Das Penthouse

Let's not beat around the bush: PENTHOUSE NORTH is a modernized rip-off of WAIT UNTIL DARK. Both movies have the same core premise: a woman blinded in an accident (or in this case, a terrorist attack) is terrorized in her NYC apartment by criminals out to find stolen goods brought to her home, only she does not know where they are. Unfortunately for PENTHOUSE NORTH, despite more overt violence, it isn't even an eighth as scary as the older movie, which brilliantly built to a chilling confrontation in the dark and culminated in actual development for the traumatized, insecure protagonist played with real warmth and vulnerability by Audrey Hepburn. Heck, PENTHOUSE NORTH's not even as memorable as other thrillers which also used this concept in the past fifty years. SEE NO EVIL and HUSH are also superior thrillers about women with disabilities in peril, mainly because they are actually, well, thrilling. PENTHOUSE NORTH's highest dramatic moment is when Michael Keaton throws a cat off a roof. That's how lacking in tension this movie is.

The biggest problem with this movie is that the heroine's disability feels needless. Aside from one or two scenes with the men hiding around when she thinks she is alone, Sarah could have been just a woman with sight and the movie would have largely played out the same. The Afghanistan prologue and flashbacks are beyond pointless: the main action takes place three years after Sarah is blinded, by which time she's adjusted to her condition, more or less, making me wonder why the war-scene flashbacks are necessary since they lead to no significant character development or revelations. Aside from learning her boyfriend is a criminal (or... did she? The ending scene suggests she might have known... I think??), Sarah does not change or grow.

The thrills are mostly predictable and the villains are basic types. The character Chad is presented like a scary psychopath, but he's more of a dumb thug, and Michael Keaton phones it in as the smooth-talking brains of the criminal duo. There's not much of a cat-and-mouse game going on between Sarah and her assailants: it's mostly them torturing/groping/threatening her, then she briefly finds a means of escaping, only to be recaptured, rinse and repeat. Stakes don't build. Sarah never changes as a character. Nothing.

And that's this movie as a whole: a generic waste of time that can't even rise to the level of so bad it's good.

Almost came close to giving it a 6 but I don't really think it has much replay value so I'll just leave it at a five.

Got interested in watching this after being pleasantly surprised by Michael Keaton's performance as a hit-man in MERRY GENTLEMAN so I was a little let down when he hadn't shown up in the first 25 minutes, but once he pops up (closer to the 30 minute mark), he becomes one of the key characters in the film.

Has a bit of a rough start in terms of truly getting going and feels slightly amateurish but once it gets going it gets decent enough to keep watching, Michelle Monaghan initially felt a little miscast during the war-segments but once she goes blind she feels more natural.

And even though Michael Keaton never feels truly threatening his screen-presence speaks for itself and makes it work somehow, it helps that Monaghan portrays her characters fear very well.

Barry Sloane is the third lead in the film and he's just okay, not bad but he doesn't come across as terribly menacing either and doesn't have the same star-power charisma that helped Keaton to make his role a bit better than it was.

As far as the story goes, we've kinda seen it all before although minor details feel fresh but they could have done so much more with it.

Yeah overall not a great movie, but not a complete disaster either.

Decent to watch on a slow Sunday afternoon perhaps.

You might like this movie if you enjoyed: Columbus Circle (1996), Brake (2012)

Long Story Short: Sarah (Michelle Monaghan), a former Military photojournalist, has lost her sight due to an incident in Afghanistan. She lives in a penthouse with her boyfriend Ryan (Andrew W. Walker) and feels safe there even though her sister (Kaniehtiio Horn) and brother-in law (Trevor Hayes) constantly tell her that they don't trust Ryan. It turns out that Ryan does have a secret and, which gets Sarah in great danger.

Review: I have never heard of that movie before but I thought I give it a shot, and it was not a bog let down, but I wasn't blown away either. The beginning is very strong and has a few "Edge- of- your- seat" – moments, but it doesn't keep this pace up, especially since there aren't any twists besides one tiny one at the beginning. I am not sure how her past of being a photojournalist in Afghanistan helped developing the story either, as far as I am concerned they didn't even have to mention why she was blind. All these flashbacks from her past seemed like fillers to me. The acting was decent, I saw a few nice skyscraper shots, but I was hoping for a big reveal at the end which didn't happen. Penthouse House is definitely a one- time watch but not a bad one.

Rating: 5.5

It's New Year's Eve in New York City. Sara (Michelle Monaghan) is blind and living with boyfriend Ryan in his penthouse apartment. She returns home to find Ryan murdered by Chad (Barry Sloane) who is looking for his stolen money. She manages to escape to the street where police detective Hollander (Michael Keaton) protects her.

This is another blind-beauty-in-danger movie. It's an old trope, most notably Wait Until Dark (1967). Monaghan is the beauty. Barry Sloane is very creepy. Michael Keaton is very good. There are two big issues. First, it's such a worn-out premise. This needs something more to surprise the audience. While it has some interesting scenes, it never actually surprises. I like the look of the stairs. I like the ice cubes. I like fireworks. Non of it raises the movie to anything compelling. Second, it's obvious that this is Canada for New York. The green screen work out on the balcony is uncomfortably close to The Room. It makes the movie look cheap. It would be better if the location is unknown. This is derivative by definition and execution.

Lifetime Channel movies are getting better...a little. They are using more well known movie actors, like Michael Keaton in this one. Blindsided is still not an award winning script or performance but it's much better than some (mind you I'm a Lifetime movie watcher, no matter how sappy, although I'm using a bit more discretion with my time nowadays) This movie has decent acting & suspense. It's still a bit predictable, but keeps you interested. The lead Michelle Monaghan is believable (and pretty) as a blind woman pursued by criminals, who think she knows where their "goods" are hidden. It reminds me of Audrey Hepburn's, 1967 classic film, Wait Until Dark, a much better movie. If you need something to watch on a slow weekend this will do. If you are a Lifetime movie watcher, this is a good one. 6.5 stars in my humble opinion. Jan 2014 (watched when first aired on TV)