Der Herr der Ringe: Die Schlacht der Rohirrim
Originaltitel: The Lord of the Rings: The War of the Rohirrim
Die unerzählte Geschichte von Helms Klamm, Hunderte von Jahren vor dem schicksalhaften Krieg, erzählt das Leben und die blutigen Zeiten seines Gründers, Helm Hammerhand, des Königs von Rohan... Alles lesenDie unerzählte Geschichte von Helms Klamm, Hunderte von Jahren vor dem schicksalhaften Krieg, erzählt das Leben und die blutigen Zeiten seines Gründers, Helm Hammerhand, des Königs von Rohan.Die unerzählte Geschichte von Helms Klamm, Hunderte von Jahren vor dem schicksalhaften Krieg, erzählt das Leben und die blutigen Zeiten seines Gründers, Helm Hammerhand, des Königs von Rohan.
- Auszeichnungen
- 2 Nominierungen insgesamt
Miranda Otto
- Éowyn
- (Synchronisation)
Luca Pasqualino
- Wulf
- (Synchronisation)
- (as Luke Pasqualino)
Lorraine Ashbourne
- Olwyn
- (Synchronisation)
Shaun Dooley
- Freca
- (Synchronisation)
Benjamin Wainwright
- Haleth
- (Synchronisation)
Yazdan Qafouri
- Hama
- (Synchronisation)
Laurence Ubong Williams
- Fréalaf
- (Synchronisation)
Michael Wildman
- General Targg
- (Synchronisation)
Janine Duvitski
- Old Pennicruik
- (Synchronisation)
Bilal Hasna
- Lief
- (Synchronisation)
Jude Akuwudike
- Lord Thorne
- (Synchronisation)
Billy Boyd
- Shank
- (Synchronisation)
Dominic Monaghan
- Wrot
- (Synchronisation)
Alex Jordan
- Lord Frygt
- (Synchronisation)
Bea Dooley
- Young Héra
- (Synchronisation)
Elijah Tamati
- Young Wulf
- (Synchronisation)
Zusammenfassung
Reviewers say 'The Lord of the Rings: The War of the Rohirrim' is lauded for its unique animation style and strong voice acting. The music and score are praised, yet the story is criticized for being simplified and rushed. Character development is seen as lacking, and animation consistency is questioned. Pacing and length are contentious, but the film's expansion of Middle-earth is appreciated.
Empfohlene Bewertungen
The good thing is: animation is good and buitifully made.
All the rest is awfull. The plot is unbelievebly stupid and predictable at evey turn. It lacks any coherence and depth, grown man behave like five-years-old, the authors do not posses the essential minimum understanding of medieval warfare to make the audience take the battles a bit seriously.
The pratagonist is a Mery Sue to the extreme, she is the smartest, the fastest, the bravest and the strongest, she always have the best solution to any tactical or political problem. Well, actually her ideas are naive and shallow, but all the rest on the set are so incredibly dumb that hers seems to pass.
The movie is a waste if time, it comes nothing near the original and just rides on its name.
All the rest is awfull. The plot is unbelievebly stupid and predictable at evey turn. It lacks any coherence and depth, grown man behave like five-years-old, the authors do not posses the essential minimum understanding of medieval warfare to make the audience take the battles a bit seriously.
The pratagonist is a Mery Sue to the extreme, she is the smartest, the fastest, the bravest and the strongest, she always have the best solution to any tactical or political problem. Well, actually her ideas are naive and shallow, but all the rest on the set are so incredibly dumb that hers seems to pass.
The movie is a waste if time, it comes nothing near the original and just rides on its name.
The difficulty with spin-offs is always that they are based on an original work which brings the problem of how to make them stand on their own? Usually it requires that they are cohesive and artistically distinct and unique. Making an anime based on the Peter Jackson's trilogy seemed like a mad idea but it certainly tackles this problem well.
The director Kenji Kamiyama is best known for his recent directive work on the Blade Runner anime spin off as well a the classic sci-fi Ghost in The Shell Stand alone complex -series (which is also a spin off from an original anime film). He has also worked on classics such as Akira and Princess Mononoke (which is certainly the most important reference point for War of the Rohirrim) in smaller roles. The animation style in terms of anime is generic (safe for western audiences) with a mix of 3D graphics with drawn animation at times. The quality varies a lot from one scene to another and on can see that the there was a limited time frame available for some specific scenes. Given that this is an anime film, it would've needed some more dynamism and creativity how it was used. The film very much follows the Jackson's story board formula with some anime tropes but I think the possibilities of an anime style were underutilized here. If one decides to make an anime film, it does not really make it any better for any audience if the end result seems a bit too subtle. The score from Howard Shore brings the epic feel of the original PJ trilogy, though otherwise the universe here feels a bit different as a more high fantasy setting.
The story is based on a short appendix text from Tolkien himself so it's a very universal classic storyline, though very predictable. Aside from the main character, there are really not other interesting ones. The designs are very interesting though. I also liked the English voice acting overall.
The film manages to be its own thing with it's style and story, but it is hampered down by being too safe for western audiences, as well as some of the sub-par production. I'm not sure to who was this made for? A lot of Tolkien fans are nerds who are familiar with anime so being too safe here with the style does not really make sense here. Making the animation more bland does not make it more appealing for audiences who would not like it anyway, and makes the overall film less memorable and more like a generic action animation. It's not a bad film but not a very memorable either.
The director Kenji Kamiyama is best known for his recent directive work on the Blade Runner anime spin off as well a the classic sci-fi Ghost in The Shell Stand alone complex -series (which is also a spin off from an original anime film). He has also worked on classics such as Akira and Princess Mononoke (which is certainly the most important reference point for War of the Rohirrim) in smaller roles. The animation style in terms of anime is generic (safe for western audiences) with a mix of 3D graphics with drawn animation at times. The quality varies a lot from one scene to another and on can see that the there was a limited time frame available for some specific scenes. Given that this is an anime film, it would've needed some more dynamism and creativity how it was used. The film very much follows the Jackson's story board formula with some anime tropes but I think the possibilities of an anime style were underutilized here. If one decides to make an anime film, it does not really make it any better for any audience if the end result seems a bit too subtle. The score from Howard Shore brings the epic feel of the original PJ trilogy, though otherwise the universe here feels a bit different as a more high fantasy setting.
The story is based on a short appendix text from Tolkien himself so it's a very universal classic storyline, though very predictable. Aside from the main character, there are really not other interesting ones. The designs are very interesting though. I also liked the English voice acting overall.
The film manages to be its own thing with it's style and story, but it is hampered down by being too safe for western audiences, as well as some of the sub-par production. I'm not sure to who was this made for? A lot of Tolkien fans are nerds who are familiar with anime so being too safe here with the style does not really make sense here. Making the animation more bland does not make it more appealing for audiences who would not like it anyway, and makes the overall film less memorable and more like a generic action animation. It's not a bad film but not a very memorable either.
The Rohirrim War unfortunately, the end result is a film that struggles to engage the viewer, offering a flat and predictable narrative.
The anime-style animation lacks depth and often appears confusing. The character designs also appear generic and unmemorable, failing to leave a mark on the hearts of viewers. The story, centered on the defense of Helm Hammerhand, is a wasted opportunity to explore the internal dynamics of Rohan. The narrative drags on wearily, lacking twists and moments of true emotion. The dialogues are often banal and repetitive, failing to convey the complexity of the characters and their motivations.
The film suffers from slow pacing and excessive length. Many sequences are unnecessary and artificially dilate the duration, boring the viewer. The lack of pace and memorable moments makes it difficult to remain involved in the story.
The lack of originality and courage in the narrative is the biggest flaw of this feature film.
"The Lord of the Rings: The Rohirrim War" is a film that disappoints on every level. The boredom, the flat plot and the uninspired animation make this film a disappointing experience for fans of the saga. A wasted opportunity to explore a fascinating period of Middle Earth.
The anime-style animation lacks depth and often appears confusing. The character designs also appear generic and unmemorable, failing to leave a mark on the hearts of viewers. The story, centered on the defense of Helm Hammerhand, is a wasted opportunity to explore the internal dynamics of Rohan. The narrative drags on wearily, lacking twists and moments of true emotion. The dialogues are often banal and repetitive, failing to convey the complexity of the characters and their motivations.
The film suffers from slow pacing and excessive length. Many sequences are unnecessary and artificially dilate the duration, boring the viewer. The lack of pace and memorable moments makes it difficult to remain involved in the story.
The lack of originality and courage in the narrative is the biggest flaw of this feature film.
"The Lord of the Rings: The Rohirrim War" is a film that disappoints on every level. The boredom, the flat plot and the uninspired animation make this film a disappointing experience for fans of the saga. A wasted opportunity to explore a fascinating period of Middle Earth.
I am a long time (40+ years) Tolkien fan, and arguably fall into the category of being hard to please. I saw this film on IMAX and I must say that it looks pretty nice, with the scenery being exemplary. The animation style might put some people off, depending on preference, but I think it holds up. In summary, overall production value is up to expectation for me (picture, sound, voice acting etc).
Now, where it falls short is definitely on the script side, and I join the (growing) crowd who has a hard time understanding why they decided to change the storyline from the book instead of just building on it. I get the motive and all, but it is still a mystery why they decided to go in this direction, despite the fact that they know EXACTLY what will happen when it hits the Tolkien fandom.
Filmmakers could easily have done more or less the same story, including the Hera perspective, but without tampering with the source material and they would have gotten through this in a much better shape.
I guess it is a sign of the times. Sadly.
Now, where it falls short is definitely on the script side, and I join the (growing) crowd who has a hard time understanding why they decided to change the storyline from the book instead of just building on it. I get the motive and all, but it is still a mystery why they decided to go in this direction, despite the fact that they know EXACTLY what will happen when it hits the Tolkien fandom.
Filmmakers could easily have done more or less the same story, including the Hera perspective, but without tampering with the source material and they would have gotten through this in a much better shape.
I guess it is a sign of the times. Sadly.
This movie is based on a one-page story (mostly) about Helm Hammerhand from Appendix A of the LoTR book (which is a pretty nice read btw). The book's dialogue and events are actually kept to quite an extent, with only minor alterations in detail. The film does an especially good job capturing the epic character of Helm Hammerhand, as depicted in the books. However Hera, introduced in the movie, is not in the books at all and some of her deeds are actually done in the original work by her cousin, Fréaláf.
What many people like about Tolkien's universe is its pre-industrial, simple world, where this simplicity highlights the theme of human nature/values and the moral order of the universe. In the 'classic' movies there is a lot of wisdom hidden in everyday conversations, like "All we have to do is decide what to do with the time given to us" (LoTR) or "It is the small things, everyday deeds of ordinary folk that keep darkness at bay" (Hobbit), which I would say are timeless truths about our world, and these are lines I think about sometimes even after the movie ends.
However, this movie has nothing to add in this front. It introduces modern issues (feminism), into Tolkien's world in a way that feels both foreign and forced, ultimately undermining both Tolkien's vision and the cause of feminism it seeks to support. It's not as bad as RoP, but still shows. Of course it's not about that women can't do any of the things depicted in the movie, or that the book should be followed exactly. It's just that it's not guided purely by the love of Tolkien's work and legacy, and it really shows.
But besides that, it's not a terrible movie. I would say it's worth a watch.
What many people like about Tolkien's universe is its pre-industrial, simple world, where this simplicity highlights the theme of human nature/values and the moral order of the universe. In the 'classic' movies there is a lot of wisdom hidden in everyday conversations, like "All we have to do is decide what to do with the time given to us" (LoTR) or "It is the small things, everyday deeds of ordinary folk that keep darkness at bay" (Hobbit), which I would say are timeless truths about our world, and these are lines I think about sometimes even after the movie ends.
However, this movie has nothing to add in this front. It introduces modern issues (feminism), into Tolkien's world in a way that feels both foreign and forced, ultimately undermining both Tolkien's vision and the cause of feminism it seeks to support. It's not as bad as RoP, but still shows. Of course it's not about that women can't do any of the things depicted in the movie, or that the book should be followed exactly. It's just that it's not guided purely by the love of Tolkien's work and legacy, and it really shows.
But besides that, it's not a terrible movie. I would say it's worth a watch.
Wusstest du schon
- WissenswertesA unique approach was used to create the film's traditional 2D animation: the actors performed every scene of the film using motion-capture technology, which was translated into 3D animation within Unreal Engine's real-time game engine; this 3D environment was used to determine the film's camera angles and movements, and this was translated into the final 2D animation.
- PatzerFollowing the encounter with the Orcs, the animation of Helm's waving hair appears behind his ear.
- Crazy CreditsThe beginning of the credits features thematic drawings and sketches of the principal cast's characters.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- El Señor de los Anillos: La guerra de los Rohirrim
- Drehorte
- Musashino, Tokio, Japan(animation studio)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 9.158.572 $
- Eröffnungswochenende in den USA und in Kanada
- 4.552.109 $
- 15. Dez. 2024
- Weltweiter Bruttoertrag
- 20.658.572 $
- Laufzeit2 Stunden 14 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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What is the Canadian French language plot outline for Der Herr der Ringe: Die Schlacht der Rohirrim (2024)?
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