Nach einem Zusammenstoß mit einem Container auf dem Meer wird ein findiger Seemann trotz aller Bemühungen mit seiner eigenen Sterblichkeit konfrontiert.Nach einem Zusammenstoß mit einem Container auf dem Meer wird ein findiger Seemann trotz aller Bemühungen mit seiner eigenen Sterblichkeit konfrontiert.Nach einem Zusammenstoß mit einem Container auf dem Meer wird ein findiger Seemann trotz aller Bemühungen mit seiner eigenen Sterblichkeit konfrontiert.
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- Für 1 Oscar nominiert
- 3 Gewinne & 48 Nominierungen insgesamt
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For sailing enthusiasts this film does have a few reality checks. But for the most part I felt very much the same as Our Man, the character in this film. This is a credit to the director and his ability to make the audience feel vested in the main character's survival. This movie, while very good, does move slow at times. And while I am not a sailor I did notice a few of the reality checks in this film too.
What really makes the movie for me is that there are actual ocean disasters that are eerily similar in how they play out for the main character in this film. If know of some of these you will understand why this movie and its portrayal of the main character are so well done.
The ending is something left entirely to the viewer to interpret. But even that I found to be very realistic and probably the best part of the movie. This movie does a great job of trying to show the viewer how even when you seemingly do things right, bad things can still happen. It follows the old adage of "when it rains, it pours" or "one thing after another".
All is lost or is it?
You do not need to be a sailor to enjoy this movie. And indeed if you are a sailor, apparently you won't enjoy it, as shown by the numerous wealthy reviewers lambasting the film because of the technical sailing details. Apparently a lot of rich old guys think they could have done better than the character in this film.
If you're not much of a sailor (like me), you'll spend a good deal of time wondering what he's doing and marveling at his self reliance. I don't know whether the sailing part was realistic. To enjoy the movie, it doesn't matter. It all seemed bone-crunchingly realistic, although at one point I did wonder whether an exhausted 77-year-old has the strength to haul himself up the side of a sailboat like that.
This is an unusual film for several reasons.
First, there is almost no dialogue. You can watch it with the sound off.
Second, it is set completely on two vessels in the Indian Ocean, but the camera almost never scans the horizon. We rarely actually see the sea or the entire boat. Sometimes there are several astonishing shots of the boat from underneath. All this gives the film a strangely claustrophobic feel, despite its maritime setting.
Third, the protagonist is a taciturn, very competent sailor who also happens to be a man in his late 70s. The movie has nothing to say, but yet much to say, about old age.
This movie is like "Gravity" in that it depicts a human being in extremis. The main character is not the sailor, but Fate. The sea represents a brutal and uncaring universe. Like "Gravity", the ultimate message is: when sh*t happens you can lie down and give up, or you can deal with it. The choice is up to you. Most of us have a hard time with that because it's easier to curse Fate and condemn the universe as unfair.
Wusstest du schon
- WissenswertesThe film's script is nearly dialogue-free and only 32 pages long.
- PatzerNot even the most inexperienced sailor would not wear a life vest during the storms or when he was afloat. The life vest is one of the most basic items that sailors use on those situations.
- Zitate
Our Man: 13th of July, 4:50 pm. I'm sorry. I know that means little at this point, but I am. I tried, I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn't. And I know you knew this. In each of your ways. And I am sorry. All is lost here, except for soul and body, that is, what's left of them, and a half day's ration. It's inexcusable really, I know that now. How it could have taken this long to admit that I'm not sure, but it did. I fought till the end. I'm not sure what that is worth, but know that I did. I have always hoped for more for you all. I will miss you. I'm sorry.
- Crazy CreditsAccording to the credits "All is Lost was shot on three 1978 Cal 39 sailboats purchased from their owners in Southern California. These three boats generously gave themselves up for art: Tahoe, Tenacious, and Orion. They took their final sails in the Pacific Ocean and performed beautifully in the film as Our Mans's boat, the Virginia Jean. Rest in peace."
- VerbindungenFeatured in At the Movies: Folge #10.23 (2013)
- SoundtracksAmen
Performed by Alex Ebert
Produced by Alex Ebert
Engineered and mixed by Alex Ebert and Matt Linesch
Courtesy of Community Music & Caravan Touchdown (ASCAP)
Administered by BMG Chrysalis
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- All Is Lost
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.263.670 $
- Eröffnungswochenende in den USA und in Kanada
- 93.583 $
- 20. Okt. 2013
- Weltweiter Bruttoertrag
- 13.627.519 $
- Laufzeit1 Stunde 46 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1