The Finest Hours

So, this movie was an old fashioned feel-good, heroes-save-the-day, morality driven drama. I loved it for that. So many films of our era are overly laced with cynicism and violence. Finest Hours hearkens back to the Frank Capra style of story telling, when we had protangonists like Jimmy Stewart and Henry Fonda to make us feel good about being human. I'm a fan of that genre; it's not passe, we need more of it. Kudos to the makers of this film for showing us something fine and upstanding for a change. Hollywood, take a cue here. No more Dark Knights, okay? Just decent, good hearted heroism like the kind found here.

This film starts kinda slow and unrelated to the story ( you expect to see) and it is rather slow paced at the beginning, but soon it gets more packed with action and rests until the end.

I enjoyed the film. It was even touching at the end. The fact that it is based on the true story does give it a plus. The breaking of a ship ( two, in fact) in haft because of the storm was really wow! I really got into the scene when they showed the first breaking of the ship. It was intense and really well done. I guess I liked those scenes which were filmed inside of the ship and all the hard work being done to prevent the sinking of it that caught my attention the most and the ones I really enjoyed. However, the relations between the sailors ( in the ship and at the land were somewhat superficially done and yes, you get that some of them are not liking each other, but, why is that is not rally explained and I though it should have been)

The love story that also goes parallel to the disaster at sea is sometimes sweet but most of the time is kinda blah and maybe it should have been cut in entirety from the film. It does add something to the film, but not that much in reality. But I guess it is important as it is one of the true facts.

All in all, not bad. I give it a rating eight!

The fact that the movie is based on true events makes it a bit more special to watch. It's a nice story about courageous coast guards that risk their own lives trying to save an entire ship crew from a sure death. The movie is well made and if you are like me a bit afraid of big storms at sea then you will have the same feeling of anguish as I had during almost the entire movie. There are some cheesy moments as well, when it's more about their romance, but for the rest it's a good movie. If it was not for a couple scenes that I didn't like I would score it even more. Those scenes were unrealistic and bothered me a bit. Scenes where they are at sea in a major storm and have a conversation on a non rocking boat. That is simply impossible, but for the rest it's all good. Good actors, good story, and interesting due to it's historical facts.

February 1952. Bernie Webber is a boatswain/Petty Officer at a Coast Guard station on the coast of Massachusetts. A massive storm is in progress out to sea, damaging two tankers to the point that they appear likely to sink. On one tanker, the Pendleton, the chief engineer, Ray Sybert, is using all his ingenuity, resourcefulness and experience to keep the ship afloat and buy time until help arrives. Unfortunately for him and his crew, the Coast Guard have sent their best crew and rescue boat to the other stricken tanker. When the Coast Guard discover the Pendleton's situation, Webber and a 3-man crew are sent to help. The odds are stacked against Webber - just leaving the harbour in those seas will require large amounts of skill, courage and luck. Then they have to find the Pendleton, without a compass, rescue the crew and somehow make it home safe.

An enthralling (true) story of courage and survival. Compelling viewing - once the danger strikes, you're glued to your seat. What makes it so interesting is that they don't just focus on the efforts of the rescuers but also on the rescued. I found the Pendleton crew's story much more interesting than that of Webber and co - the ingenuity, resourcefulness and (reluctant) leadership of Sybert was amazing. This is helped by a great performance from Casey Affleck.

Not all good though. Many of the characters seem like cartoon stereotypes - the negative naysayers, the clingy girlfriend/fiancée, the inept commander. The romantic angle was overplayed and not that necessary. It did add depth to Webber's character but not much.

Performances vary. Casey Affleck is the stand-out as Sybert. Chris Pine is okay as Webber. Eric Bana is pretty weak and gives the worst American accent I've ever heard (I think it was supposed to be Southern but it varied so much and seemed so unnatural it was hard to tell). Holliday Grainger is a bit overbearing as Miriam, though that might have been intentional on the director's part.

Greetings again from the darkness. The U.S. Coast Guard has played a role in many movies over the years, but only a few have placed this service branch directly in the heart of the story … most recently The Guardian (2006), which was little more than a cheesy, too-talkative water-based rip-off of Top Gun. Director Craig Gillespie (Lars and the Real Girl, 2007) takes a much different approach as he presents a look at one of the most legendary and heroic real-life rescues in Coast Guard history.

The Oscar-nominated writing team behind The Fighter (2010): Scott Silver, Paul Tamasy, and Eric Johnson have collaborated on the screenplay based on the book from Casey Sherman and Michael J Touglas. It's a worthy tribute (and clearly Disney-influenced) to what is described as the greatest Coast Guard small-boat rescue. It combines a boat-load (sorry) of tension-filled ocean-based sequences with some pretty interesting character-based sub-plots within a Massachusetts community that has become all too familiar with storm-based catastrophes.

Chris Pine stars as Bernie Webber, an awkwardly shy and obsessive rule-follower, who has lived under a cloud of doubt ever since a previous rescue mission failed, resulting in the death of a local fisherman/husband/father. We first meet Bernie as he bungles through a first date with Miriam (Holliday Grainger, a young Gretchen Mol lookalike). The film then jumps ahead to 1952 when they become engaged and Bernie is ordered into a questionable mission by his "not-from-around-here" commanding officer Daniel Cluff (Eric Bana). See, a huge storm has literally ripped apart not one, but two giant tankers, leaving crew members battling for survival. It should be noted that Bana the Australian, tosses out a laughable southern accent that is a joke within the movie and within the theatre (for different reasons).

Bernie and his crew: Richard Livesay (Ben Foster), Andy Fitzgerald (Kyle Gallner), and Ervin Maske (John Magaro), take off against all odds in a too-small boat against too-big waves in a desperate attempt to rescue the tanker crew that includes brilliant engineer Ray Sybert (Casey Affleck) and characters played by John Ortiz and Graham McTavish. Affleck excels as what can be termed a quiet leader. Of course, we know how the story ends, but the heroic efforts against a very powerful Mother Nature show-of-force make for compelling movie watching.

The special effects are stout, though not be as spectacular as The Perfect Storm (2010) or In the Heart of the Sea (2015), and it's the human-factor that provides more than enough thrills, excitement, and tension. In fact, the biggest issue I had was that I saw a 3-D version which is an absolute disservice to the film. Most of the story takes place at night and at sea, so the 3-D consequence of dimmed light and muted colors results in a far too dark and dull look to the film. I spent much of the movie sliding the 3-D glasses down my nose in a simple attempt to enjoy a bit more brightness. The recommendation would be to skip the higher-priced (money grabbing) 3-D version and take in the more pleasing "standard" version.

Disney makes feel-good movies. Their target market is not cynics or the overly critical among us. The romance pushes the "corny" meter, but keeps with tradition of other Disney movies based on true stories like The Rookie (2002) and Dreamer: Inspired by a True Story (2005). Keep this in mind you'll likely find this one pretty entertaining. Stick around for the closing credits as a slew of real photographs from the actual 1952 event are displayed, as are photos of the real heroes from that night.