IMDb-BEWERTUNG
3,8/10
1855
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.A gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.A gang of outlaw bikers pull a home invasion on a disgraced Anthropologist hiding a secret locked in his cabin basement.
- Auszeichnungen
- 7 wins total
Johnny Collins
- Collins
- (as John Collins)
Nik Morgan
- Spyder
- (as Nick Morgan)
James Bickert
- Jimbo
- (as Rusty Stache)
Empfohlene Bewertungen
It was fun for a while, but now I'm getting rather tired of the fad for 'grindhouse' movies, which see directors deliberately striving to replicate the flagrant content and gritty style of 70s and 80s exploitation films. They may boast memorable titles and cool retro poster art, but they rarely prove to be any cop, their grungy affectations and knowing outrageousness being poor substitutes for real talent.
The latest effort to proudly fly the 'grindhouse' flag is 'Dear God No!', a violent biker flick from writer/director James Bickert, who is so intent on achieving his desired aesthetic and meeting his quota of bad taste and debauchery (thereby ensuring marketability) that he seems to forget about trying to make a decent film.
The most disagreeable aspects of the film are not the sex and violence—after all, those who willingly watch this type of film expect, nay DEMAND such excess—but rather the acting, script and direction. Performances range from the bad to the diabolical, the plot is all over the place, and Bickert's visuals display little in the way of originality (unless lingering on a stripper for so long that it actually becomes boring counts).
My rating: a generous 4.5 out of 10 just for the OTT splatter and rampant sleaze—file somewhere between equally disappointing 'grindhouse' efforts 'Run! Bitch Run! and Nude Nuns With Big Guns.
The latest effort to proudly fly the 'grindhouse' flag is 'Dear God No!', a violent biker flick from writer/director James Bickert, who is so intent on achieving his desired aesthetic and meeting his quota of bad taste and debauchery (thereby ensuring marketability) that he seems to forget about trying to make a decent film.
The most disagreeable aspects of the film are not the sex and violence—after all, those who willingly watch this type of film expect, nay DEMAND such excess—but rather the acting, script and direction. Performances range from the bad to the diabolical, the plot is all over the place, and Bickert's visuals display little in the way of originality (unless lingering on a stripper for so long that it actually becomes boring counts).
My rating: a generous 4.5 out of 10 just for the OTT splatter and rampant sleaze—file somewhere between equally disappointing 'grindhouse' efforts 'Run! Bitch Run! and Nude Nuns With Big Guns.
Ultra cheap, ultra stupid, the worst bunch of "actors" you've ever seen. This disaster of a movie isn't even mildly entertaining. Even the few gore effects are lame and the topless girls are ugly. The fact that the film was made to look like a 70s biker flick gets boring very fast. Don't waste 2 hours of your life... I mean, 1 hour and 10 minutes of your life with this garbage on celluloid. Anyway, the worst thing is the "creature" at the end of the movie. It is clearly a guy in a very very cheap costume and so laughable it will make you cringe. Sadly, this is not a movie "so bad it's good". It is just awfully bad. Go watch something else!
Well what can I say about this one. Being a huge fan of 70's and 80's slasher, exploitation and grind-house cinema I was quite excited when I saw the cover of this DVD at my local DVD store and had to buy it.
I went home that night with high hopes expecting something along the lines of Fathers day or Hobo with a shotgun - was I disappointed or what! While this film had a few slightly funny moments, especially a scene at the end where I had to laugh out loud, I cant say that there was too much else that I enjoyed about this film.
While I appreciate the shoestring budget that they probably had when making this film and I know that I could not do any better, I still found the acting far too cheesy. I know they were trying to get the feel of old exploitation films, however the acting just came across as a high school film studies class project.
This film could have had a lot of potential, however the cheesy acting, the effects and the over use of nude scenes for no reason let it down.
If you take out the nude scenes from this movie ( that added nothing to the plot or film) the film would only be 75% as long. Having a topless stripper dance on screen is great, however to have one dancing in a movie for 5 minutes straight was 4 minutes too long and seemed to me as a way to make the movie more appealing to someone who thinks that boobs in a film make a great film.
I know the things that I did not like about this film are exactly what fans of this type of cinema including myself normally like and are after in a film, however it just did not work for me.
I'll at least give it one thing, I watched it to the end, which is more than I can say for a few troma films that I have bought in the past.
I went home that night with high hopes expecting something along the lines of Fathers day or Hobo with a shotgun - was I disappointed or what! While this film had a few slightly funny moments, especially a scene at the end where I had to laugh out loud, I cant say that there was too much else that I enjoyed about this film.
While I appreciate the shoestring budget that they probably had when making this film and I know that I could not do any better, I still found the acting far too cheesy. I know they were trying to get the feel of old exploitation films, however the acting just came across as a high school film studies class project.
This film could have had a lot of potential, however the cheesy acting, the effects and the over use of nude scenes for no reason let it down.
If you take out the nude scenes from this movie ( that added nothing to the plot or film) the film would only be 75% as long. Having a topless stripper dance on screen is great, however to have one dancing in a movie for 5 minutes straight was 4 minutes too long and seemed to me as a way to make the movie more appealing to someone who thinks that boobs in a film make a great film.
I know the things that I did not like about this film are exactly what fans of this type of cinema including myself normally like and are after in a film, however it just did not work for me.
I'll at least give it one thing, I watched it to the end, which is more than I can say for a few troma films that I have bought in the past.
(25%) A movie that on the one hand is a fair and honest homage to bad biker movies with their dire story telling, terrible writing, and woeful production values that in a parameter of sleazy trash cinema works as an actual throw-back, but on the other hand you cannot help but think that Quentin Tarrantino has a fair amount to answer for. It's clear this in its own way wants to be a bad film taken from within the boundaries of a low budget sleaze picture from the early to mid 70's, but is that achievement in itself worthy of actual merit? I'm not entirely sure. There are times when this does feel like the genuine article, but again is that worthy of merit? I'm somewhat split on this one. Yes, this is a really bad movie, and yes that was the whole point, but that doesn't mean this is 100% not worth a look for the cult fans out there. For those with zero interest in the old, hugely flawed films need not apply.
Not sure where this came from but I like it. This beyond awesome and heavy on the upper female nudity flick is pretty far out crazy. It's a biker film made by perverts for perverts. You will definitely feel like a dirty person while laughing at the demented dark humor. It's very funny in a "not quite right" sort of way. Outlaw bikers run up against an insane Nazi conducting mad experiments on his family members and the local wildlife. When these worlds (different genres) collide it gets totally wacky (the horror genre!) and delivers buckets of the marinara sauce. It's staggering how much is packed into this film from Psychedelic Drug movies, Nazisploitation, Nunsploitation, Biker, Spaghetti Western, Monster Movies, Home Invasion flicks (Last House on the Left), Nature Gone Bad Films, Hicksploitation, etc. Even more staggering, it actually works. For such an outrageously convoluted film, it all comes together without any loose ends. The plot twists are different from your standard Revenge film, get crazier every 15 minutes and you never quite know where this thing is going until the very last frame which will hit you like a Drano enema. It's not a comedy. It's full of scares, shocks and seat clawing tension. Did I mention the female parts? Loaded with every size. Every actress looses their clothes. Quite wonderful. I'm not sure when this thing is being released on DVD but I saw it with an audience and you should too. It screams audience participation. It was so nice to see something other than stupid teens in the stupid woods. I thank the perverts who made this and made my day. See it.
Wusstest du schon
- WissenswertesDuring the newspaper headline montage, the last story has a hidden message from the director.
- PatzerWhen the masked bodyguard's throat is slit, the blood clearly flows from the mask rather than the knife wound, which occurs lower on the neck.
- Crazy CreditsUnder production assistant the name Griffin is listed. A reference to The Invisible Man.
- VerbindungenFollowed by Frankenstein Created Bikers (2016)
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Details
- Laufzeit1 Stunde 21 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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