Ye Maaya Chesave

If I have to say just one word to describe "Ye Maaya Chesave", I would say - Classic!

The feeling I get when I watch it now is no different from what I got when I watched it for the first time 6 years back, when the movie released.

The soul of the film is the background music and the songs by A.R.Rahman. Right from the beginning titles to the end credits, we will experience out-of-the-world music. Music alone takes this movie to a whole new level. Take a moment to appreciate A.R.Rahman's talent, because I'm afraid India wouldn't see such a great artist ever again.

Beautiful cinematography by Manoj Paramahamsa, Samantha and Naga Chaitanya's brilliant performances, simple yet haunting dialogs, the depth in Jessie and Karthik's characters, sensible story & screenplay and top-notch direction - each element complements every other element so perfectly, making this an experience rather than just a film.

This movie holds a special place in my heart, just because of the fact that I can relate to many scenes and how it effortlessly transports me to my first-love days every time I watch it. I'm really grateful to all the people involved in making this movie.

There are two versions of this film. Telugu (Ye Maaya Chesave) and Tamil (Vinnaithaandi Varuvaaya) versions, which are same except for the ending. The ending drastically changes our view towards the film. I personally like the Tamil ending as it's close to reality. I believe that's what makes our first love special (you'll know when you watch the movie). Having said that, I loved watching both versions.

If you are watching the Telugu version, just make sure to watch the climax of the Tamil version as well.

well to say...days after the movie released....still the memories preserved fresh of the flick "ye maya chesave".i myself bought the blu- ray....that grabbed a place among the few telugu flicks i have in my rack.the beauty lies in the narration of the story,which is scintillating and flamboyant. gautham handled the script in a sensible manner(may be his own personal depiction),and the dialogues are laudable.the costumes are catchy(spykar) that adds a light to the background scenes.

this is to be lifted,the cinematography.manoj has done it all.it is the main reason for the beauty of the movie.

music by arr is outstanding.all the songs in the album are awe(,after boys)

chaitu has done a better performance than his previous flick josh. samantha the new comer stole the hearts.

overall a perfect movie without the so called bang bang scenes,tear rolling sentiments,nasty items and head cracking dialogues.

thanks to gautham for bringing this flick to us.

While most other Telugu films continue to be the same routine of blowing up SUV's and long winded dialogs of bravado, Gowtham Menon puts out a love story that is so simple it is ingenious. Ye Maaya Chesave is the story of a girl named Jessie a Christian and a guy named Karthik who is a Hindu. It turns out she is also older than him and her father disapproves of him. She doesn't want to disappoint her dad nor can she let go off Karthik. How the movie turns out needs to be seen on the big screen. Naga Chaitanya as an aspiring filmmaker brought out the right dosage of charm and conviction to the role. Newcomer Samantha was a perfect fit for the role of Jessie. She had a dream debut and hopefully we will see more of her. Gowtham Menon showed that there is still place in the industry for a girl who doesn't need expose nor for a guy to throw out vulgar dialogs. Krishnudu as the friend of Karthik is very apt and provides great comedic relief. 80% of the movie focuses on Karthik and Jessie that you even forget there are other characters. While some may consider the movie slow and long winded Menon took the opportunity to make the movie that focuses on it's story and nothing else, no separate comedic track or a villain or any of that. Watch out for cameo's from Puri Jagannath, Simbu and Trisha.

A huge tip of the hat to the maestro A.R. Rahman for providing some melodious music and background score that really add to the film. This is him first Indian film since his Oscar victories. One of the real stars is cinematographer Manoj Paramahamsa. The way he captured Kerala and it's surroundings as well as New York City is just a visual feast to the eyes and to be seen on the big screen. He really was able to capture why Kerala is called "God's own Country".

For me personally this is the best family movie on the Telugu screen since Bommarillu.

It's a beautiful movie. Most of the love stories go through the situations pictured in the movie, though the ending in Telugu is predictable. But it doesn't matter as most of the film revolves around the two principled characters describing their journey.

Many of the situations in the movie stand out. The whole sequence of samantha asking chaitanya to take her to a movie and then finally as they return back home, their small dispute is very engrossing.

Even the dialogues are so simple, there is no loud music, bang-bang going on and finally samantha is mesmerizing. She allures you and even her acting for a first timer is brilliant. The scene where she asks chaitanya about why he is so crazy about her is terrific; her expressions, body movement and the way she speaks is superb. Also to be lauded is the person who dubbed the dialogues to samantha.

Kudos to chaitanya also for underplaying so wonderfully and trying to venture into subtle kind of cinema.

when i watched this movie, i kept thinking i so feel like i'm seeing an Indian version of '500 days of summer'.

the quirky characters, contrasting personalities, great soundtrack, beautiful cinematography, witty dialogs are all too similar to the '500 days of summer' theme.

so am i saying, is it bad? no. not at all. what i liked most about YMC is that it's not afraid of what it has to be.

it doesn't have scene fillers, characters just for the sake of having it, songs, stupid dances, item songs that define the Indian ( Telugu) cinema.

both the leads do their job well, keep you engrossed, but one thing i can find is, their acting seems to be pushed far by the director. sometimes, the acting looks too strained.

and now the man himself, AR Rahman, i was interested in the movie, 'cos of him. what a kick ass soundtrack man, and the score, god, he just shows, why he's miles away from his contemporaries. i so love Shreya Ghoshal humming "aaromale" just after the interval.

Gautham Menon, anybody who'd seen his previous movies would know he roots for urban settings, stylish dialogues involving a lot of English sometimes, and a lot of artificiality. you see them, you love them, but somehow you feel they're artificial when you walk out of cinema. that always happens with Mr.Menon.

but that doesn't mean, he ain't talented. he definitely is. the attention to minute detail is very appreciable so are his shot angles and of course keeping the screenplay grounded to reality.

it's not great film-making here, no surprise endings, a boy sees a girl, falls in love, proposes to her abruptly, only to find out she's confused all the time. he tortures her, as the lead says in one dialogue. he finally kisses and makes out with her in New York and they get married. end of story.

one doubt? how does Karthik ( Naga Chaitanya) get Simbu and Trisha to sign a movie, without writing the climax? he even says to Jessie( Samantha Ruth Prabhu) that he's left with some 30 days of shooting... care to answer, Mr.Menon?