Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kü... Alles lesenDas Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.Das Leben von Drogenschmuggler Julian, der in Bangkoks krimineller Unterwelt aufblüht, wird noch komplizierter, als seine Mutter ihn zwingt, denjenigen zu finden und zu töten, der für den kürzlichen Tod seines Bruders verantwortlich ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 14 Gewinne & 20 Nominierungen insgesamt
Kowit Wattanakul
- Choi Yan Lee
- (as Kovit Wattanakul)
Empfohlene Bewertungen
Those giving this movie 1/10 are saying far more about their own absolute ignorance of film and extreme immaturity than they are about this movie. I don't expect everyone to like this film - it is certainly not for fans of Hollywood blockbusters and those who start their reviews with statements similar to 'I went to see this movie because I like Ryan Gosling/Kristin Scott Thomas' render all further comments null and void - their opinions are simply worthless and cannot be taken seriously.
The cinematography is excellent and the acting superb. Those complaining of Gosling's lack of animation are completely missing the point that his character is empty and completely subjugated beneath the force of his mother. This movie is full of symbolism, psychology and philosophy and every shot and sequence masterfully executes the portrayal and exploration of these themes. Distinct allusions to David Lynch are apparent but these do not come off as derivative but rather as homage.
If you like Hollywood blockbusters or Rom-Coms stay away from this movie and don't bother deriding this movie due to your own lack of mature and critical thinking. On the other hand, if you appreciate excellent cinematography and exploring deeper themes of the unconscious, however dark they may be, do not be put off by the extremism of those giving this movie 1/10 and go and decide for yourself.
The cinematography is excellent and the acting superb. Those complaining of Gosling's lack of animation are completely missing the point that his character is empty and completely subjugated beneath the force of his mother. This movie is full of symbolism, psychology and philosophy and every shot and sequence masterfully executes the portrayal and exploration of these themes. Distinct allusions to David Lynch are apparent but these do not come off as derivative but rather as homage.
If you like Hollywood blockbusters or Rom-Coms stay away from this movie and don't bother deriding this movie due to your own lack of mature and critical thinking. On the other hand, if you appreciate excellent cinematography and exploring deeper themes of the unconscious, however dark they may be, do not be put off by the extremism of those giving this movie 1/10 and go and decide for yourself.
If you've seen Drive, then you should know that this movie is nothing like it, except perhaps in the fact that they are both beautifully shot. Drive had a pretty brisk pace, good dialogue, a plot that went somewhere, and a likable character.
Only God Forgives had none of that. This is a movie which moves along at a snail's pace, and even at a runtime of 90 minutes, it feels like many hours go by before even a single thing happens. Even the characters move and turn slowly.
The plot, such as it is, you would probably find worth watching, but Nicolas Winding Refn peppers it with pseudo-dream sequences and many pointless scenes that drag on for ever, so that the plot becomes hard to stay interested in.
Now, some things you might care about.
The acting. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He speaks about 5 lines during the whole movie, and has fewer different facial expressions. Kristin Scott Thomas is very good, although she feels underused. She is definitely the strong point of this movie. Vithaya Pansringarm, who plays a prominent role in the movie, is as expressionless as Gosling, although he is somewhat better, in my opinion.
Action scenes do exist, and they do resemble those from Drive, in that they are very matter-of-factly and visceral. Here, Winding Refn has really indulged in a lot of gratuitous gore, although overall, I found the action scenes quite entertaining. One particular one showcases Byron Gibson's acting talents, and it is particularly (and hilariously) cringe-worthy.
All the characters in this movie are unlikable. It is extremely difficult to get yourself to care for any of them, including Gosling's, who is arguably the protagonist here.
Aside from Scott Thomas' acting, the only other redeeming quality of this film is the excellent way in which most scenes are set up and shot. The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots.
Overall, sad as I am to say it, I cannot recommend seeing Only God Forgives.
Only God Forgives had none of that. This is a movie which moves along at a snail's pace, and even at a runtime of 90 minutes, it feels like many hours go by before even a single thing happens. Even the characters move and turn slowly.
The plot, such as it is, you would probably find worth watching, but Nicolas Winding Refn peppers it with pseudo-dream sequences and many pointless scenes that drag on for ever, so that the plot becomes hard to stay interested in.
Now, some things you might care about.
The acting. Ryan Gosling, of whom I was a fan in his earlier days, plays the same character from Drive, except that here he is indeed even more emotionless. He speaks about 5 lines during the whole movie, and has fewer different facial expressions. Kristin Scott Thomas is very good, although she feels underused. She is definitely the strong point of this movie. Vithaya Pansringarm, who plays a prominent role in the movie, is as expressionless as Gosling, although he is somewhat better, in my opinion.
Action scenes do exist, and they do resemble those from Drive, in that they are very matter-of-factly and visceral. Here, Winding Refn has really indulged in a lot of gratuitous gore, although overall, I found the action scenes quite entertaining. One particular one showcases Byron Gibson's acting talents, and it is particularly (and hilariously) cringe-worthy.
All the characters in this movie are unlikable. It is extremely difficult to get yourself to care for any of them, including Gosling's, who is arguably the protagonist here.
Aside from Scott Thomas' acting, the only other redeeming quality of this film is the excellent way in which most scenes are set up and shot. The sets, the camera movement, the placement of the actors, all of these make up for some truly gorgeous shots.
Overall, sad as I am to say it, I cannot recommend seeing Only God Forgives.
This film is worth watching, it is very gripping and suspenseful. There isn't much dialouge at all, it is mostly just atmospheric. The plot is relatively simple, a chain of people killing others who are then linked to someone else. The ending is left open to your imagination too. There are some really gruesome scenes in this movie but this sort of thing was needed to keep the viewer gripped on the way the story was unfolding. Ryan Gosling was a very mysterious character again (as in Drive) and he portrayed this very well. The supporting cast were also good.
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
Overall I found this film to be quite good, was a relatively short film but I didn't feel it was 'dragging' like some said. I preferred 'Drive' but this one is still worth a watch.
7/10
An absolute masterpiece. My favorite movie of all time.
Probably only in 30 years will the world fully appreciate it and recognize how far ahead in time it was.
There isn't a lot of dialog because there isn't much of a plot. What there is, is at best, clumsy and predictable. I am not sure that it was even that believable.
There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another. Perhaps these elements were supposed to fill the void. However it was not enough.
Great performances from all the cast but even they couldn't save it. At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious.
There is however lots of silence, dark brooding nothingness, Thai Karaoke, lots of blood and questionable sexual relations of one sort or another. Perhaps these elements were supposed to fill the void. However it was not enough.
Great performances from all the cast but even they couldn't save it. At times Ryan Gosling just looked lost and bewildered and I don't think he was acting. I found it annoying and pretentious.
Wusstest du schon
- WissenswertesJulian (Ryan Gosling) only speaks seventeen lines throughout this movie.
- PatzerWhen Julian fought Chang, Chang kicked Julian in the left leg several times leaving Julian unable to walk normally, but later on Julian is seen stumbling on his right leg rather than the left.
- VerbindungenFeatured in Showreel: We've Got Keanu Reeves (2013)
- SoundtracksJai-Orn
("Falling in Love")
Lyric/Melody by Kanokwan Kung-noi
Performed by Fon Thanasuntornas (first recorded in the album titled "Jai-Orn , released in B.E.2543)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Sólo Dios perdona
- Drehorte
- Emporium Suites - 622 Sukhumvit Road, Khlong Toei, Bangkok, Thailand(Crystal's hotel)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 779.188 $
- Eröffnungswochenende in den USA und in Kanada
- 313.958 $
- 21. Juli 2013
- Weltweiter Bruttoertrag
- 10.658.332 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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