Jemand, den ich mal kannte

Ally (Alison Brie) runs a superficial reality-TV show. When it gets canceled, she feels empty and decides to go home to visit her mother. She runs into her ex Sean (Jay Ellis) whom she dumped to go to Hollywood. She starts questioning her choosen path.

This starts like a Hallmark rom-com. I didn't get Alison Brie doing something like that. My hopes got raised with the two "That B". I thought it was Game On. Instead, the story chooses a sincere and sweeter path. It's more than Hallmark, but still very much a version of rom-com. Brie is the co-writer with husband Dave Franco and he's directing.

Greetings again from the darkness. As consistently as January brings horror films, we can count on February to deliver Romantic Comedies released around Valentine's Day. Although, these days, even rom-coms tend to arrive carrying the weight of social messaging wrapped in inclusion, with a concerted effort to avoid ruffling feathers and hurting feelings. The husband and wife writing team of Dave Franco and Alison Brie, with Franco directing and Brie in a lead role, have managed to play by the new rules and still deliver a watchable film - albeit one that I found more sad than comedic.

Ally (Alison Brie, THE POST, "Mad Men") is a showrunner/producer of a dessert-centric reality TV show. Season three has just wrapped, and Ally has been informed her show will not be renewed. As with any career-minded person, Ally is devastated and heads home to visit her mother and clear her head. The hometown she left a decade ago to chase her dream of being a documentary filmmaker in Los Angeles is the 'always Christmas' town of Leavenworth in Washington state. An awkward intrusion on her mother (Julie Hagerty) sends Ally to the local bar where she bumps into the former flame she dumped to purse those doc dreams.

Ally and Sean (Jay Ellis, TOP GUN: MAVERICK, 2022) quickly fall into the comfort zone of a long ago relationship, and spend the night frolicking about the town. Sean does refuse the intimate offer from Ally, which leads her to blindly stumble into his engagement weekend the next day. Yep, it's a detail Sean conveniently forgot to mention during their wild night, and now Ally is face to face with Cassidy (Kiersey Clemons, ANTEBELLUM, 2020) and Sean's entire family. His mother's (Olga Merediz) request for Ally to be the wedding videographer is just the opening Ally needs to begin her battle plan of stopping the wedding.

It's at this point where we can't help but think of MY BEST FRIEND'S WEDDING (1997), and the writers take this head-on with a mention. We can't tell if Ally thinks she can win back Sean or if she is merely taking out her frustrations in recognizing what she turned down years ago when she chose career of Sean. The tone begins to shift when Ally sees Cassidy performing with her punk rock band, and as the two women talk to each other, it becomes clear that Ally views Cassidy as a younger version of herself. Cassidy even discloses that her bisexuality caused the estrangement with her closed-minded parents. So how does one undermine the wedding of another who isn't so bad after all?

Also involved are Ally's old best friend Benny (Brie's "Community" co-star Danny Pudi), who injects some humor and tries to prevent her meddling, and Sean's stepbrother played by Haley Joel Osment, who tosses out a Brendan Fraser reference ... actually kind of funny, especially in comparison to the Jeremy Renner joke that will likely cause mass cringing. Most of the characters are grounded enough that it's a difference from many rom-coms, but we do get the feeling a few times that much effort was put forth in creating something outside the normal tropes, rather than the typical "aww, how sweet" moments we are usually subjected to in this genre.

Dave Franco is the younger brother of James Franco, and is a frequent actor who previously directed THE RENTAL (2020), one that varies substantially from this one. Alison Brie is best known for her acting roles, but also previously wrote HORSE GIRL (2020) and SPIN ME ROUND (2022). Here, she doesn't shy away from a character that we initially pull for, yet end up kind of annoyed with. It's not a typical break-up movie, or sappy romance, or he/she is 'the one' story. Instead, it draws on mean girl tendencies, jealousies, and regrets ... yet also delivers the message of staying true to one's self. As a compliment, it can be said that the film cannot be lumped in with our usual Valentine's Day saccharine.

Opens in theaters on February 10, 2023.

As a principal character pointed out with an on-the-nose observation in an early scene, this 2023 romcom felt like a familiar rehash of the Julia Roberts 1997 vehicle, "My Best Friend's Wedding". This time, Ally, a reality show producer faces a career crisis and comes home to rural Washington to connect with her old flame Sean from a decade ago only to discover he's getting married to a younger woman Cassidy who is facing her own challenges in abandoning her burgeoning rock music career for marriage. Showing her signature spunk with comic aplomb as Ally, Alison Brie co-wrote the screenplay with her husband Dave Franco who directed. Despite some sharp jabs at reality TV at the outset, their plot follows a predictable path with the characters acting just as you'd expect in their respective predicaments. Jay Ellis is given little to do but act moony or confused as Sean. Kiersey Clemons fares better as Cassidy who recognizes her affinity with Ally. Julie Hagerty displays her trademark ditziness as Ally's sexually active mom, while a still recognizable Haley Joel Osment energetically plays a family friend who is an irritating pop culture geek.

This one's really weird with a pretty predictable storyline. I think this is the first movie where the wronged party (the fiancee) literally provides the so-called heroine with ALL of the ammunition to use against her. Who does that?! While this one has shades of My Best Friend's Wedding, the big difference is that you really don't get invested in any of the characters because none of them are likeable. I just didn't feel the love with any part of this triangle. It was all overly contrived. It's also extremely uncomfortable how the fiance has told EVERYBODY in town her business in the short 6 months she's dated this guy and they're all passing it around like party favors on the eve of the wedding. Every time we see the ex-girlfriend stalking the couple like chewed up, spit out karmic gum on a shoe while pretending to be a videographer, it makes less and less sense. If the groom didn't get rid of her, the bride-to-be should have made it clear that she was NOT welcomed. Note to anyone confused: You should NOT be at your ex's wedding as a single. That's not about insecurity, it's about the energy especially when she looks like a thirsty stripper in every scene. Even a couple of so-called emotional scenes can't save this one. And why was the lesbian hint thrown in?? Too much stuff in the soup without enough quality ingredients. On the bright side, it is a little bit better than Shotgun Wedding. Not by much though.

Dave Franco's sophomore directorial has a definite flow and some interestingly grey-shaded protagonists. Where it doesn't stick is in its first act (the whole "Do I hate my job?" aspect isn't called out well enough) and the somewhat rushed finale, with everything getting sorted out so easily. The middle section, however, had me completely invested. The writing by Dave and Alison tries hard not to succumb to some derivative tropes of the steal-your-guy genre but it ends up doing just that. That said, the film does offer some moments of shine as the leads are well-written and performed, and even some of the supporting cast (featuring the likes of Danny Pudi and Julie Hagerty) adds on. To brand this film an all-out romantic comedy isn't exactly correct - it's more of a romantic drama with bits of organic humour added unevenly.