Cat Person

I saw this as part of an Odeon Screen unseen showing so was completely and literally in the dark about what I was going to see. Well I was pleasantly surprised. It's a tale about 20 year old Margot and her bouncing around the excitement and misunderstandings of relationships and how communication, expectation and reality can all blow things up.

There were times whenn I expected the story to go down a sinister route but then was I being manipulated by the opening quote?

Worth your time. This is just a privileged view into a 20 year Old's life which reverberated with me on many levels. If you approach this as just that then you won't be disappointed.

Watched this in a mystery screening tonight and love the idea of not knowing what to expect so came here with a clean slate.

Really enjoyed this film. Its really different and its main theme is based around the famous quote "men are afraid women will laugh at them and women are afraid that men will kill them".

It goes into some depth in its description of this quote and realises this in the 2 main characters and especially with many of the rambling imaginations of 20 year old Margot. It covers issues with consent and communication in this day and age, and how so many things can be misconstrued when there is limited information using non verbal methods of communication.

Its uncomfortable and dark at times, I actually cringed quite a few times, but also has some humour and light moments and explores the different perceptions society can have in some depth that I haven't seen any other film do in the same way.

I like different and this certainly is that.

Cat Person. I don't understand the poor reviews for this film. I watched it on the recommendation of Mark Kermode (potentially pretentious film critic) who loved it and suggested his side kick Simon (Everyman) Mayo would love it too. So why the poor scores on rotten tomatoes and IMDB? I was intrigued. And after watching the film, Kermode was spot on. Margot, who works at her local cinema meets Robert, a regular cinema-goer at her place of work. She thinks he's a little strange. He's a little awkward but likes her and asks for her number. She acquiesces. There then follows a series of text message exchanges. They form a 'relationship' without having properly met. Margot gets images of how it's going to play out when they finally meet. And most are not good ones. Robert thinks that this might be the start of something special. And they eventually meet and it doesn't go according to plan. But how much of this is real and how much is imagined from their text history? No spoilers here but the interpretation of this film may not be as clear cut as either Margot or Robert might think. It is narratively simple yet its interpretation is, for me at least, purposefully ambiguous. And its all the better for it. An intriguing 8 out of ten.

Cat Person is a very sharply observed, darkly funny, and insightful dissection of modern dating and the complications and fears it can lead to for women.

The story is told from the perspective of college student Margot, as she embarks on a relationship with the seemingly decent Robert. For the most part the story isn't overly original, but it's more the perspective and creativity in telling the story that stands out, really allowing you to get into the mind of the character.

It achieves this through a solid script that balances dark comedy with serious drama and social commentary, as well as engaging lead performances from Emilia Jones and Nicholas Braun.

My only real complaint is that the pacing is far too slow throughout the film. It easily could have been twenty minutes shorter and had even more impact as a result.

Despite this I thought this film was great. Good concept with brilliant execution and a couple of solid lead performances to boot.

Premiered at Sundance, Cat Person is based on the viral New Yorker short story of the same name, as a college student played by Emilia Jones navigating a new romance, red flags, and horrifying turns. Tonally, this film is unsettling from the beginning, as Margot's mind wavers between fantasy and foresight, reading the tea leaves of text messages, favorite movies, and behaviors to determine if a new love interest is a quirky boyfriend or a dangerous threat. One particular scene is extraordinarily chilling, first uncomfortably comically to viscerally frightening themes about consent and sex that I've never seen in film. The final quarter of the film amplifies the tone beyond the rest of the film, ending awkwardly, which prompts me to wonder how it aligns with the story version.