Liebe

This is a beautiful movie about the end of life. Jean-Louis Trintignant and Emmanuelle Riva are excellent as Georges and Anne. Their story is nothing new, we've seen it before (like most stories), but it is told with poignancy. This is a character piece that could be a slog for some. There are a few extraneous scenes that make the 127 minute film feel longer but, though the story takes place almost entirely inside their apartment, I never felt the sense of claustrophobia. There is an intimacy that at time's made me feel I was watching the couple from across the courtyard from my own apartment. It is a true statement of love between a husband and wife.

I must say I felt a little betrayed by the trailer. It depicts what I take to be a much darker narrative, almost sinister and the word 'attack' in the synopsis doesn't necessarily allude to a medical condition. I think I'd like to see that movie a little more.

I thought I was going to be deeply affected by "Amour," based on my experience with Michael Haneke's "The White Ribbon" and the film's premise. My wife and I just recently watched her father degenerate physically and mentally over the last few years until his recent death, so the closeness to me of the subject matter combined with Haneke's uncompromising approach to filmmaking made me feel sure that I would be deeply disturbed by his film.

And while I was watching it, I felt like I should be feeling that way, but never really did. It's by any definition a formidable piece of filmmaking, but it left me cold. The events depicted in the film count among my worst nightmares and are even more terrifying for the significant likelihood that I will have to experience them in some fashion. But I never forgot that I was watching actors performing in a movie. There's something about Haneke's style that's cold and clinical, and the same quality that can make his movies deeply disturbing can also make them inaccessible.

To be honest, I'm kind of glad Haneke's style kept me at an emotional distance from the film, because I think it might otherwise have been unendurable.

Grade: A-

This film is about an elderly female music teacher and her husband, whose life gets torn apart by her stroke.

"Amour" is a powerful portrayal of two individuals coping with vascular dementia. We see Mrs Laurent transforming from the graceful lady to a person completely unrecognisable at the end. The husband loves her and cares for her patiently and demanding nothing in return. It is the ultimate love that people long for. The performances of them are superb, especially Mrs Laurent. I was so surprised and impressed that she could even play lower facial nerve palsy (speaking only with one side of the mouth).

It is a superb film, with amazing performances and an unnerving story. However, I could not get into the film. Maybe it is because of the barren nature of the film. The minimalistic nature of the sets and soundtracks echoes the fading of Mrs Laurent. Or maybe it is just too raw and too threatening to think that this could be our future, that my unconscious mind rejects the content of the film.

Amour was the final chapter in my quest to see every film nominated for best picture this year. I had the pleasure of watching this piece of art in and nice Art House theatre in NYC as an assignment for school. With the ambiance set I was ready to view the gem of European cinema. Having only seen one other film by Director Michael Haneke was not prepared however for the film itself. Amour is a fantastic work deserving of its nomination of best picture and best foreign film. It is the story of and elderly couple at the tail end of their golden years and the challenges that old age can present. Is there anything you won't do for love? I give kudos to the director for this film two main characters are in the golden years, it is completely dialogue driven, it takes place in one location and there is no soundtrack or real score. It survives totally on the dialogue and interactions of it leads. It is an extreme challenge to keep it interesting and Michael Heneke does with its stark and sometime depressing subject matter. It is a beautifully written and shot film. However it is real in its depiction in the challenges of getting old and how we deal.

I would say this film is an excellent film with a pace,direction and storytelling style more accustomed to European audiences. A great film that I would probably never watch again. 8/10

The fact that Amour is an instant classic in the art-house world is as indisputable as the emotions presented by the protagonists of the film are bewildering. This picture is Haneke's minimalistic yet mightily expressive homage to love as we know it, showing the feeling's overpowering force and heartfelt, altruistic nature. While remaining a thoroughly unsentimental and provocative picture, Amour delivers a most-demanding portrayal of an elderly couple's last days together. Those cultivated, sophisticated characters need to evaluate their long-lasting marriage and come to terms with their own emotions, and, simultaneously, discover the true meaning of love in itself. Decisions need to be made, and some of them might be shocking to say the least.

It's a beautiful but considerable piece of filmmaking, where a sombre atmosphere and touching yet disturbing imagery permeate every scene. Haneke's steady and visionary directorial hand promises many moving and heartbreaking sequences, while still providing a poetic exemplification of a well- lived life's concluding moments. It's impossible to find neither a plausible sense of redemption nor an authentic touch of consolation, no. The film displays a marvelous character-driven narrative, where loving individuals diverge from the seemingly familiar path and start arguing with their own opinions and ideals, leading to some truly perplexing choices. In the most unexpected manner Amour touches the controversial topic of euthanasia, emphatically depicting how difficult it might seem to even consider such a harsh decision.

Amour is a tender, scrupulous, demanding, two-hour visualization of a romance well beyond boundaries, and through its difficult notions it shows human existence in its most intimate and most elegiac state. That death seems inevitable from the very first minutes is certain, but the way Haneke chooses in order to finally arrive at this intensely upsetting conclusion is an uneasy one. Amour is definitely a cinematic powerhouse, which will leave the audiences in a most pensive, quiet - even downcast - mood, still astounding with its ubiquitous beauty.