Jesse Stone: Im Zweifel für den Angeklagten
Füge eine Handlung in deiner Sprache hinzuJesse Stone comes out of involuntary retirement after the new chief who replaced him was blown up, along with another officer in their police car. Jesse is forced to solve the crime on his o... Alles lesenJesse Stone comes out of involuntary retirement after the new chief who replaced him was blown up, along with another officer in their police car. Jesse is forced to solve the crime on his own since all the other officers have quit.Jesse Stone comes out of involuntary retirement after the new chief who replaced him was blown up, along with another officer in their police car. Jesse is forced to solve the crime on his own since all the other officers have quit.
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Jesse breaks into his old office, where there is no staff and no action. He calls Rose (Kathy Baker) who is staying with her mother; she says she'll think about it. Suitcase decides to stay away as well.
Jesse works to sort through what little he has: money in the trunk of the police car is but one. He speaks with his various sources: his analyst (William Devane), a Massachusetts State Patrol Captain (Stephen McHattie) a Mob kingpin (William Sandler), and the felonious Hasty (Saul Rubinek), now out of prison.
Were the cops dirty? Who made the call to bring them to the site? Can Jesse keep from drinking his way through the case? Will Rose and Suitcase ever return?
Somehow these characters grow on one. I still think Selleck is too one-note and depressed, though this script had a little humor in it. Still, people enjoy the show, and that's what counts.
Or is it?
Two people are dead, and be warned--their bodies look like something out of a horror movie.
The state arson investigators won't tell the town council anything. Town council members Hanson and Hasty show up at Stone's remote house--his phone is disconnected--to offer him his job back. Stone and the state investigator Healy are friends, so maybe he will have better luck.
Healy tells Stone what he needs to know and advises him to leave the investigating to the state cops. Since when has that ever stopped Stone? His next two actions are illegal and provide two of the film's best comic moments, the other being Hasty's bow-tie.
Stone suspects the murders were the result of Butler being corrupt (Wait: why will Butler let Stone take over his job, much less get away with investigating him? There's a very good reason). But he faces a number of obstacles. Molly quit. Rose quit and took her kids to her mother's in Toledo. Suitcase is working on his father's boat where he claims to be happy, but he's not convincing. Stone has no cell reception at his house. How will this man get anything done? Believe me, he will.
Stone hasn't talked to his ex-wife Jen since he lost his job, and he's drinking again; his dog seems to disapprove. He continues to visit Dr. Dix, and he is dating Thelma, who works at Hasty's car dealership and sings standards in a club. Stone also goes out with the pretty but tough Amanda, Gino Fish's secretary, but just for information.
A third person dies, and while it looks like suicide, Stone doesn't believe it.
The mystery has just enough twists, and the conclusion is exciting.
This is a movie that can be watched by those new to Jesse Stone. Unlike some of the others, this is a straight mystery which doesn't deviate into long philosophical scenes that some might find boring. And Stone's character history is explained for those who might not know it, but this is not really necessary for a newcomer to the series.
Tom Selleck does his usual good job--just remember, this is NOT "Blue Bloods" (which I've never seen, but commercials tell me enough). Stone is flawed in many ways but basically decent.
The other leading actors also do a good job. I wish Kathy Baker had had a bigger role, but for whatever reason she didn't have a lot of lines. Suitcase was also missed.
It's worth seeing, even more so than some of the recent entries in the series.
Jesse received his PPD cap, that mean he's back, but he's the only one left in the force. This time he brought in to investigate the death of his rival in the department. He also has a strong back from the town council, as well as from his Boston boss. So this is an important case for everyone, particularly for Jesse to get back like he always say this is his last stop. This is not a detached story, I mean not some new characters comes in, commits crime and got punished. This is really well improvised story within the available characters. So the viewers can be optimistic about guessing the events including the finale.
Kind of depressing to see one man doing all the job. I mean it was always been like that in the series, but this time feels it was a slow presentation. Jesse is no Rambo, yet feel he's isolated. I liked how the film developed with the existing characters. That means there's a serious change in characters, like many are from the previous films went missing and some of those who appeared in this were involved in termination. So the next film will be very interesting, whether there will be a bunch of new ones or the old ones return.
"Cop deserves the benefit of the doubt."
Regarding the case he's on, he deals it on his usual way. But nothing seems a masterful, the twist and turns are ordinary. So don't anticipate any masterstrokes. Jesse was just roaming around seeking information and then suddenly he gets a clue he was looking for. With that he uses a bait to catch the bad guys and they fall for it. But while dealing it, the event takes an unexpected turn, leaves the story might continue in the following sequel as well. That's the confusing, because the film ran for nearly 90 minutes and did nothing to end on high as it does always. So with this kind of drag, I don't know where the series is heading.
Like I always say, Tom Selleck is the reason I'm still hooked to this series. In this installment, it is all about him, because like I mentioned earlier, the next to his roles like Rose and Luther are off the hook. That means the Jesse's therapist like the third string characters automatically taken the leap forward, but nothing much expectable from them. Particularly Thelma, the Hasty's assistant seems interested in Jesse, but it does not tell us how serious it is. Because fighting crime takes over the this romance, or maybe we can call a flirtation like Jesse does to gain information. I think, again the follow-up is to answer that question.
After getting into the rock bottom with the last film, this one looked much better, but still not the best I was looking for. It's just trying to be a normal film, like a television film from the old days and it succeeded somehow. So definitely it is a decent comeback and there's only one film to go for me to end the Jesse Stone series. Oh, I almost forgot that the original director returned for this, that's really amazing news for the series fans. Like the old team coming together, somewhat the series back on the track. The next film that released in the 2015 was received well, that's what I've heard, so can't wait to watch it. The final review on its way, meet me there.
7/10
Wusstest du schon
- WissenswertesA couple of times Jesse Stone says that he knew he'd get his job back, not getting it back was out of the question as "fate wouldn't do that to me". The same quote is in the first episode of Magnum PI, when Selleck's character (Thomas Magnum) said he knew he'll be able to break into Robyn Masters' Ferrari and therefore get to live in the guest house and use the Ferrari. Not breaking into the Ferrari was out of the question as "fate wouldn't do that to me". Tom Selleck was co-writer of "Benefit of the Doubt" and probably liked that quote from his Magnum character 32 years earlier.
- PatzerWhen Officer D'Angelo is driving Chief Butler, before the explosion, you can briefly see a 70 mph speed limit sign. There are no posted 70 mph speed limits on Massachussetts rural roads. It's a Canadian 70 kilometer per hour (43.50 mph) sign.
- Zitate
Jesse Stone: Hello, Gino.
Gino Fish: Oh, I see your PPD hat has found its way back onto your head.
- VerbindungenFeatures Das letzte Hurra (1958)
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