Anfang der 1960er Jahre: CIA-Agent Napoleon Solo und KGB-Spion Illya Kuryakin gehen gemeinsam gegen ein geheimnisvolles Verbrechersyndikat vor, das versucht, Atomwaffen zu verbreiten.Anfang der 1960er Jahre: CIA-Agent Napoleon Solo und KGB-Spion Illya Kuryakin gehen gemeinsam gegen ein geheimnisvolles Verbrechersyndikat vor, das versucht, Atomwaffen zu verbreiten.Anfang der 1960er Jahre: CIA-Agent Napoleon Solo und KGB-Spion Illya Kuryakin gehen gemeinsam gegen ein geheimnisvolles Verbrechersyndikat vor, das versucht, Atomwaffen zu verbreiten.
- Auszeichnungen
- 7 Gewinne & 7 Nominierungen insgesamt
Julian M. Deuster
- Assistant
- (as Julian Michael Deuster)
Empfohlene Bewertungen
From the soundtrack, to the settings, costumes, characters, and action, the man from UNCLE is an exciting and classy action movie. It takes the bond formula and recreates it through Guy Richie's unmistakable lens.
I honestly think Napoleon Solo (one of the main characters, an American Spy) was a perfect role for Henry Cavill, who knocked it out of the park... an Archer-esque, suave, witty charmer/womanizer. The same can be said of Armie Hammer and Alicia Vikander's characters
This is a witty, lighthearted, and funny movie and seriously underrated. It is definitely a go-to relax and enjoy movie for me
I honestly think Napoleon Solo (one of the main characters, an American Spy) was a perfect role for Henry Cavill, who knocked it out of the park... an Archer-esque, suave, witty charmer/womanizer. The same can be said of Armie Hammer and Alicia Vikander's characters
This is a witty, lighthearted, and funny movie and seriously underrated. It is definitely a go-to relax and enjoy movie for me
I love this movie so much. The first time I watched it with a friend, we jumped back in the movie so many times to rewatch all our favourite parts over and over again.
I've watched it a couple of times, and I still like it so so much. I've always liked spy movies. Growing up watching Bond. This movie is fun and clever and it's just a great movie. I might just go and rewatch it right now actually.
Yes, I know this review is stupid positive. But when you find a movie that you can enjoy without finding any big mistakes or things you get annoyed about, you just have to feel happy.
Yes, I know this review is stupid positive. But when you find a movie that you can enjoy without finding any big mistakes or things you get annoyed about, you just have to feel happy.
I've never seen the original TV series (I feel obliged to offer some preface in these matters) but damn, there's just something so refreshing about "The Man from U.N.C.L.E.". Not just as a genre movie, which sets itself apart from modern spy fare with a certain restraint towards its action scenes (even the torture is unconventional), but as a '60s throwback. It creates a stylized Cold War setting, and it's one I totally wouldn't mind returning to; I love that Morricone/Schifrin score.
The main cast (Cavill, Hammer and Vikander) shares a great chemistry and just seems to fit. This is another reason there should be a sequel. I mean, really, if there are two Sherlock Holmes movies, we deserve at least one more U.N.C.L.E.
Some of Guy Ritchie's movies I do love, and this is one of them.
8/10
The main cast (Cavill, Hammer and Vikander) shares a great chemistry and just seems to fit. This is another reason there should be a sequel. I mean, really, if there are two Sherlock Holmes movies, we deserve at least one more U.N.C.L.E.
Some of Guy Ritchie's movies I do love, and this is one of them.
8/10
Never watched the show, so can't compare the two, or whether or not this is a faithful adaptation of it or not, but I loved this film. It perfectly rides the fine line between straight 1960s spy movie throwback, and satire of one.
Villain is pure 1960s vamp/ femme fatale, Henry Cavill and Armie Hammer's chemistry alone makes this worth watching. Hammer's twitch as his anger reaches boiling point is a great bit of detail. Cavill really reminded me of Roger Moore's Bond, specifically from The Spy Who Loved Me. He has a suave, "Trust me, I know what I'm doing" attitude throughout.
Several scenes creatively have the action taking place in the background, while the focus is on the foreground. A perfect example, and maybe my favourite scene in the film, is Cavill sitting in a truck, basically picnicking, with a large sandwich and bottle of Chianti, while boat chase is playing out in front of him, reflected on the windscreen.
The film is rated PG13, but it doesn't look watered down to get that rating, ... Henchman's electrocution torture scene was both graphic and simultaneously funny- another case of the action playing out in the background, while Cavill and Hammer debate the fate while in the next room.
The plot is a bit of a mess, especially toward the end, but a great cast, sharp dialogue, and great attention to detail, and good action makes this a winner
Villain is pure 1960s vamp/ femme fatale, Henry Cavill and Armie Hammer's chemistry alone makes this worth watching. Hammer's twitch as his anger reaches boiling point is a great bit of detail. Cavill really reminded me of Roger Moore's Bond, specifically from The Spy Who Loved Me. He has a suave, "Trust me, I know what I'm doing" attitude throughout.
Several scenes creatively have the action taking place in the background, while the focus is on the foreground. A perfect example, and maybe my favourite scene in the film, is Cavill sitting in a truck, basically picnicking, with a large sandwich and bottle of Chianti, while boat chase is playing out in front of him, reflected on the windscreen.
The film is rated PG13, but it doesn't look watered down to get that rating, ... Henchman's electrocution torture scene was both graphic and simultaneously funny- another case of the action playing out in the background, while Cavill and Hammer debate the fate while in the next room.
The plot is a bit of a mess, especially toward the end, but a great cast, sharp dialogue, and great attention to detail, and good action makes this a winner
This film is set in the early sixties and opens in East Berlin as CIA agent Napoleon Solo attempts to extract a German woman, Gaby Teller. Her father had worked for the Nazi missile programme before being taken to the United States; now he has gone missing and is presumed to be working for a group that will make atomic bombs for anybody who will pay them. A Soviet agent, Ilya Kuryakin, who is clearly highly skilled, tries to stop them but is ultimately unsuccessful. Shortly afterward, in West Berlin, the three of them are reunited and they are told that they will be working together in a joint US/USSR mission. Travelling to Rome, with Ilya posing as Gaby's fiancé and Napoleon posing as a thief they make contact with Gaby's uncle and attempt to find her father and infiltrate the criminal organisation.
As a child I enjoyed watched repeats of the original TV show so was a little unsure about watching this new version. I needn't have worried. As it tells a story of Napoleon and Ilya's first mission together no prior knowledge of the characters is needed. The early scenes to a fine job of introducing the key characters and their mission. The action gets started early and continues throughout; it is exciting without being gory... in fact the style reminded me of early Bond films but with the level of humour turned up. The humour was unforced and didn't get in the way of the story. Everything about the film adds to the sixties feel without it becoming a pastiche. The cast is solid with Henry Cavill and Armie Hammer impressing as Napoleon and Ilya respectively and Alicia Vikander delighting as Gaby. Elizabeth Debicki also does a fine job as antagonist Victoria Vinciguerra. Overall I'd definitely recommend this to fans of lighter '60s spy thrillers; it captures the feel and delivers laughs and excitement... along with a few good twists.
As a child I enjoyed watched repeats of the original TV show so was a little unsure about watching this new version. I needn't have worried. As it tells a story of Napoleon and Ilya's first mission together no prior knowledge of the characters is needed. The early scenes to a fine job of introducing the key characters and their mission. The action gets started early and continues throughout; it is exciting without being gory... in fact the style reminded me of early Bond films but with the level of humour turned up. The humour was unforced and didn't get in the way of the story. Everything about the film adds to the sixties feel without it becoming a pastiche. The cast is solid with Henry Cavill and Armie Hammer impressing as Napoleon and Ilya respectively and Alicia Vikander delighting as Gaby. Elizabeth Debicki also does a fine job as antagonist Victoria Vinciguerra. Overall I'd definitely recommend this to fans of lighter '60s spy thrillers; it captures the feel and delivers laughs and excitement... along with a few good twists.
Wusstest du schon
- WissenswertesNapoleon Solo's trick of removing a tablecloth from a table while leaving all the objects undisturbed was not a visual effect. Henry Cavill actually performed it himself, having been trained in the trick by British variety star Mat Ricardo.
- PatzerWhen Victoria is approaching Solo after the security guard punches him, she is wearing two gold necklaces. After Solo stands up, he falls against her before regaining his composure, and she is still wearing two gold necklaces. A few minutes later as the two are walking and talking, she is now wearing one gold necklace and he hands her the other gold necklace. The subsequent conversation implies that he had removed it from her when he fell against her earlier, but that clearly was not the case.
- Zitate
Illya Kuryakin: [as Solo cracks a safe] Did you disable the alarm?
Napoleon Solo: There's no alarm on the 307.
[alarm immediately begins wailing]
Illya Kuryakin: ...Loving your work, Cowboy.
- Crazy CreditsSPOILER: Part of the closing credits features images of Solo, Kuryakin and Gaby in Istanbul on their new mission.
- VerbindungenFeatured in Celebrated: Hugh Grant (2015)
- SoundtracksCompared to What
Written by Gene McDaniels (as Eugene B. McDaniels)
Performed by Roberta Flack
Licensed courtesy of Warner Music UK Ltd
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
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- Auch bekannt als
- El agente de C.I.P.O.L.
- Drehorte
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Box Office
- Budget
- 75.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 45.445.109 $
- Eröffnungswochenende in den USA und in Kanada
- 13.421.036 $
- 16. Aug. 2015
- Weltweiter Bruttoertrag
- 110.045.109 $
- Laufzeit1 Stunde 56 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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