A Gang Story - Eine Frage der Ehre

The irony of an ex-cop Olivier Marchal, co-writing, directing and acting in a somewhat true tale of real life French criminal Edmond Vidal aka Momon is something some, like me will find irresistably attractive. Surprisingly, although we are left in no doubt that Vidal and his compatriots are mired in the underworld and its sins, this film paints quite a sympathetic and humanistic portrait of its central players.

There is nothing really original about Gang Story (including the title). It's a story we've seen before (rise and fall of a career criminal and his associates), told in a semi-linear style combining plentiful flashbacks to pivotal past moments with present day events (The Godfather Part 2 and Goodfellas). Marchal frequently acknowledges and pays homage to Coppola and Scorsese throughout the film, but I personally would have preferred to have seen him, as Coppola does, use longer sequences before changing time periods. It does get unsettling, if not annoying and confusing, when some of these intercut scenes last all of 10 seconds, before changing time periods. I also would have appreciated an elaboration on the childhood relationship between Momon and Serge, which I think would have strengthened the story even more. Onscreen, it's all over within a minute, before we move on to when they were young adults. And the storyline to this movie, is its real appeal; the bonds of loyalty between crime boss and sidekick stretching over generations and examining how far those bonds can be stretched, before risking permanent dislocation. Gerard Lanvin (Momon) and Tcheky Karyo (Serge) are well cast in the contemporary lead roles, though the film, as mentioned earlier is seen from the former's perspective.

The film claims to be based firmly on true events and characters, though I have no idea how close to reality, the depicted events actually are. For all of that, Marchal presents a story, that is never less than compelling, culminating in a climax, which, while some may have predicted, is nevertheless full of pathos and feeling. Gang Story is worth your acquaintance.

" Les Lyonnais " it's nice and chill gang film he got nothing special compared to others movie in this theme but it's cool movie and it's pleasure to see this kind of movie from France cause we know making violence in French movie it's It's usually frowned upon but the France give a nice movie like this while respecting the values and history of the period !!!

First to all the script was not bad but sometimes I felt lost I ain't got it who was who and who did that and I've got the feeling to get boring like unhooked from the story, too bad but it is my opinion about it !!! But mix the différents period of the story was a such good ideas and by the way really good makes !!!

The director did a pleasant work with nice shoots and good directing about the shoots too, the work of colors and play-lights on the shoots was good too

The acting was not bad at all but not great neither some character play sometime very bad but the mains character played good for me !

I expected a lot from this film as Lanvin and Karyo are big names in cinema no matter where you live. It surpassed my expectations by miles. The dialog is thought provoking, the plot contains enough twists to keep you hooked, but does so with finesse rather than going over the top. All the actors/actresses are well cast at no point did I feel anyone was in the wrong part or unconvincing. The action was perfectly balanced with the plot, too much would have spoiled it, too little and it wouldn't be much of a crime film. The settings were good, as was the style in which it was filmed. I don't want to describe the story as I think it's so good that it is worth watching with no preconceptions. For me a standout film, one of the best I have seen in a long time and the director should be applauded. Its subtitled but they were flawless and at no point did it occur to me that the lack of English sound was a problem. I would heartily recommend watching.

The only possible answer to the question raised in this user comment's subject line is simple and straightforward, namely: nowhere near as badass as grandpa Edmon 'Momon' Vidal in "Les Lyonnais"! Or any of his fellow gang buddies, for that matter! "Les Lyonnais" is inspired by the true story and memoirs of Momon Vidal; the poor son of gypsy parents who built himself up to the leader of a feared gang that committed numerous of violent armed robberies in the Lyon region during the sixties and early seventies. However, all the crimes and trials of that era are narrated and illustrated through flashbacks, as the film primarily takes place in 2010 and opens at the baptism party of Momon's grandson. For the past 25 years he has lived a luxurious and relatively honest life, but now his oldest and dearest friend Serge is in trouble. Serge is apprehended by the police, but prison is full of henchmen of the crime boss that he double-crossed. Since friendship is the most important value to Momon, he organizes a plan to help Serge even though he very well realizes this will bring him right back to his old criminal habits. Given the nature of the plot, protagonist characters and a handful of significant sequences (like for example the baptism), "Les Lyonnais" is inevitably reminiscent to "The Godfather" and – like many other reviews so unmistakably state clear – not as good. Yeah well, so what? Hardly any movie is as good as "The Godfather", but that doesn't stand in the way of "Les Lyonnais" being an extremely intense and absorbing thriller with many brutal sequences, tight atmosphere and stellar performances. The main trumps of the film, apart from the charismatic ensemble cast, are the realistic brotherhood portrayals and the swift transitions between the gang's activities in the '60s and present day. During the flashbacks, being a criminal and kick- starting violent gang wars is glorified quite blatantly, but the script also clearly criticizes the contemporary French juridical system. Momon and Serge initially just were two harmless young troublemakers, but they rolled into the criminal life after they were sentenced to six months in prison for stealing a handful of cherries (which aptly also is the title of Edmond Vidal's memories). The flashbacks are the most entertaining parts of the film, since they seem to come straight out those primarily Italian & French euro-crime/Poliziotteschi movies from the seventies; which happens to be my favorite cult cinema sub- genre. You know, exhilarating chases in crummy old cars, characters with gigantic mustaches, harsh drive-by shootings and relentless executions in the middle of crowded streets! The scenes set in the present day are much more sophisticated and dramatic, but they are still fast-paced and loaded with suspense. Gérard Lanvin gives away a downright phenomenal performance as Vidal, and he's brilliantly backed up by Tchéky Karyo and Daniel Duval.

Thrilling and intelligent thriller about a powerful thief gypsy , now retired and living peacefully . A stylish , complex movie driven by a main character , dealing with a known delinquent called Edmond Vidal, aka Momon (Gerad Lanvin) whose life radically changes when appears an old friend and he would like to forget that part of his life . After growing up in a poor gypsy camp , Momon, a known robber has retained a sense of family , honesty , camaraderie , unfailing loyalty and pride in his origins . Proud Momom is 60 years old and a veteran leader of a band called Les Lyonnains . Most of all, he has remained friendship with Serge Suttel . The two of them created a dangerous gang who carried out bold robberies . The team they formed, inevitably got involved in organized crime , they are called the Gang Des Lyonnais, made them the most famous armed thieves of the early 1970s . Their irresistible rise and sudden fall ended in 1974 with a surprising arrest by a denouncement proceeded by a traitor . Today nears 60 , he has found peace by retiring from the "business" and taking part in weddings , parties and family celebrations . He protects to his spouse Janou (Valeria Cavalli) , who suffered so in the past a penalty in prison , and to his children and grandchildren , all of whom have great respect for this person of simple and universal values, so clear-headed and full of loyalty , friendship , comradeship and kindness . But then there appears Serge Sutte (Tchéky Karyo) , who has disowned nothing of his past, as he comes back into his quiet life and emerges violence , pursuits , betrayal and relentless vendetta .

This exciting film contains action , violence , thrills , treason , suspense and plot twists . Top-notch thriller in which nothing is the way it seems , the atmosphere is already tense and the twists and turns are the best part of this movie . In other ways, it feels like a tribute to ¨Polar¨ genre or French Noir Cinema , full of attractive characters and edge-of-your-seat intrigue . The story is narrated by means of flashbacks about past and present , realizing a complex as well as interesting crossover . The film was noteworthy for casting some of the finest actors in France . Exceptional acting by Gerard Lanvin as Momon , a notorious criminal who would like to forget that part of his life , as he has found peace by retiring from the "business" and sensational Tchéky Karyo as Serge Suttel, with whom he first discovered prison life - for stealing cherries . The film was dedicated to Bernard Giradeau , a good French actor who played several Noir flicks . Good production design , the prison seen in the film is actually a combination of three filming locations : the exteriors are that of the real prison, and the other interiors . The picture achieved big success and was nominated various prizes César and considered to be one of the best thrillers of the year in which you'll leave the cinema shaken and moved . Excellent soundtrack by Erwann Kermorvant that elevates the emotion and the intensity of the scenes to new heights . Colorful as well as evocative cinematography filmed on location in La Boisse, Ain, La Valbonne, Balan, Ain, France , Tassin-la-Demi-Lune, Rhône, Rhône-Alpes, France and Lyon, Rhône, Rhône-Alpes, France .

Olivier Marchal did a formidable job with Les Lyonnais (2011) . He then wrote the first draft of the screenplay himself, and so on ; being based on Edmond Vidal book titled "Pour Une Poignée de Cerises¨ . Olivier is a notorious writer/director and he formerly was a police officer . As Olivier Marchal started taking acting lessons when he still was a police officer. He began his career in television, appearing in supporting parts or writing scripts for detective TV series. In 1989 when Yves Rénier resurrected his TV series Commissaire Moulin (1976) he became his partner as scriptwriter, series supervisor and sometimes actor . In 2000 he starred as Commandant Pierre Rivière in his own TV series "Police district" (1999), written by novelist Hugues Pagan, himself also a former police officer . Olivier Marchal , an actor/writer/director has directed sensational French thrillers , just like "36th Precinct" , ¨Diamond 13¨, ¨Mr73¨ as good as this and ¨Gangsters¨ .