Jesse Stone: Dünnes Eis

The opening scenes to Thin Ice (2009) are intense and exciting! The movie wastes no time and dives straight into the action. Whilst juggling the usual demons and baggage, the troubled chief that "mostly gives out parking tickets" needs to find out who shot his friend. The town council have it in for Jesse and to make matters worse he refuses to hire a relative of theirs. Starts off gripping but later the pace slows to a crawl. Still entertaining and easy to watch.

👍 Suitcase's continued confusion and slip-ups since his coma are still entertaining. 👍 An appearance and decent performance from Jessica Hecht. 👎 Found it to be slower paced than usual. 👎 More shots of Reggie looking disappointed at Jesse drinking needed! 👎 No Viola 👎 No DeAngelo

While I do agree with this being the least of the series, I enjoyed the episode. However, my wife (who would leave me for Tom if he asked, I'm not kidding) didn't like it.

As an example of our tastes, I loved Clint Eastwoods "Unforgiven" because the distinction between bad and good wasn't clear. My wife did not like "Unforgiven" because the distinction between bad and good wasn't clear.

I think the story line was needed or the series would have fallen way to far into a formula driven format. That's why I think it would destroy the series if it was a week to week show. This episode must set up at least one or two more stories.

I look forward to them.

I love the feel of these (made for TV) movies. And as another person commented, I also like the music and how it adds to the atmosphere. This one had good attention to detail, I thought. At least, based on a couple of things I noticed. At the firing range Suitcase had a Bic four color pen in his breast pocket; when he was taking notes on his observation of the bad guy outside the bar, he used the same (sort of?) pen to write them. There were a few other little details like that - clearly, the people who put this together took good care with the film. And I continue to be impressed with how Tom Selleck portrays Jesse Stone. Tom might be older than Jesse, but he does a fantastic job. I'm sure that Robert B. Parker would have been happy.

... on its own this one in the series is good; different of course, but good. some changes are blatant of course, molly and d'angelo. but still has that small town, big city cop feel. it moves the series along just enough, without being silly or indulgent. parallels and parables still tag teaming in the storyline. which works well. i enjoy this series very much, it will eventually standup well against the test of other cop shows that have come before it. Selleck is great, and so is the whole cast, including the antagonistic others(city council). i'll sum up this series like this... after a long day its good to be cozy in ur favorite chair and sweats, flipping on the electronic device of choice and finding some new twist or beat that seemed not there before, and relishing it anew, once again.

This is clearly written as the first of two or three stories. It continues several of Robert Parker's characters very well, while seriously taking a couple along different paths. Most notably, Jesse's character has gotten more serious, and more challenged by life. There was always the sense in Selleck's portrayal of a wounded soul . . .much more so than in the books about Jesse Stone.

Overall, I liked this movie a great deal. I liked the expansion of William Devane's Dr. Hix character ("Dix" in the novels) and Suitcase Simpson's continuing confusion from his previous coma is still amusing, and occasionally disconcerting. But, although I liked the character of Rose, she is no replacement for Molly. Molly and Jesse's banter from the earlier movies is sorely missed. It added the levity needed as a counterweight to the heavier story lines.

I did like those story lines. The shooting of Healey at the beginning of the show starts the story with a bang, and Jesse's dogged determination to track down whoever is responsible is completely in character, even if it does hurt him professionally. The other story line, about the mother looking for her lost child, seemed at the beginning to be entirely predictable, but then it was not. Camryn Manheim, as the mother, is amazingly good here.

And may I just say that I love the music in these last couple movies. The music has gotten much stronger. Piano-based with a feel of Ravel or Satie, the soundtrack composer was listed during the credits, but I didn't catch the name. I might consider buying this soundtrack.

I liked the ending, but it is clearly leading to the next movie. I can only hope that "Jesse Stone: No Remorse" finishes up a couple of these story lines. I'd like to hear what's happening with Molly. And although I think they tied up the story of the lost child fairly well, the plot with Geno Fish, and the shooter of Detective Healey, seems to have much more to play out in the next movie. And of course, we need to find out what happens next with the police chief of Paradise.