IMDb-BEWERTUNG
4,6/10
24.058
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Anelia Dyoulgerova
- Waitress
- (Nicht genannt)
Olivia Negron
- Spanish Woman
- (Nicht genannt)
Elijah Runcorn
- Young Ben
- (Nicht genannt)
Rebekah Ryan
- Young Ben & Gary's Mom
- (Nicht genannt)
Remy Thorne
- Young Gary
- (Nicht genannt)
Empfohlene Bewertungen
Captivity is a movie that had me waiting in suspense. This movie had a good fright around every corner and was nothing that I saw before. I really enjoyed the way the film was made and thought that the attention to the billboards and everything really distracts from the gore of the movie. The Mpaa was right in asking them to bring down the billboards, but still this movie has it all. I heard they are doing reshoots but I think this movie is fine without them. I think that the actors in this one did excellent and I can't believe that they are saying that the movie is going through rating trouble. For true horror fans and movie fans alike , it will be wrong to not give it a rating cause then less people will watch it.
I liked the movie for what it is, a movie to pass the time on a rainy afternoon.
Unfortunately, the story is not that great. And with an avalanche of similar themed movies recently, this one really needed to shine to stick its head out above the rest. Don't expect too much of it. One known actress doesn't make a good movie, so don't blame one person for the script etc. Still worth seeing if you're invited by someone else to see it.
The end of the movie could have been with a bit more suspense I thought.
Unfortunately, the story is not that great. And with an avalanche of similar themed movies recently, this one really needed to shine to stick its head out above the rest. Don't expect too much of it. One known actress doesn't make a good movie, so don't blame one person for the script etc. Still worth seeing if you're invited by someone else to see it.
The end of the movie could have been with a bit more suspense I thought.
I'm a fan of the Saw series, and Hostel (not of Hostel 2). I enjoy these types of movies and I'm only a tad ashamed. Call me a dumb, violence seeking goon but these movies are entertaining.
What's this got to do with Captivity? Well, nothing really. I was drawn to this movie because I thought it was going to be another retelling of this sick sub-genre of horror that I do so love. I was sadly disappointed because this absolutely is not a "torture porn" movie. It would have been much more honest of the production company, After Dark Films, to say it was a thriller with slight torture porn inklings (very slight).
Maybe, the folks at After Dark didn't actually see the movie. What I saw was psychological in nature and dealt much more with assaults on the mind of those captive than it did with actual assaults on the bodies of those captive. Yes, there is some blood and some nasty gore but nothing like Saw or Hostel or even Touristas.
Understand that if you don't like Saw, Hostel etc., then this is a good choice for a horror/thriller to go see this weekend.
Now that that's out of the way I'll just say: It's not a great movie but adequate. A solid B-movie endeavor. Fun, kind of stupid at times, pretty good acting by the luscious Elisha Cuthbert (for the guys-your girlfriends might get jealous) and the director, Roland Joffe (best known for The Mission, The Killing Fields), imbued the entire film with a look that worked very well to be creepy and ominous. It moves fairly quickly, lags a bit in the middle and ends with a slightly predictable twist but really you don't care at that point because, surprise, you've been entertained. Well, at least I was even though my hunger for gore was only slightly abated.
B-
What's this got to do with Captivity? Well, nothing really. I was drawn to this movie because I thought it was going to be another retelling of this sick sub-genre of horror that I do so love. I was sadly disappointed because this absolutely is not a "torture porn" movie. It would have been much more honest of the production company, After Dark Films, to say it was a thriller with slight torture porn inklings (very slight).
Maybe, the folks at After Dark didn't actually see the movie. What I saw was psychological in nature and dealt much more with assaults on the mind of those captive than it did with actual assaults on the bodies of those captive. Yes, there is some blood and some nasty gore but nothing like Saw or Hostel or even Touristas.
Understand that if you don't like Saw, Hostel etc., then this is a good choice for a horror/thriller to go see this weekend.
Now that that's out of the way I'll just say: It's not a great movie but adequate. A solid B-movie endeavor. Fun, kind of stupid at times, pretty good acting by the luscious Elisha Cuthbert (for the guys-your girlfriends might get jealous) and the director, Roland Joffe (best known for The Mission, The Killing Fields), imbued the entire film with a look that worked very well to be creepy and ominous. It moves fairly quickly, lags a bit in the middle and ends with a slightly predictable twist but really you don't care at that point because, surprise, you've been entertained. Well, at least I was even though my hunger for gore was only slightly abated.
B-
'Torture porn' is one of the most tedious trends to happen in horror for years, but I do love me a bit of Elisha Cuthbert, so into the player went Captivity, another supposedly 'brutal' and 'gruelling' entry in this redundant sub-genre distributed by the usual culprits, Lionsgate Films.
The beautiful, pillow-chested star of TV's 24 plays Jennifer Tree, a successful young model who winds up imprisoned in a grimy, booby-trapped dungeon after her drink is spiked at a nightclub. There she is put through a series of terrifying and disgusting ordeals, before meeting and falling for fellow prisoner Gary, whose suffering helps her find the strength to fight back against their tormentor.
Captivity, from once respected director Roland Joffé, is clearly intended to outdo the Hostels and Saws in terms of shock horror and depravity, and to its credit, it is extremely revolting at times, even managing to make me gag during one scene involving body parts and a food blender; however, once the film leaves familiar torture territory and attempts to introduce a few plot twists, it completely falls apart due to its sheer predictability.
Most viewers should be able to guess what is coming way before it happens, and the film's major revelation is so bloody obvious its hard to believe that even a vacuous, image-obsessed model like Jennifer would be surprised by it (and it's even harder to believe that such a hackneyed script came from seasoned horror veteran Larry Cohen).
As the end credits rolled, I noticed that this film was produced with the help of director Courtney Solomon, the 'genius' responsible for such garbage as Dungeons and Dragons and An American Haunting; seems like he's no longer content to just direct crap films—now he assists others with the making of them too!
The beautiful, pillow-chested star of TV's 24 plays Jennifer Tree, a successful young model who winds up imprisoned in a grimy, booby-trapped dungeon after her drink is spiked at a nightclub. There she is put through a series of terrifying and disgusting ordeals, before meeting and falling for fellow prisoner Gary, whose suffering helps her find the strength to fight back against their tormentor.
Captivity, from once respected director Roland Joffé, is clearly intended to outdo the Hostels and Saws in terms of shock horror and depravity, and to its credit, it is extremely revolting at times, even managing to make me gag during one scene involving body parts and a food blender; however, once the film leaves familiar torture territory and attempts to introduce a few plot twists, it completely falls apart due to its sheer predictability.
Most viewers should be able to guess what is coming way before it happens, and the film's major revelation is so bloody obvious its hard to believe that even a vacuous, image-obsessed model like Jennifer would be surprised by it (and it's even harder to believe that such a hackneyed script came from seasoned horror veteran Larry Cohen).
As the end credits rolled, I noticed that this film was produced with the help of director Courtney Solomon, the 'genius' responsible for such garbage as Dungeons and Dragons and An American Haunting; seems like he's no longer content to just direct crap films—now he assists others with the making of them too!
I had pretty low expectations for this, so when it turned out to be not that bad (almost, dare i say, pretty... good?) I left the theater extremely enthusiastic. It delivers, believe it or not, a complete, if not well-rounded story. Here it is, in a sentence: Jennifer Tree is a beautiful young fashion model getting things she doesn't deserve and deciding she needs to get the hell out. Elisha Cuthbert plays the lead, and she looks phenomenal. Even while she is being held captive, her "damsel in distress" act makes great cinema. Always nice to see a girl that's been passed off as a dumb blond get up and kick some ass. I know there are people that feel otherwise about this movie but hey- I liked it! So there!
Wusstest du schon
- WissenswertesA large part of the film was filmed in Russia, where nearly the whole crew spoke only Russian. Elisha Cuthbert said that only a handful of the cast were from the US and formed a tight-knit group since they spoke no Russian.
- PatzerRight after the car goes forward and rams the garage door, the view from inside the car when it starts to back up shows an undamaged door.
- Alternative VersionenMuch of the gore has been edited out to get an R-rating in the United States and also for the UK release. The Spanish release is uncut.
- VerbindungenFeatures World Poker Tour (2003)
- SoundtracksMarch of the Priests
from "The Magic Flute"
Written by Wolfgang Amadeus Mozart
Performed by Failoni Kamerazenekar (as The Failoni Orchestra, Budapest)
Conducted by Michael Halász (as Michael Halász)
Courtesy of Naxos
By Arrangement with Source/Q
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Captivity?Powered by Alexa
- What are the differences between the theatrical version and the unrated edition? How about the original Thriller Version?
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Captivity - Tödliches Spiel
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.626.800 $
- Eröffnungswochenende in den USA und in Kanada
- 1.550.000 $
- 15. Juli 2007
- Weltweiter Bruttoertrag
- 10.921.200 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen