Mein bester Feind

Excellent film, love the twists and turns of the plot. While I did laugh at certain points, wouldn't call this a 'dark comedy' - life as you live it is a comedy. But take the time, read the captions, and lose yourself in an excellent victory over darkness. And the final scene - fantastic! Spot on and excellent, my friends!

There can be no doubt that this film is wonderfully scripted, brilliantly acted and very skillfully directed. It is pacey, exciting and at times even amusing. On those grounds it should definitely be given a fair viewing.

A Jewish art dealer in Vienna has inherited a Michealangelo masterpiece that was stolen from the Vatican 400 years before. Mussolini wants it back and the Nazi government needs to appease him for Italian military support. The plot revolves around the complex struggle by the Germans to seize the painting and the Jewish family to keep it.

Of course the plot is absurd. So many really great masterpieces had been seized across Europe by 1942 that a single piece would hardly attract so much effort. Besides which Italian military support was probably not worth it anyway and the attention given by the High Command to this issue is utterly ridiculous.

Interesting also is that the justification of the dealer and his family to keep this stolen treasure is never questioned. We are led to feel total sympathy for their efforts to keep it.

But there is something much more sinister behind this production. As a elderly German who personally knew so many of the character types involved in the drama I was left deeply saddened that 70 years on we are still portraying all Germans as nasty maniacs and all Jews as beyond reproach. Not a single German in this film has any positive characteristics at all. They are all without exception portrayed as being either brutal, heartless, self seeking, incompetent or simply stupid. In fact many of them are given all of these faults. And to balance this not a single Jewish character is given any negative characteristics at all. They are all without exception portrayed as being honorable, clever, caring, compassionate and socially concerned. Indeed most of them are given all these attributes.

I realize that many readers who accept the factual absurdity of this approach will feel it either acceptable artistic license (on the grounds that Nazism was so bad that even lies are justified) or that it's just a bit of fun and it doesn't really matter.

Of course were this to be an isolated example of such distortion I wouldn't waste my time writing this review. But it isn't. This particular handling of the Nazi-Jewish conflict is sadly copied in literally dozens of major productions made each year to perpetuate sympathy towards the Jews and hatred of the Germans. Accordingly whole generations have grown up who seriously believe that ALL wartime Germans were bad and all supported Nazism. But this was simply not true. Hitler was never elected with overall majority support and effectively staged a clever Coup d'Etat to seize power over a nation that wasn't even his.

If only such dramas were balanced enough to show this.

This is a movie playing in the second World War, but it is not about the second World War. If you really want to watch a(nother) movie about how evil Nazis have been there a really good ones, but this one will possibly disappoint you.

However this movie is great anyways. It is a drama that isn't as depressing as many others out there, but still manages to not travesty the whole thing. It's a bit hard to describe the movies, because with every genre describing it would sound like a stereotype. They may describe what you'll see if you watch this movie, but be assured it is most likely lighter and more enjoyable than you might think.

One should watch this movie for enjoyment, but please don't expect a long lasting mood coming from this one. Still I recommend it.

Firstly I am Indian and I understand little German and I generally get to watch such German movies which are available to viewers in Asia. That is why almost 80% of Moritz Bleibtreu's movies are available.

Moritz gave another stellar performance here, the actor who was Rudi Smakel was hardly anything compared to him, trust MB to deliver with any given role. Generally casting was good.

The movie, even though not at the standards of Life is Beautiful but this was also touching, funny, thrilling and all of them were at the right proportion making this movie a treat to watch. I am a big fan of the WWII, holocaust related movies and I have seen over 40 of the best titles starting from the 1940's era. Since this topic is overdone it was definitely a huge challenge for not only the script writers but the directors and actors too, and being contemporary in nature, it was pretty neatly done with very little holes.

Story line was very believable, it could be a true story for all we know. The climax was very intelligent and will make even the most stern German like Till Lindemann smirk or give a wry smile.

Deutsche movie at it's best! Highly recommended if you are a fan of this genre and especially Mr. Bleibtreu.

The story line was entertaining for the full 109 minutes, with several unexpected turns to keep us awake. The film initially shows a short scene of an airplane that was shot, leaving only a few survivors. It immediately jumps back to what happened before, and returns half way to pick up the story after the plane crash. Regardless, the story line remains clear and interesting throughout, maybe even thanks to this flashback and forward.

I saw this film at the 2011 Berlinale filmfestival on a Sunday morning as part of a large (over 1,500) audience. I can only assume that the majority was of German origin. I saw a cross section of nearly all ages present, maybe except people old enough to have actually lived during World War II. Nevertheless, a considerable part of the audience would have heard their fair share about this dark part of German history. Regardless of that being the main topic, all present were apparently enjoying what was shown on the screen.

The scenario scratches the surface of the well-known good versus bad choices one can make to advance a career, or conversely to keep principles upright and refusing to go along with the common trends. I consider it logical that this film does not take a vigorous stand, being intended for general viewing, but still presenting the dilemma's in a compelling way.

In conclusion I find that the film makers did a good job, by keeping the end product attractive for a broad public, and simultaneously not trying to evade the underlying problems of choices that everyone makes in a lifetime. After all, it is easy for us to judge those choices as bad. Upcoming Nazism before the World War II involved many such situations, and thus offers an infinite source of subjects for films like this one.

However, these dilemma's are an inherent part of a broader issue. This is confined to neither the 1930-1945 time frame nor to Germany. I saw at least 5 other films that revolved around similar situations, all of them released in the last 12 months, based on recent developments in very different countries and regimes.