Die Söhne des Generals Yang

I do have a soft spot for Eastern in general (no pun intended) and this was able to fill that. Now the story is simple (though I won't go into it and let you explore it yourself or read about it in the summary tag here on IMDb), but it is the action scenes and the drama that involves the family and obviously the tradition that surrounds it all.

If you are like me, there is no question you will like this (maybe even rate it higher than me), but this is not art-house (even though some themes might qualify as such by themselves), this is an action movie. So if that is what you are looking for you could do a lot worse than this. Nice fighting, good choreography and a story that is easy to follow.

Saving General Yang is an excellent Chinese period war movie in the same vein as Red Cliff and Warlords. Of course, the three of these films differ greatly. SGY takes place in Northeast China, early Song dynasty where the righteous General Yang is trapped behind enemy lines and his seven sons rush to the battlefield to rescue him. Directed by Ronny Yu, who directed some of my favorite Chinese language movies such as Fearless and The Bride With White Hair. As usual for Ronny Yu, SGY is real sharp looking with exceptional camera-work. Yu did well with this period epic with top notch cinematography, great action, nice sets/costumes, good storytelling and solid performances from the cast. As this is a war movie, I felt the film needed more blood. Even so, that is a minor complaint as SGY is a very solid and well made movie.

Chinese historical stories have no lack of its own heroes who display virtues of courage, and loyalty, and the Yang Family of the Song Dynasty has been celebrated in countless of books, plays, operas and of course, film. There are many variations to the adventures of General Yang (Adam Cheng) and his seven sons in the face of deadly adversary, and this Ronny Yu directed period action film is yet another take that's done right, wiping off the unworthy stink that Legendary Amazons in 2011 had laced upon the family of valour.

This production brings back the creative talents of those behind the scenes of the successful Ip Man movies starring Donnie Yen, such as Producer Raymond Wong, his son Edmond who served as one of three co-writers, and musician Kenji Kawai who provided the score, and you'll be assured for that attention to detail, and high production values put into this retelling. There's good balance between the more dramatic moments in the film and the requisite war action scenes, but it only did adequately enough without pushing boundaries to have made it from good, to instant classic.

Admitedly, there are many characters here in the story, given the General and his 7 young sons, in addition to the women in the film, primarily represented by the General's wife (Xu Fan), and the Helen of Troy equivalent Princess Chai (Ady An), who drives a rivalry between the Yang family and the Pan family further when Pan's son vies with Yang's seventh son (Fu Xinbo) for the Princess' affection, only for the former to perish, and sets in motion the Pan's patriarch (Leung Ka Ying), appointed supreme commander against the invading Khitan forces led by Yelu Yuan (Shao Bing), to betray his fellow Song citizen by feeding him to the wolves with a lack of backup, and rescue troops.

Cornered at the Wolf Mountain, this film then takes on 300 proportions, with soothsayers boldly predicting unfavourable outcomes, while the strengths of the few, in this case just seven and an assortment of a handful of loyal soldiers, venture out to rescue their father/leader from impending doom. While the opening big battle sequence involving all seven brothers was a treat, this soon gave way to a fight choreography that bordered on repetition, with shots on characters on horses wielding their weapons around, and because of their bring grossly outnumbered, finding themselves backpaddling and fleeing most of the time.

But Ronny Yu, knowing the constraints of the story he wanted to tell, which is for the seven brothers to bring their father back home to their mom, while under pursuit by the Khitan Yelu Yuan possessing a personal vendetta against the Yangs, managed to keep the narrative moving at breakneck speed, leaving you breathless for its continuous swarm attacks of many against a pitiful few. It's a challenge featuring an ensemble cast battling it out against a stunt team, but these were action scenes crafted that managed to convey the sense of claustrophobia, frenzy, panic, and at times, fear. There's also that art house sensibility that found its way into the story through some shots that lingered around for a tad too long, giving us that detailed glimpse into the production effort in recreating that era.

At times though you'd feel that you want to get to know more about the individuals in the story, rather than to just get acquainted for a short period through flashbacks that highlight the brothers' diverse characteristics. While that would likely stretch this to television series proportions, I thought it would provide some deeper understanding, at least of the characters played by headliners such as Ekin Cheng, Vic Zhou and Wu Chun. The villain Yelu Yuan is obviously of one track mind and objective, and it's a good thing that we didn't get superhuman with the Yang generals, which was quite the surprise with injuries sustained from the get go, once again keeping things real, with that element of danger lurking around.

It's been a long gestation period ever since the movie was introduced at last year's Hong Kong International Film Festival, while making its world premiere recently at this year's festival edition. It's as close to a Chinese blockbuster as can be with a lightweight narrative propped up by heavy duty battle scenes. Who would have thought though, that the more dramatic moments in the film, turned out to be its key strengths, together with Xu Fan's limited moments as the wife/mom who harboured as much hope as dread as she waits out the return of her husband/boys. Recommended!

This was a very easy to follow film with a simple premise: seven sons sent to save their father, and the obstacles on their journey. The film has some really great visuals, especially the attack scene at Wolf Mountain. Bloody hell, that was great! The film also has a great score and convincing acting. Brace yourself, though, the ending is not what you expect.

This is a feature film version of the Yang army story which is one of the legendary stories passed down from generation to generation amongst the Chinese population. The fact is, the film will not raise any kind of excitement or appreciation for anyone else other than Chinese people. For example, many reviewers do not even know that there are multiple versions of this story portrayed in multiple TV series. "So what?", they ask... well because you have something to compare to and once again, I stress that its all down to appreciation of the history of the story which most critics will have lacked.

It is true that there are similarities to 300 and Troy but this is executed with style. In fact, I would use the word "Style" to describe this remake. It has a stylish look and feel to it which saved what could have been disaster. The cast features a few big names who struggle to exert their screen presence due to the vast number of prominent characters. To my surprise none of the actors and actresses impressed me with their performances, which I found merely adequate. Instead, I was more impressed by the sets and choreography as well as the movie score. The cast features two big names, Ekin Cheng and Raymond Lam, who I had expected to shine. Instead they are allowed to fall back on their wooden acting (both are guilty of this acting style) which left the rest to veteran HK actor, Adam Cheng. Unfortunately Adam Cheng tends to excel in roles that are less serious, and I felt that someone with more physical presence was needed for the role of the General.

But still, I gave this film 10/10 purely in an effort to balance up the poor ratings given by the clueless. I was half expecting someone to confuse this film with "Saving Private Ryan". I never thought anyone would own up to it....