Der Herr der Ringe: Die Rückkehr des Königs
Gandalf und Aragorn führen die Männer der Mittelerde in den Kampf gegen Saurons Armee, um ihn von Frodo und Sam abzulenken, die sich gerade dem Schicksalsberg mit dem Einen Ring nähern.Gandalf und Aragorn führen die Männer der Mittelerde in den Kampf gegen Saurons Armee, um ihn von Frodo und Sam abzulenken, die sich gerade dem Schicksalsberg mit dem Einen Ring nähern.Gandalf und Aragorn führen die Männer der Mittelerde in den Kampf gegen Saurons Armee, um ihn von Frodo und Sam abzulenken, die sich gerade dem Schicksalsberg mit dem Einen Ring nähern.
- 11 Oscars gewonnen
- 215 Gewinne & 124 Nominierungen insgesamt
- Elanor Gamgee
- (as Alexandra Astin)
Zusammenfassung
Empfohlene Bewertungen
Return of the King is the greatest of the Tolkien trilogy by New Zealand director Peter Jackson. Although I've seen the other two and read the book, I felt it would also stand alone well enough for people who hadn't done either.
The storytelling is much more professional that the first one - which maybe laboured to introduce so much information - or the second one - which has little let up from the tension of long battle scenes. In Return of the King, there is an emotional sting at the start, as we watch the transformation of Gollum from warm, fun-loving guy to murderous, mutated wretch. The movie then moves deftly between different segments of the story - the sadness of the lovely soft-focus Liv Tyler as fated Arwen whose travails and woman's love succeeds in having the Sword that was Broken mended, the comradeship of Sam and Frodo (Sean Astin & Elijah Wood) that is tested to the limits, the strong commanding presence of Gandalf (Ian McKellen) who keeps an eye on things whilst turning in an Oscar-worthy performance, the ingenious and very varied battle scenes, and the mythical cities of that rise out of the screen and provide key plot elements.
This is a fairy story of human endeavour, the defeating of power cliques and the triumph of the human spirit that could almost be compared to Wagner's Gotterdammerung. It is a fairy story without any sugary sweetness, a fairy story the likes of which hasn't been told so well before, and is even unlikely to be done so well in the future. The haunting scream of the Nasgul stays with you, the physical attractions are not airbrushed, and the battles are about as far from pantomime characters waving wooden swords as you can get. The ingenious monsters keep you on the edge of your seat. The whole narrative maintains the spirit (if not archival, detailed accuracy) of the original and makes you want to read the book (or read the book again!)
The worst I can say about it is that it is maybe a tad long - but not that you'd notice . . .
"Return of the King" is 4 hours of payoff, a third act in a gigantic epic rather than a mere film of its own. As such it is intensely dramatic and dynamic and you can very much sense that though peter Jackson spared no effort on the previous episodes, this is clearly his favorite. the film floats by at a thunderous pace, taking us through unforgettable moments such as the battle of Minas Tirith itself, a marvel of seamless animation and epic film-making, it demands to be seen, as it has too many jaw-dropping moments to choose from. The quieter character moments keep gaining in potency and the full weight of the stakes and their heartbreaking consequences is never in doubt.
The cast of these films have played their parts to perfection and again Jackson deserves overall credit for choosing actors that so perfectly match Tlolkien's creations: Ian McKellen and Christopher Lee are their own usually excellent selves, and the hobbits remain endearing, but of all the uniformly great cast, the true standouts are Viggo Mortensen and David Wenham as the tragic Faramir, whose relationship with his brutish father is the most traumatic of the film. Jackson pushes them even further by having them sing at a few key moments (a practice employed to powerful effect by Tolkien in the books), a daring undertaking that works wonders. And though he may offer one ending too many, he does have the decency to show off each surviving character with the appropriate screen time and respect.
Now that the trilogy is complete, it can be viewed as one big film, as it should be. After 8 years, Jackson has done the impossible: he has taken Tolkien's huge legend and made films that stand on their own and have revolutionized film-making, setting the new benchmark for cinematic epics. Changes have been made to Tolkien's source novels, but they make for better, more fluid films, more faithful in spirit to Tolkien's myth than anyone had the right to hope for.
A masterpiece, whether as part of a bigger whole or on its own. Well deserving of all the high praise thrown at it, and then some...
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Wusstest du schon
- WissenswertesSince John Rhys-Davies suffered constant rashes from wearing the Gimli make-up, the make-up department gave him the opportunity to throw his Gimli mask into the fire on his last day of pick-up photography. He didn't hesitate a moment to grab and burn it.
- PatzerWhen Denethor catches fire, he is in the Hallows of Minas Tirith, yet he plummets off the prow of the city, which is "... about a mile..." away. Peter Jackson admitted this in the DVD commentary.
- Zitate
Aragorn: Hold your ground, hold your ground! Sons of Gondor, of Rohan, my brothers! I see in your eyes the same fear that would take the heart of me. A day may come when the courage of men fails, when we forsake our friends and break all bonds of fellowship, but it is not this day. An hour of wolves and shattered shields, when the age of men comes crashing down! But it is not this day! This day we fight! By all that you hold dear on this good Earth, I bid you *stand, Men of the West!*
- Crazy CreditsAt the end of the credits, a very long list of names from the Lord of the Rings Fan Club whom the authors want to thank to is displayed. The name of Elijah Wood is in that list.
- Alternative VersionenThere are four versions available. Runtimes are: 1) "3h 21m (201 min)"--the original theatrical release; 2) "4h 23m (263 min) (Blu-Ray Extended Edition)"; 3) "4h 14m (254 min) (Special DVD Extended Edition)"; 4) "3h 12m (192 min) (DVD Widescreen Edition)".
- VerbindungenEdited from Der Herr der Ringe: Die Gefährten (2001)
- SoundtracksInto the West
Words and Music by Howard Shore, Fran Walsh, and Annie Lennox
Performed by Annie Lennox
Annie Lennox appears courtesy of BMG Ariola Munchen GmbH
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El señor de los anillos: El retorno del rey
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Box Office
- Budget
- 94.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 381.878.219 $
- Eröffnungswochenende in den USA und in Kanada
- 72.629.713 $
- 21. Dez. 2003
- Weltweiter Bruttoertrag
- 1.138.585.547 $
- Laufzeit3 Stunden 21 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1