127 Hours

I came into this movie with high expectations. Danny Boyle, who brought us 28 DAYS LATER and SLUMDOG MILLIONAIRE had a lot to live up to with the quality of prior movies, and he did not disappoint. He brought the challenge of creating an interesting movie based on our main character being immobile to life, and captivating it was. Being stuck with our main character the entire duration of the film was anything but tedious, as we follow the thoughts of canyoneer Aron Ralston (James Franco) as he gets trapped under a rock while exploring the beautiful sights of Utah. The camera does a fabulous job taking us everywhere a wandering mind might migrate in a situation such as this.

The human connection element was most fascinating, as we wonder what we would do if placed in a similar situation. We are really "with" Ralston on his journey, as we see him discover a reason to live and how his life perspective changes, not just how to get free from his predicament. The film manages to stay optimistic and warming, despite the frustration and angst felt by Ralston and viewers. And we certainly thank Boyle for some of the lighter moments that temper the severity of the situation.

The film does not shy away from tough choices and certainly keeps it "real" during the entire run, especially during the critical climax scene. Despite being stuck in place the movie is fascinating at the pace with which it moves and keeps the audience's attention from start to finish. So while Ralston loves living on the edge, we see Boyle create this movie in a similar fashion, metaphorically speaking, as the intensity and gripping nature of Ralston's circumstances comes alive and sucks us in.

In the movie Aron Ralston sets off on a typical weekend excursion being outdoors and with nature. During his journey he befriends a couple of female hikers who are somewhat lost and looking to get back on their way. He shows them the ropes of the canyons and they set off home. Little do they know that their friend will need their help just moments later. Becoming trapped under a rock, Ralston now is faced with the challenge of keeping himself alive while trying to break loose from the rock's firm grasp. As Aron works on a solution, we see him wonder about the party he's been invited to just hours earlier, think about how his has ignored his family, wonder about where he left his Gatorade, which would keep him hydrated longer, do a live interview featuring himself on camera, and drink his own urine.

I think the part of the movie that moved me the most actually occurred after the climax, where we see Ralston, broken, desperate, and willing to end his lone-wolf mentality for good. The emotions felt during the last 5 minutes signify human triumph, perseverance, and the power of the human spirit. Incredible movie, a definite must-see 9/10 stars

You know, when I first heard about this movie. I didn't really know what to expect, as all I knew was it was based on a true story about a guy getting stuck in a canyon due to a boulder. I decided to give it a shot and well, I was amazed by this movie. Danny Boyle continues to give us impressive cinematography and incredible performances in his movie, thanks to James Franco, who plays as Aron Ralston, the mountain climber who gets stuck under the boulder if you didn't already know.

I'm not going to go into any big spoilers, but it was amazing to see how the movie builds up to the main plot. After getting stuck under a boulder for 5 days, you're probably thinking "How is this movie going to stay entertaining?". Well, we witness some attempts of Aron trying to get out of the boulder, as well as using the equipment he brought with him with his backpack to try and survive. He also tries to keep himself awake so that he can live long enough to not die. When all normal attempts to escape fail, as a last resort, he does something very terrifying to get out. When this scene happened, I had to turn away in parts due to how extreme it was!

With good uses of hallucinations and flashbacks to keep the story flowing, Danny Boyle has managed to make this movie as realistic as possible. Great music, great filming, and stunning performance. 127 Hours is a fantastic movie about a real-life incident that may be too disturbing to watch for some people, but I'd consider it a must see on all grounds. Definitely worthy of getting nominated for Best Picture at least surely?

A hiking and climbing trip in the mountains of Utah goes wrong for rock-climber Aron Ralston (James Franco) as a loose boulder falls and crushes his arm against the rock wall. Equipped with a half-empty bottle of water, a digital camera, some rope and a (very) dull blade, Ralston must take stock of the situation and figure out a way to escape.

The film is tight, pacey and not nearly as boring as it could have been in the hands of a more literal director. Danny Boyle and co. infuse every scene with energy, wowing viewers with panoramic cinematography and drilling the hard truths home when the time comes.

Ralston gets his arm trapped a mere 15 minutes in and from then on it's Man vs. Rock. Boyle brings his distinctive brand of energy to the potentially static set-up, with an unpredictable and often inspired soundtrack and the surreal tangents so successfully employed in his early classic, 'Trainspotting'. Though Ralston himself may not move, his mind wanders through old memories and viewers are transported with him.

Boyle has a talent for finding the life-affirming elements hidden deep within grim situations and '127 Hours' is nothing if not an exercise in hope and determination. Franco tracks Ralston's fight over the days with a sense of realism that brings the climber's plight into sharp focus, ensuring that there is much more to this film than limb-hacking.

The premise is handled well and the cast and crew know the strengths of the story; the scenery is beautiful and the human elements are as familiar as they are sad, brave and ultimately liberating. When the time comes, having accompanied Ralston through his trials and setbacks, you will be there with him when the helicopter lands.

I happen to love Danny Boyle ever since Renton took a dive in Scotlands most disgusting toilet. He is unique, along with partner in crime Alec Garland. BUT 127 Hours is still a survival story, not Trainspotting. And seeing it again, I feel Boyle uses way too much visual effects. We GET it, Aron is losing his mind, he is indeed stuck between a rock and a hard place. But I got tired by the ongoing, neverending "Boyle trips" when Aron was hallusinating. It's not a bad movie at all, but people giving it 9 or 10/10....well, it's a personal thing, but those grades are ment for 1 of 100 movies. And I for one feel that the story is more fitting as a Discovery documentary than a flashy, trippy Danny Boyle experience.

I started loving this film within the first few seconds. 127 Hours begins immediately with the sound of Fresh Blood's "Never Hear Surf Music Again" ("There must be some f*%#ing chemical, chemical in your brain, that makes us different from animals, makes us all the same." etc...) just as featured in the 1st trailer. That not-ripped-off euphoric feeling (how many times have you seen a trailer with a perfect song/music and then felt betrayed that it wasn't in the film later... yeah, me too) carried on all the way through the rest of the film.

The film has an energetic start with a split screen showing office-bound commuters/workers going along their daily drudge while our lead, x-treme biker/hiker/climber Aron Ralston (played to perfection by actor James Franco) packs his gear (unfortunately not finding his Swiss Army knife which might have made a lot of difference to him later on) for a trek into Blue John Canyon country in Utah. While on his way he has a brief fun climbing/diving/swimming interlude with two female hikers (played by Kate Mara and Amber Tamblyn). He then heads off on his own and at about 20 minutes into the movie takes a tumble with a small boulder that ends up pinning his right arm against the side wall of the thin crevice of a canyon. And that is where we are with him for the next "127 hours" (but only 1 hour of screen time) that it takes him to get loose.

I'm not going to spoil that resolution here, although most will likely hear about it anyway before seeing the movie. An obvious clue that he survives is given by the screen credit early in the film that says it is "based on the book Between A Rock And A Hard Place by Aron Ralston". The guy must of survived if he wrote a book about it right? Well, you can survive in many ways and not all of them leave you whole (both mentally and physically).

Director Danny Boyle brings a lot of the key Oscar-winning players of the Slumdog team back for this new film. Screenwriter Simon Beaufoy, soundtrack composer A.R.Rahman and cinematographer Anthony Dod Mantle (this time paired with Enrique Chediak) are chief among those. As an added bonus, from the director of the toilet-diving cam in Trainspotting, we now have the "desperately thirsty character saves his own urine so it can be filmed while drunk through a tube"-cam in this movie.

At the Toronto Film Festival's 2nd screening of the film, Boyle was there to take questions from the audience and his enthusiasm and excitement about the film were infectious. Tidbits included his talking about their 6 days of location shooting followed by a sound-stage recreation of the canyon based on 3D scanning imagery. Boyle also praised actor James Franco and emphasized how every time we see him in a new film he is stretching his talents and abilities, unlike many lead actors who are just basically playing themselves in various different situations.

Boyle said that for an audience to watch what would otherwise be deemed "unwatchable" you either had to be making a schlocky/not-to-be-taken-seriously horror movie OR you had to make the audience completely identify with the character to the extent that they would believe that they themselves would have done the exact same thing to save themselves if they had to. Well, Boyle succeeds in making you believe it.

Seen at the Ryerson Theatre, Toronto Sept. 13, 2010. 2nd screening of 3 at TIFF 2010.