Die Freundschaft einer Frau mit einer neuen Mitarbeiterin des Gefängnisses, in dem sie arbeitet, nimmt eine unheilvolle Wendung.Die Freundschaft einer Frau mit einer neuen Mitarbeiterin des Gefängnisses, in dem sie arbeitet, nimmt eine unheilvolle Wendung.Die Freundschaft einer Frau mit einer neuen Mitarbeiterin des Gefängnisses, in dem sie arbeitet, nimmt eine unheilvolle Wendung.
- Auszeichnungen
- 1 Gewinn & 8 Nominierungen insgesamt
Gavin K. Barfield
- Mary
- (as Gavin Barfield)
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This film is quite dark. Definitely leave the kiddos at home for this one. The audience I was with, found itself snickering at the absurdity of some of the events that take place though. Thomasin McKenzie does a great job playing the awkward main character who can be darkly comedic at times. I thoroughly enjoyed her New England accent in this. She will most certainly win more acting awards in her future.
Anne Hathaway is very pleasing to the eye as a blonde in this and her character is perfect for this noir film. She does not disappoint.
The movie does a fantastic job of keeping the viewer wondering what will happen. Like most other reviews have disclosed, there is a chilling twist. It sends the movie in a completely different direction that is almost guaranteed to be unpredictable to anyone seeing it for the first time.
Anne Hathaway is very pleasing to the eye as a blonde in this and her character is perfect for this noir film. She does not disappoint.
The movie does a fantastic job of keeping the viewer wondering what will happen. Like most other reviews have disclosed, there is a chilling twist. It sends the movie in a completely different direction that is almost guaranteed to be unpredictable to anyone seeing it for the first time.
Eileen is not worth watching for the positive attributes because it exemplifies why "story" matters. Oldroyd's film has no third act, which is also a problem with the source of this adaptation. The movie takes a vicious twist. That turn primarily concerns the great Marin Ireland's (Hell or High Water) character and her son, incarcerated for murder, who is also under Hathaway's Rebecca's care.
While what transpires can be fascinating, especially when McKenzie's Eileen evolves into taking over the more dominant role, the film fails because there's no third act. This is not an argument that Eileen needs a nice little bow to wrap up her story. Far from it. The issue is that there's no closure, character redemption, or accountability.
Eileen's story, frankly, stops and falls off the metaphorical storytelling cliff. Yes, Hathaway is electric. We know McKenzie can say more with a stoic glance than most can say with a monologue. Whigham plays caustic roles like no other actor of this time in cinema .
While what transpires can be fascinating, especially when McKenzie's Eileen evolves into taking over the more dominant role, the film fails because there's no third act. This is not an argument that Eileen needs a nice little bow to wrap up her story. Far from it. The issue is that there's no closure, character redemption, or accountability.
Eileen's story, frankly, stops and falls off the metaphorical storytelling cliff. Yes, Hathaway is electric. We know McKenzie can say more with a stoic glance than most can say with a monologue. Whigham plays caustic roles like no other actor of this time in cinema .
Quick review: 'Eileen' is one of those films where all the pieces were there to be something great, but they just weren't quite assembled correctly. The film just comes across a little flat. There's quite a prolonged and drawn out build-up, and then the pay-off isn't quite worthy of it. I still liked the film, don't get me wrong, but I can't help feeling it could've been something more.
There are a few attempts at humour long the way, none of them really land though. And there are a couple of fake-out scenes that were truly shocking, but ultimately meant nothing unfortunately. Not a bad film, but not one I'm sure I'll remember much of a year from now. 6.5/10.
There are a few attempts at humour long the way, none of them really land though. And there are a couple of fake-out scenes that were truly shocking, but ultimately meant nothing unfortunately. Not a bad film, but not one I'm sure I'll remember much of a year from now. 6.5/10.
Eileen(2023) is a film adaptation of Ottessa Moshfegh's novel of the same name, directed by William Oldroyd and starring Anne Hathaway and Thomasin McKenzie. The film follows Eileen, a lonely and unhappy young woman who works at a juvenile prison in a bleak Massachusetts town in 1964. Her life changes when she meets Rebecca, a glamorous and charismatic psychologist who takes an interest in her. Eileen becomes obsessed with Rebecca and gets involved in a dark and twisted plot that will test her loyalty and morality.
The film has some strengths, such as the performances of the two leads, the atmospheric cinematography, and the faithful adaptation of the source material. Hathaway and McKenzie deliver nuanced and compelling portrayals of their complex characters, showing their vulnerability, charisma, and unpredictability. The film also captures the mood and tone of the novel, creating a sense of claustrophobia, isolation, and desperation. The film does not shy away from the disturbing and shocking aspects of the story, which may appeal to fans of the book.
However, the film also has some weaknesses, such as the slow and uneven pacing, the lack of tension and suspense, and the unsatisfying and implausible ending. The film takes too long to establish the characters and the setting, and then rushes through the climax and the resolution. The film fails to generate enough interest and intrigue in the relationship between Eileen and Rebecca, and the motivations and actions of the characters are not well-explained or justified. The film also deviates from the novel in some key aspects, such as the ending, which may disappoint or confuse some viewers.
Overall, Eileen(2023) is a film that has some merit, but also some flaws. It is a faithful adaptation of a novel that may not translate well to the screen. It is a film that may appeal to some, but not to others. It is a film that tries to be a psychological thriller, but ends up being a solemn and anticlimactic oddity.
The film has some strengths, such as the performances of the two leads, the atmospheric cinematography, and the faithful adaptation of the source material. Hathaway and McKenzie deliver nuanced and compelling portrayals of their complex characters, showing their vulnerability, charisma, and unpredictability. The film also captures the mood and tone of the novel, creating a sense of claustrophobia, isolation, and desperation. The film does not shy away from the disturbing and shocking aspects of the story, which may appeal to fans of the book.
However, the film also has some weaknesses, such as the slow and uneven pacing, the lack of tension and suspense, and the unsatisfying and implausible ending. The film takes too long to establish the characters and the setting, and then rushes through the climax and the resolution. The film fails to generate enough interest and intrigue in the relationship between Eileen and Rebecca, and the motivations and actions of the characters are not well-explained or justified. The film also deviates from the novel in some key aspects, such as the ending, which may disappoint or confuse some viewers.
Overall, Eileen(2023) is a film that has some merit, but also some flaws. It is a faithful adaptation of a novel that may not translate well to the screen. It is a film that may appeal to some, but not to others. It is a film that tries to be a psychological thriller, but ends up being a solemn and anticlimactic oddity.
Everything about it is a tease. There is no follow through of anything. No actual sex. No love story. No real relationships. No mind bending mystery. When it finally starts to pick up and give you something. It just ends. There's very little plot. It's pretty much a coming of age film. A women finding herself. The story is brutally slow for three quarters of the film.
The movie needed to give more. It felt like I watched half of a movie. There were so many filler scenes to slowly bring you to something that had so much potential for a fulfilling film, but instead of continuing with it, the movie ends. It was like they randomly ran out of money and said "hey lets just end it here because we got nothing left in the bank"
The focus and story is all over the place hinting at something that could be, but no real plot to dig your teeth into. The film needed to keep going. It finally reached an exciting idea and twist at the end, but that shouldn't have been the end. It should have been another hour and a half of finally giving us something interesting, to go with the events that take place. If they would have continued into a deep hot love story with the two women as they kept exploring the bounds of how to play with peoples minds that would have been interesting... but no.
Anne Hathaway was amazing. She stood out like a rose in a field of dead grass. But her role/script was very incomplete and there wasn't enough of her. We never really got to see who she was. And her part in the entire thing really didn't make sense with how little they had her in the movie. There wasn't a firm story for her. She was more of a tease than anything. A quick glimpse of what Eileen hoped she could be. A role model and nothing more.
The movie needed to give more. It felt like I watched half of a movie. There were so many filler scenes to slowly bring you to something that had so much potential for a fulfilling film, but instead of continuing with it, the movie ends. It was like they randomly ran out of money and said "hey lets just end it here because we got nothing left in the bank"
The focus and story is all over the place hinting at something that could be, but no real plot to dig your teeth into. The film needed to keep going. It finally reached an exciting idea and twist at the end, but that shouldn't have been the end. It should have been another hour and a half of finally giving us something interesting, to go with the events that take place. If they would have continued into a deep hot love story with the two women as they kept exploring the bounds of how to play with peoples minds that would have been interesting... but no.
Anne Hathaway was amazing. She stood out like a rose in a field of dead grass. But her role/script was very incomplete and there wasn't enough of her. We never really got to see who she was. And her part in the entire thing really didn't make sense with how little they had her in the movie. There wasn't a firm story for her. She was more of a tease than anything. A quick glimpse of what Eileen hoped she could be. A role model and nothing more.
Wusstest du schon
- WissenswertesAlthough it resembles the look of film stock, the movie was shot with ARRI ALEXA Mini digital cameras with a special Angénieux 25-250 HR zoom lens. According to cinematographer Ari Wegner, shooting on film was considered but the limited budget didn't allow for it.
- Zitate
Jim Dunlop: Some people, they are the real people. Like in a movie, they're the ones you're watching, they're the ones making moves. And the other people, they're just there filling the space. And you take'em for granted. You think, they're easy. Take a penny, leave a penny. That's you, Eileen.
- Soundtracks(You Don't Know) How Glad I Am
Written by Jimmy T. Williams and Larry Harrison
Performed by Nancy Wilson
Courtesy of Capitol Records
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- Mi nombre era Eileen
- Drehorte
- South Amboy, New Jersey, USA(Lagoda's is a classic old-town longshoreman bar)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.435.007 $
- Eröffnungswochenende in den USA und in Kanada
- 93.290 $
- 3. Dez. 2023
- Weltweiter Bruttoertrag
- 1.673.665 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
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