IMDb-BEWERTUNG
5,4/10
21.769
IHRE BEWERTUNG
Zwei Kinder, die in verschiedenen Ländern leben, werden jeden Abend von einem gesichtslosen Wesen besucht, das sie in Besitz nehmen will.Zwei Kinder, die in verschiedenen Ländern leben, werden jeden Abend von einem gesichtslosen Wesen besucht, das sie in Besitz nehmen will.Zwei Kinder, die in verschiedenen Ländern leben, werden jeden Abend von einem gesichtslosen Wesen besucht, das sie in Besitz nehmen will.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Raymond Waring
- Policeman
- (as Raymond Wearing)
Empfohlene Bewertungen
'INTRUDERS': Two and a Half Stars (Out of Five)
A Spanish and British horror film starring Clive Owen and directed by Juan Carlos Fresnadillo (who also directed the Spanish/British horror sequel '28 WEEKS LATER'). The film was written by Nicolas Casariego and Jaime Marques and tells the story of two children in different countries who are both haunted by the same demon looking to possess them. It co-stars Carice van Houten, Pilar Lopez de Ayala, Ella Purnell, Izan Corchero and Daniel Bruhl. The movie contains some frightening sequences and some decent acting but for the most part is a bore.
One story is set in Madrid and focuses on a young boy named Juan (Corchero) who is terrorized by a monster called Hollowface. His mother (Ayala) sees the demon as well but is unable to stop it so she calls on a local priest (Bruhl) to help exorcise it. Another story focuses on a young girl named Mia (Purnell), in London, who is haunted by the same ghost. Before seeing the monster she had found a box with the story of it hidden in a tree at her grandparents' house. She had been telling the story of 'Hollowface' to other students at her school before being stalked by it as well. Her father John (Owen) is extremely close to Mia, and protective of her, so when he sees the monster as well he becomes obsessed with stopping it. Unfortunately it's unclear whether the monster is in fact real or just a figment of their imagination and John's wife Susanna (Houten) is starting to believe the latter (as well as the priest in Madrid).
The movie has decent enough production values and looks great (for a low budget horror film); the monster looks cool as well and is pretty frightening. Like I said earlier the acting is all adequate as well, especially another passion filled performance by Owen: he kind of holds the movie together. The directing is decent enough as well but the overall storytelling leaves much to be desired. It's just too slow paced and uninvolving, despite the passionate performance of Mr. Owen. If you're just looking for some cheap monster movie thrills you could do a lot worse but you could also do a lot better.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=n9aLxA71Z4k
A Spanish and British horror film starring Clive Owen and directed by Juan Carlos Fresnadillo (who also directed the Spanish/British horror sequel '28 WEEKS LATER'). The film was written by Nicolas Casariego and Jaime Marques and tells the story of two children in different countries who are both haunted by the same demon looking to possess them. It co-stars Carice van Houten, Pilar Lopez de Ayala, Ella Purnell, Izan Corchero and Daniel Bruhl. The movie contains some frightening sequences and some decent acting but for the most part is a bore.
One story is set in Madrid and focuses on a young boy named Juan (Corchero) who is terrorized by a monster called Hollowface. His mother (Ayala) sees the demon as well but is unable to stop it so she calls on a local priest (Bruhl) to help exorcise it. Another story focuses on a young girl named Mia (Purnell), in London, who is haunted by the same ghost. Before seeing the monster she had found a box with the story of it hidden in a tree at her grandparents' house. She had been telling the story of 'Hollowface' to other students at her school before being stalked by it as well. Her father John (Owen) is extremely close to Mia, and protective of her, so when he sees the monster as well he becomes obsessed with stopping it. Unfortunately it's unclear whether the monster is in fact real or just a figment of their imagination and John's wife Susanna (Houten) is starting to believe the latter (as well as the priest in Madrid).
The movie has decent enough production values and looks great (for a low budget horror film); the monster looks cool as well and is pretty frightening. Like I said earlier the acting is all adequate as well, especially another passion filled performance by Owen: he kind of holds the movie together. The directing is decent enough as well but the overall storytelling leaves much to be desired. It's just too slow paced and uninvolving, despite the passionate performance of Mr. Owen. If you're just looking for some cheap monster movie thrills you could do a lot worse but you could also do a lot better.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=n9aLxA71Z4k
Ah, the twist! The "surprise ending", the "shocker", or lack there of. There is an art to surprising people at the end of the movie that is the lifeblood of films like this. This one, unfortunately, is dry. They do a good job of setting up the scenes, making you thoroughly confused before explaining everything. If you can make it that long, which you might not be able to, it is a boring show and the pay off is somewhat weak.
Now, the acting is top notch, Clive Owens does an very good job of playing father, and the supporting cast really commits to this movie. That said, it isn't enough to carry the film through the normal jumps and grabs while you just sit there saying, 'get on with it!'
Now, the acting is top notch, Clive Owens does an very good job of playing father, and the supporting cast really commits to this movie. That said, it isn't enough to carry the film through the normal jumps and grabs while you just sit there saying, 'get on with it!'
People are too uneducated these days about scary movies, they think they should all be 'horror' movies. You'll see this 'disappointment' in a lot of reviews for this movie: Oh it was the worst horror movie ever, not scary enough, blah blah. But see,.. it's a Psycho Thriller.
It's about the mind. Not blood and gore, not melting flesh. It's about how horror comes to life around us - when it is real, when it is imagined, and when it's real because it has been imagined.
Good movie. Enjoy.
This sentence is here just because IMDb thinks reviews have to be longer than they need to be, and most reviewers agree, so they spend a lot of time telling you the same thing you just read in the movie description and how pleased they were to catch it at some film festival.
It's about the mind. Not blood and gore, not melting flesh. It's about how horror comes to life around us - when it is real, when it is imagined, and when it's real because it has been imagined.
Good movie. Enjoy.
This sentence is here just because IMDb thinks reviews have to be longer than they need to be, and most reviewers agree, so they spend a lot of time telling you the same thing you just read in the movie description and how pleased they were to catch it at some film festival.
This film seems to have a very low key marketing and I haven't even seen many critics reviews for it despite it already opening.
I found this to be a pretty decent supernatural bogeyman type thriller with some intriguing psychological twists and turns. The scares are sparsely spread but are effective when they do come. The storyline is quite compelling and is told in two completely separate strands whose only apparent connection is the bogeyman. It had me very engaged and a very creepy atmosphere is maintained.
The performance from all the actors including the children were good, nothing outstanding, just played to realistic levels. There isn't a lot of emotional weight to the characters but I cared about the child protagonists, who are victimised by the "Freddie Nightmare" style dream monster.
The last act is a good one but unfortunately, it was sloppily executed. The finale should have been more dynamic with a bigger impact on its revelations. Given the storyline, its a missed opportunity for the director. Also, there is a big chance you might see some twists coming due to the film's narrative giving too many clues, again a bit sloppy. I did see the revelations coming to an extent but there was still a twist that I didn't expect. I do like the story, its a satisfying one but the execution could have been much better which is a pity. Still the journey was an intriguing one, at times scary and definitely worth a watch.
I found this to be a pretty decent supernatural bogeyman type thriller with some intriguing psychological twists and turns. The scares are sparsely spread but are effective when they do come. The storyline is quite compelling and is told in two completely separate strands whose only apparent connection is the bogeyman. It had me very engaged and a very creepy atmosphere is maintained.
The performance from all the actors including the children were good, nothing outstanding, just played to realistic levels. There isn't a lot of emotional weight to the characters but I cared about the child protagonists, who are victimised by the "Freddie Nightmare" style dream monster.
The last act is a good one but unfortunately, it was sloppily executed. The finale should have been more dynamic with a bigger impact on its revelations. Given the storyline, its a missed opportunity for the director. Also, there is a big chance you might see some twists coming due to the film's narrative giving too many clues, again a bit sloppy. I did see the revelations coming to an extent but there was still a twist that I didn't expect. I do like the story, its a satisfying one but the execution could have been much better which is a pity. Still the journey was an intriguing one, at times scary and definitely worth a watch.
Intruders is a horror tale of possession in which two children in two different countries are visited by the Hollow Face man who spreads fear across the globe . There's a spooky faceless monster that has been haunting the daughter of John Farrow (Clive Owen). This figure wants to steal her face as she feels he has no identity of his own . John's tried helping his daughter remedy the situation, but each night she still gets a visit from this unwelcomed friend. Things get even spookier once John sees this faceless creature. He's not sure if he's going completely crazy or not, so he installs a security camera . Though no one can see him , Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow's beloved 13-year-old daughter Mia (Ella Purnell) is assaulted in their home . The line between the real and the imaginary blurs as fissures start to open within the family unit . It seems that no security measure can keep Hollow Face out . Furthermore we're initially introduced to Juan (Izán Corchero) a young Spanish boy who, on one rainy night, is attacked by a strange spectre , known as Hollow face , being helped by his mother (Pilar Gomez Ayala) .
The picture displays mystery, suspense, shocks, grisly terror and eerie scenes when the horrific creature appears . From start to finish the terror and spooky scenes are continuous until a striking ending . The film contains horrifying and hair rising images and a sinister, mysterious atmosphere . It has a couple of twists piled on top of one central twist concerning two children in different countries who are visited nightly by a faceless being and menaced by what seems to be a supernatural presence . Good performance by Clive Owen who stars as John Farrow, a father trying to protect his 13-year-old daughter from the evil entity known as Hollow Face . The acting from Clive Owen , Carice van Houten as his wife , Daniel Bruhl as a priest , Kerry Fox as a Doctor , Hector Alterio as an old priest is much better than the script . Nicolás Casariego and Jaime Marques' screenplay does something strange by the end : it actually removes the stakes of everything that came before with its trio of revelations that at first test and then demolish any credulity the movie had built up by that point. Both of whom manage to create some interest with their dual storytelling style . However , the picture is hampered by a partially fleshed out story that is mostly lacking in horror. Director Fresnadillo throws all of that away in exchange for a terror film without scares, originality or a pulse . Colorful cinematography plenty of lights and shades by excellent cameraman Enrique Chediak . Creepy and thrilling music adjusted to the horror film by Roque Baños .
Director Juan Carlos Fresnadillo (Intacto , 28 Weeks Later) isn't exactly a visionary director like the film bills him as, but he is good at approaching films with style and consistent moods . The director made an editing the film was a big challenge , it was a long, complex process because of the story's dual structure. The film will appeal to terror buffs but gets some decent scares with the apparition of the frightening faceless being who wants to take possession of the children.
The picture displays mystery, suspense, shocks, grisly terror and eerie scenes when the horrific creature appears . From start to finish the terror and spooky scenes are continuous until a striking ending . The film contains horrifying and hair rising images and a sinister, mysterious atmosphere . It has a couple of twists piled on top of one central twist concerning two children in different countries who are visited nightly by a faceless being and menaced by what seems to be a supernatural presence . Good performance by Clive Owen who stars as John Farrow, a father trying to protect his 13-year-old daughter from the evil entity known as Hollow Face . The acting from Clive Owen , Carice van Houten as his wife , Daniel Bruhl as a priest , Kerry Fox as a Doctor , Hector Alterio as an old priest is much better than the script . Nicolás Casariego and Jaime Marques' screenplay does something strange by the end : it actually removes the stakes of everything that came before with its trio of revelations that at first test and then demolish any credulity the movie had built up by that point. Both of whom manage to create some interest with their dual storytelling style . However , the picture is hampered by a partially fleshed out story that is mostly lacking in horror. Director Fresnadillo throws all of that away in exchange for a terror film without scares, originality or a pulse . Colorful cinematography plenty of lights and shades by excellent cameraman Enrique Chediak . Creepy and thrilling music adjusted to the horror film by Roque Baños .
Director Juan Carlos Fresnadillo (Intacto , 28 Weeks Later) isn't exactly a visionary director like the film bills him as, but he is good at approaching films with style and consistent moods . The director made an editing the film was a big challenge , it was a long, complex process because of the story's dual structure. The film will appeal to terror buffs but gets some decent scares with the apparition of the frightening faceless being who wants to take possession of the children.
Wusstest du schon
- WissenswertesDuring Mia's birthday, when everybody sings 'Happy Birthday To You', Susanna (Carice van Houten) yells "Hieperdepiep! Hurray", which means "hip hip" in her native language, Dutch.
- PatzerNo smoke is visible when Susanna extinguishes the fire from the "nightmare doll" her husband and her daughter were burning.
- Zitate
John Farrow: Monsters are cowards. You stand up to them, they run away.
Mia: Not this one.
- VerbindungenFeatured in Projector: Intruders (2012)
- SoundtracksPainted Up Doll
Written and performed by Ella Hunt
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Bóng Ma Tàn Ác
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 69.136 $
- Eröffnungswochenende in den USA und in Kanada
- 40.746 $
- 1. Apr. 2012
- Weltweiter Bruttoertrag
- 5.486.559 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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