and poor ending. The themes of teenage angst and rebellion makes the experience a deeply personal one as we can all understand what our lead character is going through. Except for the "pregnancy through music" part.

Electrick Children is the best kind of indie film, about characters unlike any you've probably seen before, experiencing genuine human relationships under intriguingly unusual circumstances. The scenes and characters stay with you in an almost haunting way long after you've watched it. More than just about any other film I've seen, Electrick Children "got" the true essence of a mother-daughter relationship, and there is much more to the story than that. You get the sense that the director genuinely cares about these characters and offers the viewer an honest, almost voyeuristic view of their lives. This film is no slapstick comedy, but it does have humor and warmth.

'Electrick Children' follows the story of a pregnant, 15 year old Rachel living in a present day Mormon society. She claims that the father of her unborn child is the voice of a singer on a rock cassette she listened to, insisting that 'God got her pregnant through the tape'. Her family insists otherwise, and Rachel goes to Las Vegas to search for the father

Electrick Children is fresh, vivid, indie feel is what makes this film I love the colors and textures in the movie to feel like it was filmed on actual film stock. The warm lights of Las Vegas, indie rock, and the desert all make way for a beautiful place for this story to unfold.

Writer/Director Rebecca Thomas understood what she meant to say, but as with so many independent filmmakers, she felt no obligation to communicate that message comprehensibly. Depicting events that could not possibly happen does not create symbolism. Failing to come up with an ending does not make the plot "open to multiple interpretations."

This is an amazing job for a first feature film by a writer-director who was still in film school. A fine effort by a talented amateur with very little money on hand.

But, seriously, it's not a particularly good film overall. It starts strong--the scenes in the religious country home all ring true. I think that's because this is the part that the writer-director was actually familiar with in real life. Once Racheal gets to Vegas, however, the movie falls apart into random, loosely connected scenes that feature what seems to be very, very poorly improvised dialog. The poor actors just seem to be at a loss as to what they are supposed to be saying or doing. And the effect isn't "natural," it's just the opposite. You are totally aware that these are actors trying to think of what to say and do, not real people who just don't know what to say. Like a bad home movie or a the plot part of a porno. Incongruities abound as Racheal, who was so sheltered that she had never heard pop music, talked on a cell phone, and didn't even know what a tape recorder was all the sudden starts tossing around terms she would never have heard before like "rock and roll" and "cell phone." And the revelatory scene (can't tell you what it is)is implausible beyond belief. It, and many other parts of the Vegas section, was an interesting idea that the filmmaker apparently just didn't have time to work out in a way that worked.

The acting was pretty good, when dialog was scripted. Billy Zane as the religious nut dad was smooth and professional, but seemed way too nice and reasonable to be the relative heavy of the piece; a hint of darkness in dad would have made the whole movie a bit better. The woman who played the mom was very good too, in a limited role.

The guy who played Racheal's newly found boy friend was easily the most accomplished young performer in the movie, even handling his part in the pointless, rambling Vegas scenes as though he actually knew what was going on (I don't think anyone else did).

But I have to say that, when they were given written dialog, the other young performers were for the most part very appealing. The girl who played Racheal was quite charming. She drifted from sheltered religious cult girl to valley girl without warning, but she was very expressive and had a good presence.

But overall, what we have is a very good 20 minute short film about a girl in an isolated Mormon cult who discovers rock and roll. And that is followed by over an hour of what seems like a first draft of a story that the filmmaker hoped would come together as they went along.

And who knows? If she had been afforded the time and resources of even a low budget Hollywood film, maybe she could have brought it together at that. There is obvious talent there!

Electrick Children was an awesome movie....or could have been if the story had some work on it. Rory Culkin and Julia Garner are the reason why this movie was saved. The bright innocent eyed Rachel (Julia Garner) shows us the true meaning of innocence while Clyde (Rorry Culkin) takes her and her brother for a ride of their lives. Rebecca Thomas (Director/Writer) had an amazing story on her hands if only she knew how to end it without so many plot holes in her film. I give this a 7/10 because it wasn't a BAD film, I just wished that it was worked on a little bit more before releasing the film. Maybe then people might be able to appreciate the film a little bit better and hopefully more people will recognize the potential that this film could of had.

I liked the stories and the characters but the pacing was rather slow and didn't really resolve anything when it ended. I actually had more questions once the credits started rolling but maybe that's the point. Definitely worth a watch if you are a Prime member as it has lingered on that platform for a really long time now. I wouldn't spend money to rent this flick specifically but if it's on offer to you through an existing subscription then give it a go to see if it tickles your fancy.

'Electrick Children' is a small American Indie film that I decided to watch because the synopsis of the film seemed interesting. The film is about a teenage girl named Rachel living in a Mormon Community who gets pregnant and his brother Mr. Will is accused of being the father, which Rachel denies as she believes the baby inside her is the son of God.

Although the film is a small budget, somewhat obscure indie film, but its storyline and the themes that are at work are very ambitious. Writer/Director Rebecca Thomas's script certainly has various layers running through it. But her visual style of storytelling is also pretty impressive. The cinematography deserves to be admired as the film looks great. Lights and bright colours are an important part of the film and its themes and they shoot out of the screen due to the vibrant nature of the cinematography.

Thomas intentionally keeps the film relatively ambiguous throughout. It is open to diverse interpretations, but the main themes in the film that I think to be at work are the themes of awakening (both psychological and sexual) and embracing others(who might seemingly be different to you) and your own self and live the kind of life that you want to live instead of being forced to live the life of someone else's choice. The ambiguous nature of the film keeps it from being too preachy as most of what is being conveyed is through visual hints and metaphors that may imply something or the other. It does get a bit predictable at times, but for the most parts the script is solid.

Julia Garner's performance as Rachel is one of the main reasons why 'Electrick Children' works. She is brilliant as the naive, innocent, yet infinitely determined girl who is searching for something or someone in a spirited quest of biblical nature. Rory Culkin as Clyde also is impressive in a number of scenes.

"Electrick Children' isn't groundbreaking cinema, but it certainly is ambitious with its content and is sure to make you think about it after its conclusion.

Admittedly I'm a bit jaded these days because I just watch to many darn movies. And a lot of them have been pretty bad of late. Well this one happens to be quite an unexpected gem!

The story is pretty enthralling from the beginning. And quite an unexpected plot. I can usually see plots unravel two steps ahead, but here it was smoothly unexpected or I was just enjoying it to much to notice.

I see this movie as a "human interest" and then partially a "coming of age" story. Smoothly eliciting a response that is very touching and self reflecting in greater or lessor degree about religion, cultural norms, life, romance, and in the end love.

One thing I didn't even get from the movie but read in the IMDb summery and from the one other comment is "Mormons". I think it's a mistake and unnecessary to the story. I've known a lot of Mormons for decades and none of them are like this. It might offend some with movie stereo types. I don't even recall them referring to them self as "Moron" in the movie. I just saw it as okay, some sort of fundamentalist/extremist religious group. It could of been of any faith, Amish, German Baptist, etc., that might share a remotely similar puritanical type lifestyle. Not a big deal, just saying calling them "Morons" detracts from the movie a little. Just forget the reference and enjoy the movie as it is.

The acting performances were very good, especially the lead who carried it through the whole movie. I hope to see more from this talented writer/director and the factors.

Highly recommended!

I watch A LOT of movies. As I watched this movie, I thought that in some sense it reminded me of the movie 'Perks of Being a Wallflower'. I didn't even realize that Julia Garner is in 'Perks of Being a Wallflower'! Every scene in this movie is perfect. The music is perfect. The way they incorporate narration or conversations in each scene is unique but works very well and again, creates a certain mood. Although this is no average plot, by the end of the movie, the characters to the viewer are well-known. It's like a good book; when the book is over you almost miss the characters - and I definitely felt that in this movie. The movie felt very Nostalgic. What a beautiful film!

Different, worth a watch, however confusing. Obviously beliefs and doctrines are not the same for all.

As for Catholics, Immaculate Conception is that Mary was born without original sin, and was a virgin before giving birth to Jesus and after the birth as well (perpetual virgin?). Quote "Mary's perpetual virginity after Jesus' birth was proclaimed as dogma for the Catholic Church at the Third Ecumenical Council of Constantinople of AD 681"

Having said that, Jesus existed before Mary gave birth to Him (go figure}, so down deep it's what your belief is and how each Christian denomination interprets the teachings.

I am a huge fan of indie films. When I came across this the other night I added it to my netflix list to watch. I started watching it last night and couldn't wait to finish it today. This movie's story line is genius. I would have to say that the way the story develops is brilliant. I love the fact that my brain was stimulated the whole time. There were so many levels to this movie, which made it so very intriguing to watch.

Now can I just say this... Rory Culkin is sexy in this film. I don't know quite what it is, but I get these weird attractions sometimes. I don't want to get into detail about the movie, but I suggest you watch it. I was hooked. After the movie was over, I was like that was a great movie.

<3 Heather May

Overall, I thought this picture was entertaining and enjoyable with good performances all around, especially by Julia Garner in one of her first feature film roles. However, there is something that needs to be pointed out. Evidently, there are a lot of people that don't understand the meaning of the term "Immaculate Conception". The term originates in the Catholic church and is a teaching referring to the birth of Mary - and that she was conceived and born free of original sin. That's all. It does NOT refer to the birth of Jesus or "virgin birth" and to use it in that sense is wrong. The term has a specific definition regardless of popular belief. Look it up. I know what it means and I'm not even Catholic.

Great cast. Description of movie is misleading. It says they are Mormon. These are Fundamental "Mormons" which is a huge difference. Movie was artsy but was all over the place. I'm not sure this was based on a true story but it seemed unrealistic. Again great acting, just a slow movie that was odd.

Such a quirky and interesting film! I loved it from beginning to end.