Füge eine Handlung in deiner Sprache hinzuAine is a secondary school girl from the wrong side of the tracks, who lives in Portrush, NI with her mother Margaret who works as a cleaner for a local office and her grandmother Agnes who ... Alles lesenAine is a secondary school girl from the wrong side of the tracks, who lives in Portrush, NI with her mother Margaret who works as a cleaner for a local office and her grandmother Agnes who has been diagnosed with terminal cancer.Aine is a secondary school girl from the wrong side of the tracks, who lives in Portrush, NI with her mother Margaret who works as a cleaner for a local office and her grandmother Agnes who has been diagnosed with terminal cancer.
- Auszeichnungen
- 5 Gewinne & 10 Nominierungen insgesamt
Barry McFeely
- Happy
- (as Michael Barry)
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I thought this movie was promising, premise wise. It was refreshing in the sense that it didn't feel like your average Independent Artsy Movie; it felt more or less like a movie with something to say. Which is charming actually, the cinematography is beautiful I loved it.
To me this movie over delivered on some points, and undelivered in others. Like I said I liked the directing style, I liked how unconventional the characters looked. Mostly in films; teenagers are being physically portrayed as beauty pageant contestants or extremely good looking cheer leaders etc.. but over here they looked more realistic and believable as teenagers. I loved the way this movie represented the family unit, in that it wasn't too good to be true but wasn't too unreal either. Millions of Irish People probably grew up in such families which seems more relatable to the viewer.
I have to focus on the ways in which this film fell short for me at least. The plot was very cliche, the same as every other coming of age movie. Teen finds herself pregnant, teen fights with parent to gain her independence, parent resist teen's independence and then teen starts rebelling out of frustration and so on.
The plot was quite the cookie-cutter. It was predictable and we have seen it many times. The only difference is the setting & the characters really. I felt like the idea of the family going through "financial difficulties" was just thrown in for good measures. I kinda wished they threw that out of the plot all together, it didn't seem to actually affect the plot in anyway other than dramatic effect.
So yeah, overall pretty good film but I felt it lacked on originality and it wasn't as "deep" as I had hoped it would be.
To me this movie over delivered on some points, and undelivered in others. Like I said I liked the directing style, I liked how unconventional the characters looked. Mostly in films; teenagers are being physically portrayed as beauty pageant contestants or extremely good looking cheer leaders etc.. but over here they looked more realistic and believable as teenagers. I loved the way this movie represented the family unit, in that it wasn't too good to be true but wasn't too unreal either. Millions of Irish People probably grew up in such families which seems more relatable to the viewer.
I have to focus on the ways in which this film fell short for me at least. The plot was very cliche, the same as every other coming of age movie. Teen finds herself pregnant, teen fights with parent to gain her independence, parent resist teen's independence and then teen starts rebelling out of frustration and so on.
The plot was quite the cookie-cutter. It was predictable and we have seen it many times. The only difference is the setting & the characters really. I felt like the idea of the family going through "financial difficulties" was just thrown in for good measures. I kinda wished they threw that out of the plot all together, it didn't seem to actually affect the plot in anyway other than dramatic effect.
So yeah, overall pretty good film but I felt it lacked on originality and it wasn't as "deep" as I had hoped it would be.
This engaging dramatic-comedy from Danny Patrick is an absolute gem and one of the best independent films that has come out for a while. There are a number of divergent plot lines intricately woven, which culminate together in a highly climactic way, but the film still manages to maintain its charm and simplicity throughout. An Irish Angel works on a number of different levels, but foremost as an entertaining rites-of-passage teen movie, with numerous sophisticated elements that raise the movie well above its situated genre - especially the very cleverly conceived dream sequences that lend the movie an interesting art house feel.
The main story thread follows teenager Aine, expertly played by newcomer Niamh James, who is struggling to come to terms with what exactly she is going to do about her unplanned pregnancy - which resulted from an unwise short-term fling with her school's "King of Cool" (who happens to be the boyfriend of her best friend, Corinna). She finds that the people in her life, including those she turns to for help, have confusingly different perspectives on what she should do, which only adds to her anxiety; but an encounter with an old priest, Fr Reital (warmly played by veteran English actor Julian Glover) triggers her entrance into a spiritual dreamscape where she explores her life dilemmas with a mysterious Christ-like figure - who just happens to look uncannily like her grumpy school caretaker, who everyone calls "The Strap" (brilliantly played by Shane Robinson). It's an example of how Patrick mixes kitchen sink drama with off-the-wall artistic vision in a combination which always intrigues.
What really steals the show, however, is the exuberant performance of another young newcomer, Todd Bell, as Aine's school-friend and sidekick, Leo - a boy from the wrong side of the tracks, who aspires to be a famous actor. He gains the lead role as "Pulcinella" in the school play of the same name, directed by the school's liberal drama teacher, Ellie (Jamie Winstone - who seems made the part), and "Pulcinella" provides the movie with a number of apt thematic tropes as we go on. As the various plotlines develop, we follow the school rehearsals of the play, which constitutes an amusing parody of an Elizabethan drama (based on a 18th century Italian ballet), whose pseudo-Shakespearean dialogue seems to have been expressly created for the purpose by Patrick. Much of the comedy comes from Leo's wide-eyed aspirations for fame, and to make it with the play's leading lady (Aine's good-looking best-friend Corinna), which conflicts with the gritty reality of his life - especially as he becomes embroiled in the crazy schemes of an incompetent band of local wannabe gangsters, led by his brother Padraig (the gloriously tattooed Baz Back). This latter plotline ultimately leads to high drama, tragedy and pathos, and is important to the life-affirming conclusion to the movie.
Altogether this is a funny, dramatic, and, at times, emotively profound movie, that punches far above its weight and is well worth taking a chance on.
The main story thread follows teenager Aine, expertly played by newcomer Niamh James, who is struggling to come to terms with what exactly she is going to do about her unplanned pregnancy - which resulted from an unwise short-term fling with her school's "King of Cool" (who happens to be the boyfriend of her best friend, Corinna). She finds that the people in her life, including those she turns to for help, have confusingly different perspectives on what she should do, which only adds to her anxiety; but an encounter with an old priest, Fr Reital (warmly played by veteran English actor Julian Glover) triggers her entrance into a spiritual dreamscape where she explores her life dilemmas with a mysterious Christ-like figure - who just happens to look uncannily like her grumpy school caretaker, who everyone calls "The Strap" (brilliantly played by Shane Robinson). It's an example of how Patrick mixes kitchen sink drama with off-the-wall artistic vision in a combination which always intrigues.
What really steals the show, however, is the exuberant performance of another young newcomer, Todd Bell, as Aine's school-friend and sidekick, Leo - a boy from the wrong side of the tracks, who aspires to be a famous actor. He gains the lead role as "Pulcinella" in the school play of the same name, directed by the school's liberal drama teacher, Ellie (Jamie Winstone - who seems made the part), and "Pulcinella" provides the movie with a number of apt thematic tropes as we go on. As the various plotlines develop, we follow the school rehearsals of the play, which constitutes an amusing parody of an Elizabethan drama (based on a 18th century Italian ballet), whose pseudo-Shakespearean dialogue seems to have been expressly created for the purpose by Patrick. Much of the comedy comes from Leo's wide-eyed aspirations for fame, and to make it with the play's leading lady (Aine's good-looking best-friend Corinna), which conflicts with the gritty reality of his life - especially as he becomes embroiled in the crazy schemes of an incompetent band of local wannabe gangsters, led by his brother Padraig (the gloriously tattooed Baz Back). This latter plotline ultimately leads to high drama, tragedy and pathos, and is important to the life-affirming conclusion to the movie.
Altogether this is a funny, dramatic, and, at times, emotively profound movie, that punches far above its weight and is well worth taking a chance on.
Aine (Niamh James) is in her senior year in a Catholic school in Portush, Northern Ireland and desperately wants to go travel the world, but she's just found out she's pregnant. This causes conflict with her widowed mother Margaret (Amanda Doherty).
Aine is someone who can be inconsiderate, selfish, insecure, good-hearted, ambitious beyond her abilities, naïve, fun, and able to redeem herself. In other words, she is a confused teenager on the cusp of adulthood and Niamh James plays the part superbly.
It has sharp directing by Danny Patrick who also wrote the screenplay. There are also engaging sidebar stories including other characters that add greatly to the main mother-daughter conflict: the despair of losing a job later in life; financial burdens; periodic depression; the inner-conflict of being young and Catholic; the futility of social climbing; the belief that "there" is better than "here".
The coming-of-age genre is so common that it's difficult to raise the bar. "An Irish Angel" at least meets the standard and then some though it could have been more. In fairness, the two lead performances do stand out especially that of Amanda Doherty. She shows so much push-pull with her daughter while trying to come to grips that her daughter has made the same mistake she did in getting pregnant young. She also has the brilliant ability to let the emotions build gradually and then attempt (as we do in real life) to resist them until the attempt is futile. No wonder Amanda Doherty is winning so many awards and award nominations. While she gives a rich performance, I believe the film would have been greater if she had been given even more screen time.
Aine is someone who can be inconsiderate, selfish, insecure, good-hearted, ambitious beyond her abilities, naïve, fun, and able to redeem herself. In other words, she is a confused teenager on the cusp of adulthood and Niamh James plays the part superbly.
It has sharp directing by Danny Patrick who also wrote the screenplay. There are also engaging sidebar stories including other characters that add greatly to the main mother-daughter conflict: the despair of losing a job later in life; financial burdens; periodic depression; the inner-conflict of being young and Catholic; the futility of social climbing; the belief that "there" is better than "here".
The coming-of-age genre is so common that it's difficult to raise the bar. "An Irish Angel" at least meets the standard and then some though it could have been more. In fairness, the two lead performances do stand out especially that of Amanda Doherty. She shows so much push-pull with her daughter while trying to come to grips that her daughter has made the same mistake she did in getting pregnant young. She also has the brilliant ability to let the emotions build gradually and then attempt (as we do in real life) to resist them until the attempt is futile. No wonder Amanda Doherty is winning so many awards and award nominations. While she gives a rich performance, I believe the film would have been greater if she had been given even more screen time.
The acclaimed dramedy "An Irish Angel" is ostensibly a tried but true tale of the misfit high school lass who longs to ditch her dreary existence, skip this one-horse hamlet and make it in the big city, except shes been knocked up.
But as smartly written and directed by Danny Patrick the sum of these singularly familiar parts combine to take us to a place well beyond where we typically go with such fare. Taking the helm Patrick weaves an uncommonly engaging story. Deftly mixing healthy hits of both laughter and tears, he guides us on a journey every bit as eccentric as it is stirring.
Not every movie has to have an enduring message. Still, "An Irish Angel" struck me with this one. The more we may try to distance ourselves from that which has come to define us, the more we are drawn ever nearer to it.
And to appreciate the hell out of it.
But as smartly written and directed by Danny Patrick the sum of these singularly familiar parts combine to take us to a place well beyond where we typically go with such fare. Taking the helm Patrick weaves an uncommonly engaging story. Deftly mixing healthy hits of both laughter and tears, he guides us on a journey every bit as eccentric as it is stirring.
Not every movie has to have an enduring message. Still, "An Irish Angel" struck me with this one. The more we may try to distance ourselves from that which has come to define us, the more we are drawn ever nearer to it.
And to appreciate the hell out of it.
I found An Irish Angel to be a sweet, charming coming-of-age film. It is a serious film, but with flashes of humor. Danny Patrick wrote and directed the film which seemed to be partly autobiographical in that he grew up in Ireland about the same time as her character. The film is a meditation on what it means to be from some place and what that idea of home means in shaping who you become.
Aine 'Niamh James' has a love-hate relationship with her town, her family and her place in both. It is also very much a story of young girl struggling with her own and her mother's expectations for herself. The script is really charming with the best scenes being those of Aine and her mother played by 'Amanda Doherty'.
Aine is struggling with her secret pregnancy, family, friendship, religion all at the same time. Like all of us, she is trying to find her place in the world. Niamh James is excellent as Ained as is Amanda Doherty in the role of her haggard struggling mother trying to hold her family together through difficult times. Recommended to those who like drama, particularly coming-of-age films.
Aine 'Niamh James' has a love-hate relationship with her town, her family and her place in both. It is also very much a story of young girl struggling with her own and her mother's expectations for herself. The script is really charming with the best scenes being those of Aine and her mother played by 'Amanda Doherty'.
Aine is struggling with her secret pregnancy, family, friendship, religion all at the same time. Like all of us, she is trying to find her place in the world. Niamh James is excellent as Ained as is Amanda Doherty in the role of her haggard struggling mother trying to hold her family together through difficult times. Recommended to those who like drama, particularly coming-of-age films.
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- WissenswertesDanny Patrick: [Robocop] There are multiple conversations and references to the original Paul Verhoeven RoboCop (1987) - including Jerome Jackson quoting "The Tigers are playing tonight, I never miss a game", the same reference Clarence Boddicker Kurtwood Smith says.
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