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Never watched the show, so can't compare the two, or whether or not this is a faithful adaptation of it or not, but I loved this film. It perfectly rides the fine line between straight 1960s spy movie throwback, and satire of one.

Villain is pure 1960s vamp/ femme fatale, Henry Cavill and Armie Hammer's chemistry alone makes this worth watching. Hammer's twitch as his anger reaches boiling point is a great bit of detail. Cavill really reminded me of Roger Moore's Bond, specifically from The Spy Who Loved Me. He has a suave, "Trust me, I know what I'm doing" attitude throughout.

Several scenes creatively have the action taking place in the background, while the focus is on the foreground. A perfect example, and maybe my favourite scene in the film, is Cavill sitting in a truck, basically picnicking, with a large sandwich and bottle of Chianti, while boat chase is playing out in front of him, reflected on the windscreen.

The film is rated PG13, but it doesn't look watered down to get that rating, ... Henchman's electrocution torture scene was both graphic and simultaneously funny- another case of the action playing out in the background, while Cavill and Hammer debate the fate while in the next room.

The plot is a bit of a mess, especially toward the end, but a great cast, sharp dialogue, and great attention to detail, and good action makes this a winner

I've never seen the original TV series (I feel obliged to offer some preface in these matters) but damn, there's just something so refreshing about "The Man from U.N.C.L.E.". Not just as a genre movie, which sets itself apart from modern spy fare with a certain restraint towards its action scenes (even the torture is unconventional), but as a '60s throwback. It creates a stylized Cold War setting, and it's one I totally wouldn't mind returning to; I love that Morricone/Schifrin score.

The main cast (Cavill, Hammer and Vikander) shares a great chemistry and just seems to fit. This is another reason there should be a sequel. I mean, really, if there are two Sherlock Holmes movies, we deserve at least one more U.N.C.L.E.

Some of Guy Ritchie's movies I do love, and this is one of them.

8/10

I never watched the original TV show, but a friend of mine did, and he was really excited about this movie. Even I could tell they really put some effort in this. You get thrown back into an era you might (very likely) not know. But that shouldn't take away the fun you can have with this.

It's a mystery why this underperformed at the box office, but might have to do with the fact, that people could not really tell what this is. The TV show is not as accessible as other (A-Team, Mission Impossible and so forth). If you get a chance and you like spy comedies, you should check this out. Even if it goes a bit overboard towards the end (a twist that doesn't make too much sense), it still pretty fun

1963, the height of the Cold War. In an unlikely alliance, a CIA agent, Napoleon Solo (played by Henry Cavill) and KGB agent, Illya Kuryakin (Armie Hammer), band together to save the world from nuclear disaster. A top nuclear scientist, formerly employed by the US, has gone missing. It is suspected his brother has kidnapped him to work on a nuclear bomb. Solo and Kuryakin accompany the scientist's daughter, Gaby (Alicia Vikander), to Rome, as this is where her uncle is based. The idea is to covertly investigate his company and, hopefully, find the scientist and the bomb. Things aren't all plain sailing though. This is heightened by the fact that Solo and Kuryakin aren't sure they can trust each other and, to some extent, still regard each other as enemies.

An entertaining action-espionage caper. Decent plot, though a tad basic and formulaic. Some great, humorous banter, and that's what elevates the movie above the average spy or action movie.

Solid performances from Henry Cavill and Armie Hammer in the lead roles. The stand out performance, however, is from Alicia Vikander who is delightful as Gaby.

The cast also includes Hugh Grant and Elizabeth Debicki, and neither of them disappoint.

I love this movie so much. The first time I watched it with a friend, we jumped back in the movie so many times to rewatch all our favourite parts over and over again. I've watched it a couple of times, and I still like it so so much. I've always liked spy movies. Growing up watching Bond. This movie is fun and clever and it's just a great movie. I might just go and rewatch it right now actually.

Yes, I know this review is stupid positive. But when you find a movie that you can enjoy without finding any big mistakes or things you get annoyed about, you just have to feel happy.

Gimmicky Director Guy Ritchie is on full Restraint in this Reboot of the Popular 1960's TV Show. Deliberately making a Movie that Bucks postmodern Trends and audience Expectations.

It's a Smoothy of a Groovy Movie as it takes its Time presenting Action Scenes with Screen Time that allows the Brain to take in what the Eye Sees, and what the Eye Sees is a Beautifully Crafted Film that not only takes place in the Sixties, but could have been a Movie Edited in the Sixties.

Elegant, Frothy, and full of Eye Candy that often times looks like Magazine Ads and just as Glossy. There is no shortage of Beautiful People on Screen as Armie Hammer, Henry Cavill, and Alicia Vikander try to find a Nuclear Scientist that has been Kidnapped, before He can Deliver a Device.

It's standard Cold War Stuff and the Movie handles it Cool. It is a welcome Breather from the Hyper-Ness of other Franchise, Super-Hero, Spy Stuff and Audiences should be Prepared for the Change.

Because Frankly it is quite a Different way to Present This type of thing Today and the Knee-Jerk reaction is to Reject its deliberate Style. But it mostly works as one can see the Pendulum Swinging Back to another Era in the way Movies were made and Enjoyed.

It's Retro in the purist Sense and deserves Kudos for giving it a try, because it isn't a Given that this Type of Thing will be Accepted. Overall, if one gets the Vibe, it can be a pleasant Diversion and a Delightful Experience if nothing more than a Contrast to Current expectations.

From the soundtrack, to the settings, costumes, characters, and action, the man from UNCLE is an exciting and classy action movie. It takes the bond formula and recreates it through Guy Richie's unmistakable lens.

I honestly think Napoleon Solo (one of the main characters, an American Spy) was a perfect role for Henry Cavill, who knocked it out of the park... an Archer-esque, suave, witty charmer/womanizer. The same can be said of Armie Hammer and Alicia Vikander's characters

This is a witty, lighthearted, and funny movie and seriously underrated. It is definitely a go-to relax and enjoy movie for me

This movie was well worth the 1hr 56 minutes I spent in the theater. I was completely entertained from the opening till the end. The characters were very likable, Armie and Henry had great chemistry, with each other and with the female lead played by Alicia Vikander.

I loved the snappy exchange between both actors, each had classic lines which worked with their character's personalities. The action kept me on my toes, the car chases were done with vintage cars which was nice to see.

Obviously, the cars were from the '60s to correspond with the movie's time-line, as were the fashion worn by both ladies; funky earrings and eyelashes for days. Despite the time line in the movie, the women were portrayed in a very dominant role, at times upstaging the men, but not in a bad way.

I loved the comedic element of the movie and so did the audience that sat in the nearly half empty theater. One of the lines that had us laughing was when Henry's character described Armie's character as barely human, he referred to him as "it" saying things like you should have seen "it run," and "it ripped off the trunk of a car."

While Henry delivered his comedic lines with swoon-worthy swagger, Armie did a very good Russian accent, with little quirks like a horrible but non-threatening temper.

I loved everything thing about this movie, the way it was shot, the tone, the story line, everything. I hope they continue the franchise there is still so much about these guys and girl that I want to learn more about.

I just saw a sneak preview of this movie and I have to say I thoroughly enjoyed it. I will have to preface this review by saying that I have not seen the original show, so I can't say whether this paid appropriate homage to the original, or if it is a bastardization.

The opening sequence chase scene featured heavily in the previews, but surprisingly the trailer did not ruin the scene. It actually came across even more crisp and clever in the theater and was a great beginning for the movie. It perfectly sets the tone of the two spy characters and establishes their respectful rivalry.

The movie isn't wall-to-wall action, but there are enough action scenes to keep the pace lively. There is also a second chase scene towards the end of the movie that is perhaps even better than the opening scene's chase.

I think the real strength of the movie is the comedic element. The banter is quite snappy and a few of the lines I couldn't hear because of the laughter filling the theater. In particular Henry Cavill delivered as the slick cool spy Solo.

Armie Hammer also delivered as the Russian counterpart, Illya. In many ways he plays the straight man to Cavill's comedian, which is actually the harder part to play. It was also apparently the harder part to direct and/or film since a few of his scenes came across as a bit clichéd.

The third part of the group is Gaby, played by Alicia Vikander. The part she played is the most uneven of the group. To an extent it seemed like they couldn't quite figure out her role, so she ended up being a bit of a third wheel. That being said, she didn't detract from the movie, and serves as another foil for the two main characters.

As long as I'm mentioning actors/actresses, I have to say that Hugh Grant did a superb job in a relatively minor role. Also Elizabeth Debicki did an excellent job as the female villain.

Since this is a period piece, I think it's important to point out that they went through a lot of effort to get things right. Fortunately for me, they did such a good job that it, that it didn't feel like I was being beaten over the head with the 60's. There were a number of iconic outfits, but overall it was subtle enough that I wasn't jarred out of the movie, which says a lot about the great job they did.

Overall, I thoroughly enjoyed the movie, and would recommend it for anyone who enjoys spy movies, or action/comedies. Also, if you've seen the trailer and thought it showed promise, then you should definitely see the movie, because the trailer doesn't show all (or even most) of the good parts, but gives a good sampling.

In the early 1960s right after the Cold War started CIA agent Solo (Henry Cavill) and KGB agent Illya (Armie Hammer) have to work together to find a kidnapped scientist who can make a nuclear warhead. Helping them is the scientist's daughter Gaby (Alicia Vikander). They also get involved with the beautiful but deadly Victoria (Elizabeth Debicki).

Updating of a 1960s TV series which I never saw. It's well-done with some cool action sequences and fairly tame violence (except for the end). Cool use of split scenes during some of the action too. They capture the early 60s fashions, cars and architecture perfectly. This film is VERY colorful. The acting is mostly good. Cavill is suave and very fun as Solo. On the negative side the plot is overly convoluted--a LOT is thrown at you at the beginning. There are at least three endings also--two too many. Worst of all is Hammer--he's TERRIBLE in his role. Very wooden and unconvincing. Still I was never bored and enjoyed it. So I marginally recommend it.

Great film, can't lose cast, what the heck is the hold up?! It's a franchise waiting to happen.

The sets, scenery and wardrobes are beautiful. The movie was a disappointment. It was so stylized that it quickly became boring. To me, there was no real excitement to the action sequences. Everything was shallow including the villains, the heroes and the plot. It was like watching a bunch of well-dressed mannequins try to make an action film. What they did to Illya's character is sinful. He is now a psycho with a terrible anger disorder, but he still manages to be a mind-numbing bore. Henry Cavill is so bland - not suave, not clever and amusing. I don't know what this movie wanted to be. The comedic lines weren't that funny, the actors had very little good dialogue to work with, there was no suspense, no plot twists, no real evil bad guy to be frightened of. I didn't even feel the atmosphere of the Cold War as I watched. It could have been any time, any place. Generic is a good word for this movie. There was not much action, either. I'll pass on the next Man from Uncle if there is one.

Cast him as the new James Bond. At the height of the Cold War, a mysterious criminal organization plans to use nuclear weapons and technology to upset the fragile balance of power between the United States and Soviet Union. CIA agent Napoleon Solo (Henry Cavill) and KGB agent Illya Kuryakin (Armie Hammer) are forced to put aside their hostilities and work together to stop the evildoers in their tracks. The duo's only lead is the daughter of a missing German scientist, whom they must find soon to prevent a global catastrophe.

To start of, The Man from U. N. C. L. E isn't a blockbuster action movie that has everything you need to get entertained as it has some flaws here and there including the pacing at some parts however, there are many aspects that make this movie a thrilling and fun one. This movie is a great mix between old classic spy movies and modern action movies. Its action packed and really hilarious; one of the funniest action movies in my opinion. The action sequences were really good and some of them even included funny bits. The cinematography is really good and so is the editing. Although the screenplay was pretty good, the script could've been a bit better. In general, Guy Ritchie did a great job.

Acting wise, Henry Cavill stands out as Napoleon Solo (I really hope to see him as the new James Bond) and shares a great chemistry with Armir Hammer who playes Illya Kuryakin. Their love-hate relationship makes the movie even funnier. The rest of the cast was really good too.

Score:7.5/10.

This film is set in the early sixties and opens in East Berlin as CIA agent Napoleon Solo attempts to extract a German woman, Gaby Teller. Her father had worked for the Nazi missile programme before being taken to the United States; now he has gone missing and is presumed to be working for a group that will make atomic bombs for anybody who will pay them. A Soviet agent, Ilya Kuryakin, who is clearly highly skilled, tries to stop them but is ultimately unsuccessful. Shortly afterward, in West Berlin, the three of them are reunited and they are told that they will be working together in a joint US/USSR mission. Travelling to Rome, with Ilya posing as Gaby's fiancé and Napoleon posing as a thief they make contact with Gaby's uncle and attempt to find her father and infiltrate the criminal organisation.

As a child I enjoyed watched repeats of the original TV show so was a little unsure about watching this new version. I needn't have worried. As it tells a story of Napoleon and Ilya's first mission together no prior knowledge of the characters is needed. The early scenes to a fine job of introducing the key characters and their mission. The action gets started early and continues throughout; it is exciting without being gory... in fact the style reminded me of early Bond films but with the level of humour turned up. The humour was unforced and didn't get in the way of the story. Everything about the film adds to the sixties feel without it becoming a pastiche. The cast is solid with Henry Cavill and Armie Hammer impressing as Napoleon and Ilya respectively and Alicia Vikander delighting as Gaby. Elizabeth Debicki also does a fine job as antagonist Victoria Vinciguerra. Overall I'd definitely recommend this to fans of lighter '60s spy thrillers; it captures the feel and delivers laughs and excitement... along with a few good twists.

In the midst of the dark and gritty movies that have characterized the 2000s, it's nice to see Superman and the Lone Ranger team up for a 1960s spy throwback.

Napolean Solo (Henry Cavill) is a suave, carefree thief turned spy, tasked with extracting Gaby Teller (Alicia Vikander) from East Berlin for the CIA. During the escape, Solo and Teller evade KGB agent Illya Kuryakin and report back to Solo's superiors, only to find out that the KGB and CIA have reluctantly teamed up. Solo and Kuryakin are forced to work together to stop a wealthy couple from using Teller's father to build their own nuclear weapon.

"The Man from U.N.C.L.E." brings nothing new to the table in terms of its structure. Two good guys with conflicting personalities are forced to work together to take down the bad guys. Add in some classic spy elements and a pinch of action, and you've got yourself a nice summer blockbuster.

Guy Ritchie's stylistic direction coupled with Cavill and Hammer's on screen chemistry make up for the film's lack of substance. Referring to each other as 'cowboy,' and 'The Red Peril,' the two leads humorously characterize the stereotypical depiction of 1960s American and Russian spies. Hammer's subdued, hardened persona compliments the James Bond-like charm of Cavill. Vikander delivers a solid performance as well. There's more to her character than meets the eye. Delicate yet strong-willed, she adds a nice dynamic to the trio.

While the plot is one of the film's weaker aspects, Ritchie executes the few twists and turns it takes well, even if some of them are predictable. He does this primarily through showing small parts of a scene, leading you to think that a situation plays out one way, when it actually played out much differently, revealed later when the entire scene is shown. Ritchie uses this technique a few times in the movie, and while this may become tiresome for some viewers, I thought it was interesting, and it kept me on my toes throughout the film's runtime.

"The Man from U.N.C.L.E" hearkens back to the beats of older spy movies. The characters do not take themselves too seriously. Solo causes women to swoon left and right as he cracks jokes about Kuryakin's Russian traits. Teller slowly breaks down Kuryakin's hard demeanor, and he manages to crack a few jokes of his own. The opening action scene matches this tone and sets the stage for a perfect action throwback.

As the story progresses however, there are moments where the film takes itself too seriously and the action is filmed differently to appeal to a modern audience. These infrequent tone shifts clash with the overall feel the movie is trying to convey, and this detracted from my enjoyment of the film.

That being said, Ritchie does know how to create tension during the more serious moments, and transfers the emotions his characters are feeling to the viewer, primarily those of Kuryakin. In one particular scene, the feeling of betrayal is evident in the dimly lit close-ups of his face. The ominous ringing of church bells paired with silent shots of him tearing up a room out of rage is unsettling and conveys the anger of Kuryakin effectively to the audience.

"The Man from U.N.C.L.E" is not an Oscar contender. It is not the next cinematic masterpiece that you should rush out to see. The film serves its purpose as a sleek and fun action movie, and I had a blast watching it.

When I saw better than expected, I knew it would be good. But it was better than good, it was great.

Very witty, sexy movie. Take the humour of Sherlock (with Robert Downey Jr. & Jude law) and stick it in a bond movie- then you have The man from U.N.C.L.E. - I like bond movies, but I LOVED the man from uncle. It doesn't get boring, or drop at any point.

If you've read anything negative from critics Don't listen to what critics have to say, they don't like any kind of movie if it's not based on a true story.

It's certainly worth the price of admission, you'll be glad you saw it. I'm honestly hoping a second will be made.

THE MAN FROM U.N.C.L.E. takes place at the height of the Cold War, where a mysterious criminal organization plans to upset the fragile balance of power between the US and USSR. CIA agent Napoleon Solo and KGB agent Illya Kuryakin are forced to put aside their differences and work together to stop the evildoers in their tracks.

With movies such as Kingsman: The Secret Service, Spy, and Mission: Impossible Rogue Nation, as well as Spectre coming out in November, one could say that 2015 is the year of the spy movies. Joining this list is THE MAN FROM U.N.C.L.E., which doesn't have the uncompromising charm of Kingsman, the riotous fun of Spy, or the thrilling action of Mission Impossible, but it does have something neither of the other three have: Guy Ritchie.

This is a really cool and stylized film that confidently captures the era without ever going overboard. The main problem I had is that it's a bit too confident; the movie isn't as clever or funny as it thinks it is. There are moments where the jokes hit and then are moments where they miss. The plot is forgettable and, at times, boring, leaving you with charismatic stars, winking dialogue, and implausibly dazzling set pieces.

Despite questionable accents at times, the two leads share some great on-screen chemistry. Known for his role as Superman, Cavill plays a different kind of superman here; he's that relaxed, fly by the seat of your pants American secret agent. Conversely, Armie Hammer plays an uptight, badass Russian spy; it's that contrast between the two protagonists, which serves as the film's source of comedy. In that regard, they're entertaining characters to watch, albeit one- dimensional characters, but entertaining nonetheless.

Alicia Vikander, from Ex Machina, impresses me every time I see her, and that's certainly the case again as she plays the fiery and sensual link between the two agents to perfection.

Despite the tentative pacing here and there, THE MAN FROM U.N.C.L.E. is still an, overall, entertaining watch. Style over substance is acceptable, as long as the style is substantial.

As a long-time fan of the original series who has watched rights disputes, and cast and director changes over the years, I viewed the pre-release publicity with high hopes and low expectations. But in the end, the film itself was a wonderful surprise! Witty, light-hearted without being a spoof and dramatic without being heavy-handed. The two main characters were updated from what was allowable in 60s television to satisfying and engaging modern versions of their original incarnations, and the attendant allies and villains were all one could want. The film was very much what the series could have been were it being done now, in the era of Game of Thrones and Mad Men. I've been twice and will be going again, as well as buying the DVD. Open Channel D; this film is more than I dared hope for!

Based on the 1964 MGM television series of the same name, 'The Man from U.N.C.L.E.' is a cheeky entertainer, that turns out to be Great Fun! Cult Director Guy Ritchie & Co., make sure the proceedings remain smooth & crisp. And they succeed.

'The Man from U.N.C.L.E.' Synopsis: In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.

'The Man from U.N.C.L.E.' is time-pass entertainment. Its stylish, over-the-top, humorous & action-packed. Of course, there are some flaws here. This isn't a perfect blockbuster, that has everything going for it. Its pace, to begin with, is wobbly, but overall, the pluses take over the minuses.

Ritchie & Lionel Wigram's Adapted Screenplay is quite engaging, but it could've been a bit more solid. Ritchie's Direction is all-out. The legend has left no stone unturned & has packaged this high-budgeted flick, like a true stunner. Cinematography is top-notch. Editing is mostly sharp. Action-Sequences are FANTASTIC! Art & Costume Design are perfect. Daniel Pemberton's Score is superb.

Performance-Wise: Henry Cavill as Napoleon Solo & Armie Hammer as Illya Kuryakin, are in complete heroic mode. Their on-screen love-hate relationship, only adds to the fun. Alicia Vikander is first-rate. And she looks Gorgeous throughout. Elizabeth Debicki is seductive. Jared Harris & Hugh Grant are fun to watch in minor roles.

On the whole, 'The Man from U.N.C.L.E.' gets it right, on most counts.

Guy Ritchie's The Man from U. N. C. L. E. Is a visually stunning film, but it's ultimately a bit of a bore. The story is simple and predictable, and the action sequences are underwhelming. The film also suffers from a lack of tension, as there's never any real sense of danger for the characters.

The cast is the film's biggest strength. Henry Cavill and Armie Hammer have great chemistry as Napoleon Solo and Ilya Kuryakin, respectively. But even the talented cast can't overcome the film's flaws.

Overall, the Ritchie's trademark style and way to much quirky humor can't cover up the film's lack of substance. In the end, The Man from U. N. C. L. E. Is a stylish but boring film that's unlikely to stay with you long after the credits roll.

I'm really disappointed.

Rating: 5/10 stars.

There's a plot that glosses over the history very quickly,gives a brief mention of Hitler and the Russian and American conflict. However the events might arguably be set at any time, the threat of the flick being that nuclear weapons are being manufactured by dangerous hands. It's a theme that's been already handled many times on the big screen. In this story we see an excellent chemistry between the Actors but all in all The Man From U.N.C.L.E. is much more about fun than it is about substance. Aesthetically in general, the film marvels but then this wasn't really in doubt given its era and the glimpses seen in the trailer. There has been Ritchie's evident dedication to making his pictures look grand and to adding a classic sophistication to the world of espionage we haven't seen since early 007 days.