Die unerzählte wahre Geschichte hinter dem Treffen zwischen Elvis Presley, dem King of Rock 'n Roll, und Präsident Richard Nixon, das zu dem aufschlussreichen, aber amüsanten Moment des Händ... Alles lesenDie unerzählte wahre Geschichte hinter dem Treffen zwischen Elvis Presley, dem King of Rock 'n Roll, und Präsident Richard Nixon, das zu dem aufschlussreichen, aber amüsanten Moment des Händeschüttelns führte, der in der am häufigsten angeforderten Photographie der National Archi... Alles lesenDie unerzählte wahre Geschichte hinter dem Treffen zwischen Elvis Presley, dem King of Rock 'n Roll, und Präsident Richard Nixon, das zu dem aufschlussreichen, aber amüsanten Moment des Händeschüttelns führte, der in der am häufigsten angeforderten Photographie der National Archives verewigt wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 4 Nominierungen insgesamt
- Stewardess #3
- (as Skye Forsyth-Peters)
Zusammenfassung
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This movie is mildly amusing. The history is possible. The performances of Shannon and Spacey are intriguing. Shannon may not be completely correct but he brings a self-possessed actualized personality to the role. The movie plays it mostly straight. There aren't any big surprises but I do like Nixon's initial refusal. There are plenty of light moments which leaves the movie feeling lightly fun. It would be more compelling to go overboard with the broad comedy or go darker. This ends up existing in the milky white toast middle.
It would be pretty easy to bash the film as heavy on cheese and light on historical accuracy, but that would be missing the point. These two public figures couldn't have been much different from each other, but the script (Joey and Hanala Sagal, and Cary Elwes) finds a way to have these two icons hold a conversation bonding over their mutual hatred of The Beatles.
The terrific opening credit sequence perfectly captures the time period and is a work of art unto itself. We first see Elvis shooting out the picture tubes in the TV room at Graceland. He's disgusted with the news reports of Woodstock and drug use among America's youth. Constructing a loose plot to meet with President Nixon and offer his service as a Federal Agent-at-large, Elvis is mostly interested in adding a federal badge to his collection.
Michael Shannon plays Elvis and Kevin Spacey takes on the Nixon role. Rather than a finely tuned impersonation, Shannon goes after more of an impression or re-imagining of The King. It's a perfect fit for this setting, and there is nothing like watching Shannon give an impromptu karate demonstration for the leader of the free world in the most famous room in America. Spacey, on the other hand, is spot on in capturing the posture, mannerisms, sound and essence of a man who carried much personal baggage with his political power.
The chain of events leading up to the meeting plays a bit like a farcical comedy. Nixon's staff of Bud Krough (Colin Hanks), Dwight Chapin (Evan Peters) and HR Haldeman (Tate Donovan) is equal parts incredulous and opportunistic. We get two members of Elvis' "Memphis Maphia" with Alex Pettyfer playing Jerry Schilling and Johnny Knoxville adding even more humor as Sonny West. There is a nice blend of "little" comedy moments and outright laughers – Elvis impersonators confronting him in an airport, the Secret Service reaction to Elvis' gift to Nixon of collectible WWII pistols, and Elvis meeting with a DEA official played by Tracy Letts.
I found myself smiling throughout, with full understanding that this satirical look at a meeting between two famous men with little common ground has no real historical importance other than resulting in the all-time most requested photograph from the National Archives. But for 86 minutes of smiling, I say to the filmmakers and actors Thank you. Thank you very much.
At only an hour and twenty five minutes, Elvis & Nixon is a rather short film that is based on a true story, but it doesn't feel like it. It takes a while for the film to get going as it decidedly focuses primarily on Elvis for the first 45 minutes or so leading up to the meeting. You get glimpses of Spacey's Nixon here and there but we don't get the two on screen together until nearly an hour in. I would have much rather watched a full hour and a half of these two guys talking to each other. The story of Elvis' friend Jerry Schilling or anybody inside the White House, I didn't care about.
I understand you need to at least follow the true story to a point, but no one truly know the events that went down that day, so you might as well structure it to the strengths of your film. No matter, the time spent on screen with the two leads is a joy to watch. They are far from an SNL impression as they both create their own distinct interpretations of Elvis and Nixon. Even if it's an extremely slow burn, the last 30 minutes are definitely worth watching. If only a better movie surrounded the two great performances.
+Two lead performances
+Entertaining final 30 minutes
-Extremely slow burn
-Focus on side characters
6.6/10
Wusstest du schon
- WissenswertesBased on a true story. In December 1970, Elvis Presley met President Richard Nixon, who appointed Presley as an honorary DEA agent.
- PatzerIn the Oval Office: The Dr Pepper bottles logos are ten years ahead of their time.
- VerbindungenFeatured in Vecherniy Urgant: Olga Pogodina/Andrey Chernyshov (2016)
- SoundtracksHold On I'm Coming
Written by Isaac Hayes & David Porter (as Dave Porter)
Performed by Sam & Dave
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Elvis and Nixon
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.055.287 $
- Eröffnungswochenende in den USA und in Kanada
- 466.447 $
- 24. Apr. 2016
- Weltweiter Bruttoertrag
- 1.798.432 $
- Laufzeit
- 1 Std. 26 Min.(86 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1