IMDb-BEWERTUNG
7,3/10
53.992
IHRE BEWERTUNG
Ein Vater versucht mit seiner erwachsenen Tochter wieder in Kontakt zu kommen.Ein Vater versucht mit seiner erwachsenen Tochter wieder in Kontakt zu kommen.Ein Vater versucht mit seiner erwachsenen Tochter wieder in Kontakt zu kommen.
- Für 1 Oscar nominiert
- 59 Gewinne & 85 Nominierungen insgesamt
Victoria Malektorovych
- Natalja
- (as Viktoria Malektorovych)
Empfohlene Bewertungen
Germans don't have a reputation for being extremely funny. In cinema, they are better known for their dramas than for their comedies. 'Toni Erdmann' is the exception to the rule. It's a German comedy and - surprise! - it has funny moments.
On the other hand, this film is as much a drama as a comedy. The focus is not so much on the humor, but rather on the relationship between a father and his daughter. The daughter is a tense career woman, who lives in Bucharest and doesn't really seem to enjoy her life. When her father visits her, he tries to make her unwind a bit by performing crazy pranks and practical jokes. It's because of these jokes, sometimes leading to hilarious situations, that the film is classified as a comedy. But on the other hand, there is always a bitter aftertaste to the humour, because it is secondary to the father-daughter theme.
As irritating and embarrassing the father sometimes is to the daughter, at last he succeeds in changing her attitude. This in itself leads to some bizarre and also dramatically strong scenes.
In my opinion, the script could have used some streamlining and there was no need to stretch the movie to 162 minutes. On the plus side: this film offers an original view to the question how seriously we should take life. And the two lead actors do a great job.
On the other hand, this film is as much a drama as a comedy. The focus is not so much on the humor, but rather on the relationship between a father and his daughter. The daughter is a tense career woman, who lives in Bucharest and doesn't really seem to enjoy her life. When her father visits her, he tries to make her unwind a bit by performing crazy pranks and practical jokes. It's because of these jokes, sometimes leading to hilarious situations, that the film is classified as a comedy. But on the other hand, there is always a bitter aftertaste to the humour, because it is secondary to the father-daughter theme.
As irritating and embarrassing the father sometimes is to the daughter, at last he succeeds in changing her attitude. This in itself leads to some bizarre and also dramatically strong scenes.
In my opinion, the script could have used some streamlining and there was no need to stretch the movie to 162 minutes. On the plus side: this film offers an original view to the question how seriously we should take life. And the two lead actors do a great job.
I watched this movie due to its high mark (especially by the meta-score)and in the last seconds I asked myself: so what ? Like we never saw solitude, loneliness movies ever...The acting is OK, but the subject is stretched over limits, and at a certain time I stopped to watch and went for a cigarette ! My understanding about this movie is about two societies with their characteristics (the German and the Roumanian) both mixed in a capitalistic globalization, I won't say without mercy but without care for real people. Perhaps the last or one of the last sentences of the father was that we work all time to accomplish some targets (typically German !) and don't pay attention to details along our life and then is too late....As a Romanian born young person, the atmosphere of Bucarest is very well depicted as well people surrounding the personages. But one shouldn't wonder, as these days the Romanian cinema is among the highest in its achievements, for example Mungiu's recent film "Bacalaureat" (aka Graduation)stands much above the present one. Sorry folks, but I wasn't left with a great impression.
Initially I didn't know what to make of this movie and while billed as a comedy, there really isn't much that I found laugh out load funny about it until the last third of the movie. There are lots of awkward moments, that some could find funny, but others will not like them.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
Most will find this very depressing and will turn it off after the first 60 minutes or so, I nearly did, but thankfully I kept watching and really enjoyed the last third of the movie.
As a father I can speak from experience when I say fathers will do anything to make their children happy and this shows through in this movie. I felt the father's whole misguided aim was to connect with his daughter and try to cheer her up. He can see she is very unhappy with her life. He fails most of the time, but continues to try throughout the movie with sometimes interesting and funny results.
Overall I found this quite a deep, thoughtful and very German movie. Watch lots of German movies and you will know what I mean.
I would be very hesitant to watch it twice.
But it is hard going. Ultimately I'm glad I stayed with it but it tests your patience to the limit at times.
It's not a 1 rating like some reviewers are saying. But it's certainly not a 10 either. It's far too long to enable it to get anywhere that kind of rating. There seems to be so many meaningless scenes that could have been trimmed.
There are certain moments that for me were laugh out loud. Ines played by Sandra Huller is fantastic. It's made me want to see more of her work.
Talk of an Hollywood remake on here. I can only assume it will be a very very different film. There is no way ever a scene for scene remake would make it out of Hollywood.
Give the original a go first, it's different!!
I liked this movie a lot. I met "these" people over the last 25 years in Bucharest and in Germany.
In this "new global world", the most of the time everybody is so deep into the details of "knowing how to be" because everybody is already like this, that if you take a step back and watch from a different angle you might wonder if anyone still remembers what it is to be a human. To remember the pleasure of feeling secure and loved by the ones that are guaranteed to be the ones that will do so. And finally if you get the right angle, you have to admit that everyone around you looks ridiculously, trying to find the detail in the detail that would make a difference, even if everybody does everything identically and there is obviously nothing else. The game about being a tough global business-woman/man, up to the most disgusting proofs to be the tougher one, is finally just flat and meaningless.
The whole story is wonderful true. The actors are doing a fantastic job making you feel the frustration and discomfort that should be seen and felt by everyone living in such a world. It is not a slow movie ... it is the shortest version of an never-ending slow life with nothing that would make your heart pound for the true meanings.
This movie brought two points to my mind. Einstein defined madness: - Trying the same thing again and again while expecting a different outcome. - Google was build on the simple idea that everybody is searching for something that everybody is already mentioning... Try to type "Apple" in the Google search field
In this "new global world", the most of the time everybody is so deep into the details of "knowing how to be" because everybody is already like this, that if you take a step back and watch from a different angle you might wonder if anyone still remembers what it is to be a human. To remember the pleasure of feeling secure and loved by the ones that are guaranteed to be the ones that will do so. And finally if you get the right angle, you have to admit that everyone around you looks ridiculously, trying to find the detail in the detail that would make a difference, even if everybody does everything identically and there is obviously nothing else. The game about being a tough global business-woman/man, up to the most disgusting proofs to be the tougher one, is finally just flat and meaningless.
The whole story is wonderful true. The actors are doing a fantastic job making you feel the frustration and discomfort that should be seen and felt by everyone living in such a world. It is not a slow movie ... it is the shortest version of an never-ending slow life with nothing that would make your heart pound for the true meanings.
This movie brought two points to my mind. Einstein defined madness: - Trying the same thing again and again while expecting a different outcome. - Google was build on the simple idea that everybody is searching for something that everybody is already mentioning... Try to type "Apple" in the Google search field
Wusstest du schon
- WissenswertesThe animal costume worn by Winfried is the Kukeri, a common animal totem in Bulgaria that is believed to scare away evil spirits. It was made from the real hair of long-haired goats and according to actor Peter Simonischek was extremely hot and heavy and smelled like a goat stable. With the exception of the scene when Winfried has the head removed, it was worn by a stuntman.
- PatzerWhen the father gives his daughter her birthday gift, there are some jars in the table which change position between shots.
- Zitate
Winfried Conradi alias Toni Erdmann: You have to do this or that, but meanwhile life is just passing by
- Crazy CreditsApart from the production companies there are no opening credits, and the movie's title is only shown after all the end credits.
- VerbindungenFeatured in Film '72: Folge #46.3 (2017)
- SoundtracksHeute hier, morgen dort
Written by Gary Bolstad and Hannes Wader
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Everyone Else
- Drehorte
- Bukarest, Rumänien(main location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.479.387 $
- Eröffnungswochenende in den USA und in Kanada
- 15.972 $
- 25. Dez. 2016
- Weltweiter Bruttoertrag
- 12.002.864 $
- Laufzeit
- 2 Std. 42 Min.(162 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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