The Place Beyond the Pines

"The Place Beyond the Pines" is the second feature film with the director/actor pair of Derek Cianfrance and Ryan Gosling. The two together are a two man wrecking force who show resemblance of a DiCaprio/Scorsese dynamic. In this film, they tackle an ambitious, emotional and completely original tale about fathers and sons, sins of the father, generational consequences, and how one moment can send shockwaves lasting a lifetime.

The movie is broken into three acts, each as compelling and unpredictable as the one before it. The film centers around three main characters, somehow, all connected to each other. It stars Ryan Gosling, Bradley Cooper and Dane DeHann as the leads. Ryan Gosling channels the brooding reticence of his unnamed badass from "Drive" and the cool swagger of Tyler Durden from "Fight Club." Bradley Cooper displays a lot of versatility as he plays a nervy rookie cop. Some other actors who shine here are Ben Mendelsohn, Mahershala Ali, Bruce Greenwood, and Ray Liotta (with his signature menacing intensity). The actors really own their roles and allow for the viewers to connect with the portrayal of their sympathetic characters. The only problem here is that the newcomer actors (Dane DeHaan and Emory Cohen) don't carry their act as effectively and emotionally as Ryan Gosling and Bradley Cooper did.

The story here is ambitious and succeeds in telling a new and refreshing tale that filmgoers have not seen or experienced on this level of deep sophistication in ages. The film transcends movie tropes and plots as it takes a realistic, gritty, and life-like spin on traditional storytelling. "Pines" is more than just a movie. It is an exploration and examination of the human experience, spirit, and conscience.

To match the film's sensational storytelling and acting is the phenomenal directing, cinematography, and music. Everything about the filmmaking craft helps enhance the emotional impact, and real life gravity of the film. It isn't just some action crowd pleaser or CGI-infested cash grab. Nor is it some black and white 'good guys vs bad guys' rehashed plot Hollywood has been spewing out for the last quarter-century. It's an emotional, heart- wrenching, and enriching drama in which you see every character as a human person capable of love, forgiveness, and sinful actions. It is a powerhouse of craftsmanship. Director Derek Cianfrance expertly weaves together a complex and emotionally draining epic that puts an emphasis on how one moment/decision can affect generations to come. He also concocts immersive third-person POV tracking shots which greatly add to the occasional thrills of the film. The cinematography and music create a hurricane of emotions to further augment the viewing experience.

It is a travesty that "The Place Beyond the Pines" has not gotten the attention it deserves. It's mandatory viewing for any film buff or life enthusiast. Because what this movie is is life on screen.

Greetings again from the darkness. With an extended tracking shot to open the film, we follow Ryan Gosling, a motorcycle stunt rider, from his trailer through the carnival grounds and right into the metal sphere with his co-riders. It's an exhilarating start to the film and introduces Luke (Gosling) as a heavily tatted star attraction on the carnival circuit.

This is director Derek Cianfrance's follow-up to his 2010 critically acclaimed Blue Valentine. While that film painfully presented the misery of a bad marriage, this latest shows multi-generational fallout from poor decisions and even worse father-son relationships. Cianfrance has quite an eye for well-intentioned, but inadequate personality types. This latest is presented in triptych format ... three distinct story divisions. The first segment is mesmerizing and follows Luke's attempt to "do right" by his newly discovered infant son - the result of last year's carnival trip to this same town and a tryst with Romina, a local gal played by Eva Mendes.

Gosling is especially effective (yet again) as he falls in with local mechanic played by a terrific Ben Mendelsohn (frightening in Animal Kingdom). The two hatch a scheme to capitalize on Luke's bike riding skills by robbing banks. These "jobs" allow us to see the other side of Luke, who seems sincere in his desire to provide for the child and win back Romina. Things go badly when Luke crosses paths with rookie street cop Avery Cross (played by Bradley Cooper). Watching Gosling's contradictory personalities is quite amazing ... he flips from quietly charming to cold-blooded brutal bank robber in the blink of an eye.

The story then shifts to follow Avery and his strained relations with his wife (Rose Byrne), their infant son, and Avery's former state Supreme Court judge father (Harris Yulin). A sub-plot brings in police department corruption led by ... who else? ... Ray Liotta. Mr. Liotta still possesses the ability to scare the crap out of his fellow actors and anyone watching the movie. This corruption and the idealistic and ambitious nature of Avery aren't a very pleasant mixture, but it sets the stage for the final act.

Flashing forward 15 years, brings us to a fairly predictable situation that still proves interesting. The previous stories focused on the failed relationships of Luke and his father, Luke and his mis-fired attempt at being a dad, and the awkwardness of Avery and his father. Now we see the resulting mess that are the two now teenage boys. The sons are played by Emory Cohen and Dane DeHaan (who was memorable as Cricket in Lawless). DeHaan especially shines as the Gosling/Mendes prodigy.

Sean Bobbitt is the film's Director of Photography and he deserves special mention for his work with Cianfrance in bringing a different and intimate look to the characters, setting and story. Also, Mike Patton's unusual score fits perfectly and keeps the viewer on track. This is a very uncomfortable movie to watch, but those who enjoy tough, artsy films will be rewarded. www.MovieReviewsFromTheDark.wordpress.com

The place beyond the pines was a bold and magnificent effort by filmmaker Derek Cianfrance.

The movie is set with three major acts. The first focuses on Ryan Gosling, a motorcycle stunt rider who turns to robbing banks to support his new born child. This first act was executed with excellence. Gosling's character is a joy to watch, the soundtrack is phenomenally executed and the cinematography is so beautiful, not to mention Gosling's partner in crime also manages to give an outstanding performance.

The second act focuses on Avery Cross (Bradley Cooper), a rookie cop trying to move up the ranks with a family of his own. The second act was also executed with utter brilliance. Cooper's acting was beyond brilliant, his best yet in my opinion (including his recent Silver Linings Playbook). Cooper deserves to be rewarded for his beyond excellent portrayal of a good cop merely trying to fulfill his duties in a corrupt police department trying to profit from proceeds of crime. Cooper's conflict with the corrupt detective (Ray Liotta) is tension filled and a joy to watch.

The third act focuses on the son's of both Cooper and Gosling, who have both grown up to become teenagers. This is by far the weakest act in the movie in my opinion. Although I would rate this act as "good" of itself, it simply felt like it detracted from the overall viewing experience of the phenomenal first two acts. Although it seems the overarching purpose of the movie was to demonstrate the impact fatherhood (or lack of) has on kids, I felt that this last act was simply unnecessary.

The place beyond the pines was set to be an exceptional experience with the first two acts if it was tied up there, but the attempt to install the third act went too far. The attempt to demonstrate the impact fatherhood (or lack of) has on kids felt too rushed for it to have sufficient impact on me. The first two acts of themselves were extraordinary and the movie should have been left there! It didn't need to be stretched out to achieve some extended purpose sought out by the director.

Nevertheless, what we have are two excellent acts and one good one, which, in my opinion, would equate the movie to a "very good" viewing experience (as opposed to "excellent", "extraordinary" or "top of the range").

In my final opinion, I would highly recommend this movie for the first two acts alone.

PS I might also add that the introduction of Cooper's cop character Avery has to be one of the best introductions ever! It was so subtle and realistic. I loved it!

What he have here is a story about fathers and their sons. In fact, three separate stories - each one leads into the next. A lesser movie would have just told one story, but "The Place Beyond the Pines" is larger in scope and needs all three parts to tell the complete story. A life is not just about your life but those you affect and those you leave behind for years to come.

The first father is Luke (Ryan Gosling) who didn't know he had a son until a girl whose name he happens to remember shows up with a one year- old son. Prior to that moment he was a daredevil with no ambitions, no money, and no care for his life. Now he's a father. A father with no money nor job. Wearing a dirty, inside-out, torn t-shirt and tattoos covering his arms, neck and face, he is the epitome of trash. But you know, the quiet, reserved, soulful, good-looking trash. And now that he's a father, he's going to care for his son however he can. He hooks up with his partner in crime, literally - Robin (Ben Mendelsohn). Together they are like a Hall & Oates version of Bonnie and Clyde.

In Schenectady, New York - the place beyond the pines - the only thing dirtier than the trashy criminals are the cops themselves. And then the second father is introduced. The character of Avery (Bradley Cooper) is carefully crafted into what should be the greatest human being on planet Earth. And he's a cop. And he's a father. And he's a son to a father who might have been but probably wasn't the greatest human being on planet Earth.

The film went for editing and filming styles to echo the characters' situations and actions. You can guess what that would look like when Gosling is racing through the forest on his motorcycle. But as we approach the more expansive ending, there are some beautiful shots of the trees lining Schenectady's countryside roads. That works particularly well with Cooper giving a remarkable performance of Avery constantly coming to grips with his life.

The final act tells a story very different from, but completely connected to, the two that came before it. It could have been tightened up a bit, but "The Place Beyond the Pines" isn't telling a quick story. It's telling the story of multiple lives, of death, family, love, honour and obedience. Employing overall themes of revenge, ambition, and what it means to be a father, and a son. I say it succeeds in its larger scope, even if it doesn't just tell a story the way one would want it to.

The Place Beyond the Pines starts out with motorcycle stunt rider Luke (Ryan Gosling) who starts robbing banks in order to provide for his baby. A son he belatedly discovers he has because he broke up with his girlfriend Romina, (Eva Mendes) who is now living with another man.

Luke's plans to be a good father does not end well as his luck runs out. Avery (Bradley Cooper) is a novice cop who goes after Luke and later gets in some bother with corrupt cops in his department. The ambitious Avery uses this to get into the District Attorney's office.

The third act of the movie is set 15 years later as the children of these two men cross paths. Both children are delinquents in some ways.

The film goes for an epic scope with interweaving stories. There is a great opening with Gosling as he goes out to ride the wall of death.

The film loses its focus when it concentrates on their kids because the story is not that great. However director Derek Cianfrance has made an intriguing film. It is a shame that he runs out of his narrative drive by the end.