IMDb-BEWERTUNG
4,7/10
19.782
IHRE BEWERTUNG
Ein Priester und zwei Exorzisten aus dem Vatikan müssen mit einer alten satanischen Kraft kämpfen, um die Seele einer jungen Frau zu retten.Ein Priester und zwei Exorzisten aus dem Vatikan müssen mit einer alten satanischen Kraft kämpfen, um die Seele einer jungen Frau zu retten.Ein Priester und zwei Exorzisten aus dem Vatikan müssen mit einer alten satanischen Kraft kämpfen, um die Seele einer jungen Frau zu retten.
Jarvis W. George
- Detective Simmons
- (as Jarvis George)
Empfohlene Bewertungen
I was entertained for an hour and a half, and had my expectations subverted - in a positive way (not in a Rian Johnson way, thankfully). It is well shot, using good effects, it has a reasonable script, with on par performances all round.
Possession films in the past such as "The Devil Inside" have proved to be sick, and freak out the audience with the display of it's demonic possession. PG-13 possession films have proved to be quite sick, and perhaps good as well, hence "The Last Exorcism". This possession film, "The Vatican Tapes" comes out solid, but tends to be quite clichéd.
Starting off with the story of this film, of which seems to be quite simple. Our main character becomes possessed, and it progressively gets worse, and worse overtime. Her family, with the aid of some priests must figure out what's wrong and stop it. It seems very simple, but the way the story is executed in this film was very solid, for what it was, a simple, straight to the point plot. As the story continues, we get more in depth with the demons personality, per say. We get to see what it can do, and how it possesses it's powers to it's advantage. Overall, the story / plot is quite simple, but without spoiling anything, the movie carries it all out solidly, holding it's grasp.
The acting of this film, in my opinion was fine. Just fine. We get some pretty decent actors combining together in this film, which is great and all, but the situations they had to face lead they're acting to be a bit sketchy at points. Some parts of the film, for example when the actors fall back, scared, you kind of stare at the movie asking yourself .. "What?" Parts of which they DO seem serious, just seems funny toward the audience watching. In this case, they SEEM to be overacting when certain points come, but are actually not, instead are seeming that way due to the specific situation they're being put in. But in conclusion to this element, the situations that came to horror [ The scares, exorcism, etc. ] it was fine, not fantastic.
The scares of this movie, is defiantly something to conclude with. It's pretty much clichéd. You've pretty much seen this tactic in many films before. Dose this perhaps ring a bell? A bird flying at the window? Through it? Yea. We've seen this before, at least once. There's also, once again, without spoiling anything some other scares that have been seen before, on top of that, some of them are even horribly placed in time, making a failed attempt at scaring the audience, instead of scaring them, giving them a laugh even. There are also some scares floating around that will make you jump, but then when you realize what it was that made you jump, you'd ask yourself "How did that scare me!?" Either way, the point being there are few, to no scares that will get you deep in the core in this film. In conclusion, if your looking to get scared, from either tension itself, it won't happen. If you want an ear blasting loud noise, here you go! Another cliché method themed film filled with those!
In conclusion. The movie had simple flaws of which are extremely clichéd, however, the movie held grip with a solid execution, as well as some decent demonic possession methods. It dose hold many elements you typically see in other possession films, sure, but it was solid, and managed to keep the audience entertained. One way or another. It wasn't that bad of a film, but it lacked in critical horror elements, like scares, and tension. As there were none. But never the less, this horror flick was not bad at all. Just.. flawed deeply, and held back due to it's PG-13 rating.
Starting off with the story of this film, of which seems to be quite simple. Our main character becomes possessed, and it progressively gets worse, and worse overtime. Her family, with the aid of some priests must figure out what's wrong and stop it. It seems very simple, but the way the story is executed in this film was very solid, for what it was, a simple, straight to the point plot. As the story continues, we get more in depth with the demons personality, per say. We get to see what it can do, and how it possesses it's powers to it's advantage. Overall, the story / plot is quite simple, but without spoiling anything, the movie carries it all out solidly, holding it's grasp.
The acting of this film, in my opinion was fine. Just fine. We get some pretty decent actors combining together in this film, which is great and all, but the situations they had to face lead they're acting to be a bit sketchy at points. Some parts of the film, for example when the actors fall back, scared, you kind of stare at the movie asking yourself .. "What?" Parts of which they DO seem serious, just seems funny toward the audience watching. In this case, they SEEM to be overacting when certain points come, but are actually not, instead are seeming that way due to the specific situation they're being put in. But in conclusion to this element, the situations that came to horror [ The scares, exorcism, etc. ] it was fine, not fantastic.
The scares of this movie, is defiantly something to conclude with. It's pretty much clichéd. You've pretty much seen this tactic in many films before. Dose this perhaps ring a bell? A bird flying at the window? Through it? Yea. We've seen this before, at least once. There's also, once again, without spoiling anything some other scares that have been seen before, on top of that, some of them are even horribly placed in time, making a failed attempt at scaring the audience, instead of scaring them, giving them a laugh even. There are also some scares floating around that will make you jump, but then when you realize what it was that made you jump, you'd ask yourself "How did that scare me!?" Either way, the point being there are few, to no scares that will get you deep in the core in this film. In conclusion, if your looking to get scared, from either tension itself, it won't happen. If you want an ear blasting loud noise, here you go! Another cliché method themed film filled with those!
In conclusion. The movie had simple flaws of which are extremely clichéd, however, the movie held grip with a solid execution, as well as some decent demonic possession methods. It dose hold many elements you typically see in other possession films, sure, but it was solid, and managed to keep the audience entertained. One way or another. It wasn't that bad of a film, but it lacked in critical horror elements, like scares, and tension. As there were none. But never the less, this horror flick was not bad at all. Just.. flawed deeply, and held back due to it's PG-13 rating.
I'm sure most horror fans with an interest in religion/exorcism based films will find something to enjoy here.
Sure it's nothing new, but it's well acted and stylishly executed in terms of cinematography.
There's not really any wasted time on screen, and it rattles along at a good pace.
So many horror films these days have a cheap feel, this doesn't. It's not a classic like The Exorcist, or The Omen, but it's a heck of a lot better than most being made nowadays.
Sure it's nothing new, but it's well acted and stylishly executed in terms of cinematography.
There's not really any wasted time on screen, and it rattles along at a good pace.
So many horror films these days have a cheap feel, this doesn't. It's not a classic like The Exorcist, or The Omen, but it's a heck of a lot better than most being made nowadays.
One would expect a rich cultural or more in-depth take of possession premise with a title such as The Vatican Tapes. Unfortunately, it's nothing more than mediocre horror with barely anything new. Not to mention it's trapped between forced found footage style for some parts and shaky cam for the rest.
It's the story as old as the supposed entity possessing the poor victim, in this case Angela (Olivia Taylor Dudley). She begins showing weird behavior and it eventually attracts the attention of Vatican. For acting department, there are actually some decent names here such as Michael Peña, Djimon Hounsou or Dougray Scott. They all have worked in bigger movies or played different roles, and there's a visible effort here, but the material is so thin their characters feel lackluster.
Pacing is also another issue. The way it's presented might make the timeline seem odd, it switches back and forth between early stages of haunting and eventual discovery. However, the transition is poor and it doesn't escalate well, although that's partially because of the timid horror. Visually, it's very confusing, often using documentary style such as following character with camcorder perspective or CCTV videos, all of which are unnecessary and only manage to limit the presentation.
As for the creepy parts, they are practically the stuffs of old. If you have seen any similar movie in past couple of years, chances are you've seen this before. A few scenes fare better, although these are also heavily borrowed from other films. There's barely any grand sight or atmosphere of Vatican, in fact the priests from holy city almost like supporting character that pop up in small portion of the movie.
It's all right if the concept is not novel, many other movies have done old concept well. However, The Vatican Tapes relies too heavily on superficial gimmicks and sadly low on thrill.
It's the story as old as the supposed entity possessing the poor victim, in this case Angela (Olivia Taylor Dudley). She begins showing weird behavior and it eventually attracts the attention of Vatican. For acting department, there are actually some decent names here such as Michael Peña, Djimon Hounsou or Dougray Scott. They all have worked in bigger movies or played different roles, and there's a visible effort here, but the material is so thin their characters feel lackluster.
Pacing is also another issue. The way it's presented might make the timeline seem odd, it switches back and forth between early stages of haunting and eventual discovery. However, the transition is poor and it doesn't escalate well, although that's partially because of the timid horror. Visually, it's very confusing, often using documentary style such as following character with camcorder perspective or CCTV videos, all of which are unnecessary and only manage to limit the presentation.
As for the creepy parts, they are practically the stuffs of old. If you have seen any similar movie in past couple of years, chances are you've seen this before. A few scenes fare better, although these are also heavily borrowed from other films. There's barely any grand sight or atmosphere of Vatican, in fact the priests from holy city almost like supporting character that pop up in small portion of the movie.
It's all right if the concept is not novel, many other movies have done old concept well. However, The Vatican Tapes relies too heavily on superficial gimmicks and sadly low on thrill.
THE VATICAN TAPES is a creepy and horror film about exorcism, professionally , though flawed , directed by Mark Neveldine . For 2,000 years the Vatican has recorded evidence of evil . May God have mercy on their souls. Truly terrifiyng story following the ultimate battle between good and evil - God versus Satan . Angela Holmes (Olivia Taylor) is an ordinary 27-year-old who lives with her boyfriend (John Patrick) . At the beginning Angela has an argument with her overprotective daddy (Dougray Scott) , shortly after she has a convulsion and her father and fiancé carry her to the hospital until she begins to have a devastating effect on anyone close, causing serious injury and death. Holmes is subsequently examined and possession is suspected, but when the Vatican is called upon to exorcise the demon, the possession proves to be an ancient satanic force more powerful than ever imagined . Later on, she is under psychiatric care under Dr. Richards (Kathleen Robertson) , suffering from the effects of being possessed by the devil . It's all up to Father Lozano (Michael Peña) to wage war for more than just Angela's soul, but for the world as we know it . She getting sicker by the time, being really possessed, as a demon into a young woman gone amok . Family relies on priests who start to visit her every day . There is something dark and sinister inside Angela , a nasty demon that goes bersek and she wants to eject it. Then , Cardinal Mattias Bruun (Peter Andersson) investigates the sinister happenings , as he attempts to help the possessed lass and he submits Angela a weird exorcism . There are some things best kept in secret.
Horror picture shot in fits and starts with incoherent plot, dealing with a ghastly possession , as a young woman is possessed by a malevolent and heinous spirit causing creepy, scary and terrible moments ; then , a priest and two Vatican exorcists must do battle with an ancient satanic force to save the soul of the strange girl . A rare film about exorcism in similar style to The Exorcist 1973 by William Friedkin . This latter movie remains still startling and engrossing with every viewing, it spread countless sequels and imitations, one of them is this one, though , of course, it is far cry from the original Exorcist . Genuinely scary moments overcome some obvious plot devices. This is a juicy terrifying material fashioning an iconic diabolic possession, providing screams, thrills, shocks and chilling scenes .It has an extremely known premise spawns the film in ups and downs. All semblance of plausibility is extracted, leaving a main cast of little known actors : Olivia Taylor and John Patrick , to show their limited skills. However, the support cast is pretty good , such as : Dougray Scott , Michael Peña , Peter Andersson Djimon Hounsou , Kathleen Robertson , Michael Halsey .There appears briefly Michael Paré , Daniel Bernhardt and Alison Lohman who married director Mark Neveldine playing a Psych patient , but she has less than 2o seconds of screen time.
It delivers a scary and eerie ambient thanks to an expert cameraman, Gerardo Madrazo . As well as a frightening, suspenseful and chilling musical score byJoseph Bishara . Being efficiently produced by Chris Morgan , Eric Reid and Richard Wright . This silly, non-sense , late night horror picture was decently directed by Mark Neveldine , though with no originality and it has some flaws and gaps. Mark Neveldine has directed a few acceptable films such as : ¨Crank¨, its sequel : ¨Crank high voltage¨, ¨Ghost Rider : Spirit of Vengeance¨and in pre-production ¨Finding Jack¨ . Rating 6/10 . Passable and decent exorcism/horror movie . No for squamish
Horror picture shot in fits and starts with incoherent plot, dealing with a ghastly possession , as a young woman is possessed by a malevolent and heinous spirit causing creepy, scary and terrible moments ; then , a priest and two Vatican exorcists must do battle with an ancient satanic force to save the soul of the strange girl . A rare film about exorcism in similar style to The Exorcist 1973 by William Friedkin . This latter movie remains still startling and engrossing with every viewing, it spread countless sequels and imitations, one of them is this one, though , of course, it is far cry from the original Exorcist . Genuinely scary moments overcome some obvious plot devices. This is a juicy terrifying material fashioning an iconic diabolic possession, providing screams, thrills, shocks and chilling scenes .It has an extremely known premise spawns the film in ups and downs. All semblance of plausibility is extracted, leaving a main cast of little known actors : Olivia Taylor and John Patrick , to show their limited skills. However, the support cast is pretty good , such as : Dougray Scott , Michael Peña , Peter Andersson Djimon Hounsou , Kathleen Robertson , Michael Halsey .There appears briefly Michael Paré , Daniel Bernhardt and Alison Lohman who married director Mark Neveldine playing a Psych patient , but she has less than 2o seconds of screen time.
It delivers a scary and eerie ambient thanks to an expert cameraman, Gerardo Madrazo . As well as a frightening, suspenseful and chilling musical score byJoseph Bishara . Being efficiently produced by Chris Morgan , Eric Reid and Richard Wright . This silly, non-sense , late night horror picture was decently directed by Mark Neveldine , though with no originality and it has some flaws and gaps. Mark Neveldine has directed a few acceptable films such as : ¨Crank¨, its sequel : ¨Crank high voltage¨, ¨Ghost Rider : Spirit of Vengeance¨and in pre-production ¨Finding Jack¨ . Rating 6/10 . Passable and decent exorcism/horror movie . No for squamish
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- WissenswertesThe screenplay for this film was featured in the 2009 Blacklist, a list of the "most liked" unmade scripts of the year.
- PatzerDuring the taxi crash, an underside shot from the pickup truck briefly reveals the camera crew on the sidewalk filming the preceding shot.
- Zitate
Cardinal Mattias Bruun: From the day you are conceived, the devil seeks your destruction - temporal, but especially eternal - and doesn't give up until the day you die.
- SoundtracksVeni Creator
Arranged by Ben Turner
Courtesy of APM Music
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Details
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.784.763 $
- Eröffnungswochenende in den USA und in Kanada
- 832.271 $
- 26. Juli 2015
- Weltweiter Bruttoertrag
- 13.015.764 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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