Als sein Mentor von einem arabischen Scheich gefangen genommen wird, wird ein Auftragskiller zum Handlen gezwungen. Seine Mission: Tötete die drei Mitglieder des britischen Elite-Sonderflugd... Alles lesenAls sein Mentor von einem arabischen Scheich gefangen genommen wird, wird ein Auftragskiller zum Handlen gezwungen. Seine Mission: Tötete die drei Mitglieder des britischen Elite-Sonderflugdienstes, die für den Tod seiner Söhne verantwortlich sind.Als sein Mentor von einem arabischen Scheich gefangen genommen wird, wird ein Auftragskiller zum Handlen gezwungen. Seine Mission: Tötete die drei Mitglieder des britischen Elite-Sonderflugdienstes, die für den Tod seiner Söhne verantwortlich sind.
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Based on a true story?? It's 1980. Danny (Jason Statham) and his mentor Hunter (Robert De Niro) fail their latest scheme because Danny didn't want to take a little girl. Then one year later, Danny is living in self-imposed exile when he receives a photo of a captured Hunter. Hunter had a job from a Sheikh for $6 million to kill the three SAS special forces men that killed his sons. The Sheikh has 6 months to live and Danny has to get their confessions and their deaths have to look accidental while the Sheikh holds Hunter prisoner. Spike (Clive Owen) leads the rogue group of ex-SAS assassins.
It's a very convoluted story and it seems like a badly written Bond movie. It's better than most rambling thrillers. That's mostly due to the very effective Jason Statham. The big problem is that I don't find any rooting interest in anybody. Newby director Gary McKendry seems more interested in working out exciting action scenes. What's needed is a reason why I care if either side wins or dies. Part of me like Spike more than Hunter. The movie goes all over the world but this confuses the story more than any good that the exotic locations give. It's basically a mess.
It's a very convoluted story and it seems like a badly written Bond movie. It's better than most rambling thrillers. That's mostly due to the very effective Jason Statham. The big problem is that I don't find any rooting interest in anybody. Newby director Gary McKendry seems more interested in working out exciting action scenes. What's needed is a reason why I care if either side wins or dies. Part of me like Spike more than Hunter. The movie goes all over the world but this confuses the story more than any good that the exotic locations give. It's basically a mess.
Based on a true story, Killer Elite sees a hired assassin called back into duty when his mentor is held hostage by a powerful sheik who wants revenge on the SAS men who killed his sons. Danny takes the job in order to get Hunter released – a job that involves getting the men to confess on camera before killing them in such a way that it looks like an accident and cannot be traced back. However the targets are a paranoid bunch and once a few questions are asked and one of the men dies, the secretive group behind the deaths put former soldier Spike onto the case, pitting the two trained killers against each other.
This film feels like a missed opportunity and more must have been hoped for it – not least by the relatively big name stars that were involved. This is a tale of murky secrets, covert actions overseas, trained killers and the influence of money and power – it should be much more interesting that it is here, but the decision appears to have been taken to make it as a straight generic thriller. This isn't really a problem in terms of some of the action because there are "good bits" in here, the problem comes from the fact that the material actually doesn't lend itself to this approach as much as you would have liked. So, for example, this sort of generic thriller really suits simple characters, simple plots and thumping action scenes but instead Killer Elite hands us with two groups, neither of whom are particularly "likeable", so the genre approach tells the viewer to root for the good guy – but the plot gives us no clue as to who this is. I have no issue with murky and unlikeable characters, the problem is that the delivery of the film doesn't do anything with it and tries to force it all into a mould that it doesn't fit.
Fortunately the more dramatic sequences are still pretty good (not great, but good) and they come up reasonably often to allow the film to temporarily be the film it wants to be. Not often enough though, and all of them are damaged by the fact that the rest of the film around them isn't working as well – and there is a lot of "other film", too much in fact and it runs a good twenty minutes longer than it can cope with. Much like with the recent film Blitz, Statham does his thing well – whether it suits the film or not. He delivers what you expect him to and again maybe he is part of the reason the film is pushed to be something it is not. Owen appears to be more in touch with what the material should be and also does well with the mano-a-mano stuff that the film asks of him, but it is hard to watch him delivering on a complexity that the finished film had no interest in. De Niro is a solid presence because of who he is, but he is really phoning this in. Akinnuoye-Agbaje only has a small role but, as a fan of Oz who knows how good he can be, it is always good to see him in things.
There is a good story in Killer Elite but unfortunately all but the bullet points is lost in a telling that is trying to make more of a standard thriller and doesn't seem able or willing to do anything with the murky aspects of plot or characters. The end result is a so-so thriller with a so-so plot and performances that mostly don't really work. I wonder at what point in the production they started making it something it wasn't, but regardless when it happened, it did seem to happen and it is a shame because the story deserved to be told better than it was here.
This film feels like a missed opportunity and more must have been hoped for it – not least by the relatively big name stars that were involved. This is a tale of murky secrets, covert actions overseas, trained killers and the influence of money and power – it should be much more interesting that it is here, but the decision appears to have been taken to make it as a straight generic thriller. This isn't really a problem in terms of some of the action because there are "good bits" in here, the problem comes from the fact that the material actually doesn't lend itself to this approach as much as you would have liked. So, for example, this sort of generic thriller really suits simple characters, simple plots and thumping action scenes but instead Killer Elite hands us with two groups, neither of whom are particularly "likeable", so the genre approach tells the viewer to root for the good guy – but the plot gives us no clue as to who this is. I have no issue with murky and unlikeable characters, the problem is that the delivery of the film doesn't do anything with it and tries to force it all into a mould that it doesn't fit.
Fortunately the more dramatic sequences are still pretty good (not great, but good) and they come up reasonably often to allow the film to temporarily be the film it wants to be. Not often enough though, and all of them are damaged by the fact that the rest of the film around them isn't working as well – and there is a lot of "other film", too much in fact and it runs a good twenty minutes longer than it can cope with. Much like with the recent film Blitz, Statham does his thing well – whether it suits the film or not. He delivers what you expect him to and again maybe he is part of the reason the film is pushed to be something it is not. Owen appears to be more in touch with what the material should be and also does well with the mano-a-mano stuff that the film asks of him, but it is hard to watch him delivering on a complexity that the finished film had no interest in. De Niro is a solid presence because of who he is, but he is really phoning this in. Akinnuoye-Agbaje only has a small role but, as a fan of Oz who knows how good he can be, it is always good to see him in things.
There is a good story in Killer Elite but unfortunately all but the bullet points is lost in a telling that is trying to make more of a standard thriller and doesn't seem able or willing to do anything with the murky aspects of plot or characters. The end result is a so-so thriller with a so-so plot and performances that mostly don't really work. I wonder at what point in the production they started making it something it wasn't, but regardless when it happened, it did seem to happen and it is a shame because the story deserved to be told better than it was here.
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Set in 1980, Killer Elite is based on a true story, revolving around SAS agent Danny (Jason Statham) who owes everything to his friend and mentor Hunter (Robert De Niro.) So when he is taken hostage in Oman, Danny is forced to co-operate with the kidnappers demands: that the three soldiers responsible for the death of his son are hunted down around the globe and killed. But even when he goes through with the mission, he finds, as well as having to contend with the relentless Agent Spike (Clive Owen) that not everything is as it seems.
Holding true to it's claim of being a story spinning all round the globe, Killer Elite literally dashes with hyperactive energy from the deserts of the Middle East to the Australian outback, to European cities like Paris and London, all the while holding it's accolade of being a true story. But then fact is often stranger than fiction, and the exploits of Britain's elite special forces could no doubt throw up even stranger tales.
This is a slick, stylish enough film, that carries off it's various action sequences and tense moments with the requisite style and aplomb, even if it doesn't generate the amount of suspense it could have and the whole thing does feel a tad disjointed and sporadic.
Performances wise, Statham is simply the reliable sturdy action hero, while De Niro in support commandeers another generic performance and Owen as the adversary can resort back to his old wooden ways. Not a lot to write home about on that front, then, but thankfully it's not a film driven by this aspect and so the more superficial stuff that carries it through.
It's a messy, chaotic, sketchy and unbelievable (even for something based on a true story) film, but entertaining and enthralling enough to be well worth a watch. ***
Set in 1980, Killer Elite is based on a true story, revolving around SAS agent Danny (Jason Statham) who owes everything to his friend and mentor Hunter (Robert De Niro.) So when he is taken hostage in Oman, Danny is forced to co-operate with the kidnappers demands: that the three soldiers responsible for the death of his son are hunted down around the globe and killed. But even when he goes through with the mission, he finds, as well as having to contend with the relentless Agent Spike (Clive Owen) that not everything is as it seems.
Holding true to it's claim of being a story spinning all round the globe, Killer Elite literally dashes with hyperactive energy from the deserts of the Middle East to the Australian outback, to European cities like Paris and London, all the while holding it's accolade of being a true story. But then fact is often stranger than fiction, and the exploits of Britain's elite special forces could no doubt throw up even stranger tales.
This is a slick, stylish enough film, that carries off it's various action sequences and tense moments with the requisite style and aplomb, even if it doesn't generate the amount of suspense it could have and the whole thing does feel a tad disjointed and sporadic.
Performances wise, Statham is simply the reliable sturdy action hero, while De Niro in support commandeers another generic performance and Owen as the adversary can resort back to his old wooden ways. Not a lot to write home about on that front, then, but thankfully it's not a film driven by this aspect and so the more superficial stuff that carries it through.
It's a messy, chaotic, sketchy and unbelievable (even for something based on a true story) film, but entertaining and enthralling enough to be well worth a watch. ***
I'm not sure what it was about Killer Elite that disappointed me, but it just didn't seem to live up to its potential. It might have been that the movie relied on Jason Statham to act, instead of just do action. He plays a retired hit man who gets pulled out of retirement to save a friend's life. But it just doesn't work, he's unconvincing. The retirement isn't convincing and neither is his reluctance to return to work. He was much better in the Mechanic which dealt with similar issues.
Overall the movie doesn't hold together very well. There is too much that they are trying to accomplish, but not enough gets developed. For instance, the romance between Danny (Statham) and Anne (Yvonne Strahovski) just seems to be cut in to the movie in a few places. The Feathermen (the group about whom the book the movie draws from is written) appear in a few scenes, yet they're role is barely explored. They are spliced in just enough to give Spike (Clive Owen) a support system.
It's not a terrible movie, but it could have been much more. I think it would make a better mini-series, so that the different parts could be explored properly. If not, eliminate the things that aren't given justice.
Overall the movie doesn't hold together very well. There is too much that they are trying to accomplish, but not enough gets developed. For instance, the romance between Danny (Statham) and Anne (Yvonne Strahovski) just seems to be cut in to the movie in a few places. The Feathermen (the group about whom the book the movie draws from is written) appear in a few scenes, yet they're role is barely explored. They are spliced in just enough to give Spike (Clive Owen) a support system.
It's not a terrible movie, but it could have been much more. I think it would make a better mini-series, so that the different parts could be explored properly. If not, eliminate the things that aren't given justice.
Stirring as well as non-stop action movie , being allegedly based on facts , though the SAS even went on the record to disown both writer Fiennes and his book . After a brilliantly exciting opening in a thrilling terrorist action executed by Danny (Jason Statham) his mentor named Hunter (Robert De Niro , he is the only American born actor in this film) is taken captive by a disgraced Arab sheik, then the killer-for-hire is forced into action . His assignment : kill three members of Britain's elite Special Air Service responsible for the death of his sons . As it concentrates on the painful vendetta proceeded by an Arab oil magnate , as he kidnaps Hunter and coerces to Danny his search for revenge . Covering the globe from Australia to Paris, London and the Middle East, Danny helped by Davies (Dominic Purcell), and Meier (Aden Young) pull off his relentless mission to free their colleague who is being held captive .
This moving picture contains thrills , unstoppable action , betrayal , fighting , car pursuits and lots of deaths , as it has a great body count : 21 . There are echoes here of many other action movies and behind the deceits , plot twists and manipulation is essentially a simple yarn . This is a thrilling picture in which our main starring , Jason Statham , is plunged into a highly dangerous game of vendetta and deception - where things are not always what they appear to be . The film is built around the internal secret services and SAS which sidelines in dirty work that ever the CIA won't touch . The flick contemplates the old themes of trust , friendship , vengeance , treason , cold violence and humiliation . The set pieces such as car chases , impressive as well as violent fights and a roof chases including bounds and leaps are all magnificent , as are so many secondary scenes . Interesting screenplay by Matt Sherring plenty of twists and turns , being inspired by the book "The Feather Men" written by Sir Ranulph Fiennes, this was an English adventurer, polar explorer and former SAS man is the author of The Feather Men, the novel from which this film is adapted . Although he has often claimed the novel was a true story, the families of the real dead SAS men named in the novel who died on SAS exercises and the SAS themselves publicly attacked it as sick exploitation and complete fiction . As mentioned above, all the families and the British special forces denied they had been consulted or involved in any way with the book .
The main cast is pretty good such as Jason Statham , Clive Owen , Yvonne Strahovski and Robert De Niro . Though the main starring results to be Jason Statham who from Transporter (2002) he already had a background in martial arts which enabled him to perform his own fight sequences , he followed in several similar roles as a two-fisted hunk in Charles Bronson ink such as War , Crank , The mechanic , Safe , Parker , Blitz , Hummingbird , Homefront , Wild card among others . Support cast is frankly well such as Dominic Purcell, Ben Mendelsohn, Anden Young , Adewale Akinnuoye-Agbaje , Nick Tate , Bille Brown, Stewart Morritt, and Grant Bowler . Atmospheric and appropriate musical score by Reinhold Heil and Johnny Klimek . Colorful and adequate cinematography by Simon Duggan . The motion picture was professionally directed by Gary McKendry , though has ups and downs . Rating : 6 . Acceptable and passable . Not very good , but enough to be going on with .
This moving picture contains thrills , unstoppable action , betrayal , fighting , car pursuits and lots of deaths , as it has a great body count : 21 . There are echoes here of many other action movies and behind the deceits , plot twists and manipulation is essentially a simple yarn . This is a thrilling picture in which our main starring , Jason Statham , is plunged into a highly dangerous game of vendetta and deception - where things are not always what they appear to be . The film is built around the internal secret services and SAS which sidelines in dirty work that ever the CIA won't touch . The flick contemplates the old themes of trust , friendship , vengeance , treason , cold violence and humiliation . The set pieces such as car chases , impressive as well as violent fights and a roof chases including bounds and leaps are all magnificent , as are so many secondary scenes . Interesting screenplay by Matt Sherring plenty of twists and turns , being inspired by the book "The Feather Men" written by Sir Ranulph Fiennes, this was an English adventurer, polar explorer and former SAS man is the author of The Feather Men, the novel from which this film is adapted . Although he has often claimed the novel was a true story, the families of the real dead SAS men named in the novel who died on SAS exercises and the SAS themselves publicly attacked it as sick exploitation and complete fiction . As mentioned above, all the families and the British special forces denied they had been consulted or involved in any way with the book .
The main cast is pretty good such as Jason Statham , Clive Owen , Yvonne Strahovski and Robert De Niro . Though the main starring results to be Jason Statham who from Transporter (2002) he already had a background in martial arts which enabled him to perform his own fight sequences , he followed in several similar roles as a two-fisted hunk in Charles Bronson ink such as War , Crank , The mechanic , Safe , Parker , Blitz , Hummingbird , Homefront , Wild card among others . Support cast is frankly well such as Dominic Purcell, Ben Mendelsohn, Anden Young , Adewale Akinnuoye-Agbaje , Nick Tate , Bille Brown, Stewart Morritt, and Grant Bowler . Atmospheric and appropriate musical score by Reinhold Heil and Johnny Klimek . Colorful and adequate cinematography by Simon Duggan . The motion picture was professionally directed by Gary McKendry , though has ups and downs . Rating : 6 . Acceptable and passable . Not very good , but enough to be going on with .
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- WissenswertesSir Ranulph Fiennes, an English adventurer, polar explorer and former S.A.S. man is the author of The Feather Men, the novel on which this film is adapted. Although he has often claimed the novel was a true story, the families of the real dead S.A.S. men named in the novel who died on S.A.S. exercises, and the S.A.S. themselves publicly attacked it as sick exploitation and complete fiction. The S.A.S. even went on the record to disown both Fiennes and the book, with Lieutenant Colonel Ian Smith telling the Daily Mail "It was utter bullshit", the figment of a fertile imagination. What was really upsetting, was that it was making a story out of a tragedy." Maggie Denaro, the widow of one of the dead S.A.S. men said of Fiennes, "It's time he grew up. He's made his money out of the book. He should come clean. When the book came out saying Mike had been murdered, we knew it wasn't true. But that didn't stop our children from being upset when other people believed it." Although Fiennes claims he sent a manuscript of the book to the S.A.S. and the families of the dead men, who gave their approval, they have all unequivocally denied his claim.
- PatzerWhen Hunter sits with Anne in the cafe in Paris the menu items written on the wall have prices in Euros, in 1980 it should have been Francs.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #19.214 (2011)
- SoundtracksDelilah
Composed by Barry Mason (as B. Mason) / Les Reed (as L. Reed)
(c) 1968 Donna Music Limited
Administered by J. Albert & Son Pty Limited
Used with permission
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- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 25.124.966 $
- Eröffnungswochenende in den USA und in Kanada
- 9.352.008 $
- 25. Sept. 2011
- Weltweiter Bruttoertrag
- 57.084.522 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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