IMDb-BEWERTUNG
7,3/10
3432
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA gangster deputes two of his men to recover money from an out of town compulsive gambler.A gangster deputes two of his men to recover money from an out of town compulsive gambler.A gangster deputes two of his men to recover money from an out of town compulsive gambler.
- Auszeichnungen
- 2 Nominierungen insgesamt
Kunal Kemmu
- Sachin
- (as Kunal Khemu)
Rajesh Kumar Singh
- Dimple
- (as Rajesh Singh)
Bhupindder Bhoopii
- Satya
- (Nur genannt)
Rajgopal Iyer
- Poker Player
- (as Raaj Gopal Iyer)
Empfohlene Bewertungen
"Chakka kisine Maara...Paisa kisine haara" -- haunts me even after a day of watching this super thriller...I could so well relate to Rahul -- the Hansie Cronje, if you will, of the movie -- A character you could only pity. Boman for me was the highlight of the movie.
Cricket is such an integral part of the movie that you have a 'reel' Sachin with a 'reel' Dravid (although a fatso) -- Keeps Sachin good company throughout the movie -- much like the Sachin, Dravid partnerships that we are accustomed to on the cricket field. Kunal is impressive and seems to have taken his acting to the next level from his previous movies. Cyrus evokes enough laughter to keep you engaged. Soha, as her role demands, was very suave and subdued.
Import-Export business king Kuber is another highlight -- his one-liners are bound to become popular in bollywood cinema in the years to come -- "Checking"..."Cut Again"..."Give Respect" etc..much like Vivek in Flavors, if you remember, -- "You Grow Up"...Accompanying him is "Dimple", taking me back to "Michael Madana Kama Rajan's" Kamal-Bheem combo.
Talking of one-liners, there's no dearth of those in the movie -- be it AMG leaving a 'message' after the 'beep' OR the wannabe in the hotel lobby threatening to buy the 5-star hotel or the popular theory about how cell phones would hurt your entire body, heck I even liked the dude on the street giving TV interview of what he saw of the culprits.
Another aspect of the movie was the subtlety with which certain things are shown -- be it the kids flaunting their bounty hunt on the road or Rahul's "oh!" at the fall of a wicket on a match he bet on, while in the Y2k meeting room -- the directors quality of letting small events tell a story of its own shows up as a highlight.
Although not having songs interrupt the story flow is a welcome change -- having listened to the music album, you almost wish that you see the full version of the songs play out..most people stay in the theater through the credits because of the "What's up" song...come to think of it...shouldn't't "Whats up"? song be the opening credit as a way of the débutant directors saying Hello to Bollywood? may be they are setting us up for a sequel, who knows...LoL..
Background score is slick and cocky and suits the mood..
This "99" is bound to cross Lara's 400 and become a "trend-setter" for future Bollywood generation.
Cricket is such an integral part of the movie that you have a 'reel' Sachin with a 'reel' Dravid (although a fatso) -- Keeps Sachin good company throughout the movie -- much like the Sachin, Dravid partnerships that we are accustomed to on the cricket field. Kunal is impressive and seems to have taken his acting to the next level from his previous movies. Cyrus evokes enough laughter to keep you engaged. Soha, as her role demands, was very suave and subdued.
Import-Export business king Kuber is another highlight -- his one-liners are bound to become popular in bollywood cinema in the years to come -- "Checking"..."Cut Again"..."Give Respect" etc..much like Vivek in Flavors, if you remember, -- "You Grow Up"...Accompanying him is "Dimple", taking me back to "Michael Madana Kama Rajan's" Kamal-Bheem combo.
Talking of one-liners, there's no dearth of those in the movie -- be it AMG leaving a 'message' after the 'beep' OR the wannabe in the hotel lobby threatening to buy the 5-star hotel or the popular theory about how cell phones would hurt your entire body, heck I even liked the dude on the street giving TV interview of what he saw of the culprits.
Another aspect of the movie was the subtlety with which certain things are shown -- be it the kids flaunting their bounty hunt on the road or Rahul's "oh!" at the fall of a wicket on a match he bet on, while in the Y2k meeting room -- the directors quality of letting small events tell a story of its own shows up as a highlight.
Although not having songs interrupt the story flow is a welcome change -- having listened to the music album, you almost wish that you see the full version of the songs play out..most people stay in the theater through the credits because of the "What's up" song...come to think of it...shouldn't't "Whats up"? song be the opening credit as a way of the débutant directors saying Hello to Bollywood? may be they are setting us up for a sequel, who knows...LoL..
Background score is slick and cocky and suits the mood..
This "99" is bound to cross Lara's 400 and become a "trend-setter" for future Bollywood generation.
99 is targeted at youth and multiplex audience inspired by real life events of match fixing that happened in year 1999 that took cricket world by storm. The movie has the right script, good actors and the humor at right place, which is able to take the movie ahead especially with unconventional music and Cricket being involved. The story is about two small time goons – Sachin (Kunal Khemu) & Zaramud (Cyrus Broacha) who work for AGM (Mahesh Manjrekar), a known name in bookie world as they have to clear their long owed debt to him. The story gets candid as both Sachin and Zaramud are send to Delhi from Mumbai to bring Agm's money from Rahul (Boman Irani) who is obsessed with betting and is big time looser like Sachin & Zaramud. The trio is known to struck at 99, a step before they could make it big–time. The story moves forward as they get to know about JC (Vinod khanna), a match-fixer and the trio gets befriended seeing each others financial and sympathetic condition and agree to take a life changing bet that would clear off all their debts and make their dreams true.
MY RATING: 7/10
MY RATING: 7/10
The first question I have for Krishna DK, Raj Nidimoru and Anupam Mittal after watching "99 (2009)" is: "Why did you starve us for 6 long years since your last epic "Flavors (2003)"?".
Like their previous work, "99" is pure brilliance with a tight plot, jokes that work and pop-culture references that make you go "A-ha!". In other words, a MUST WATCH. The packed house at PVR on a weekday late-night show is testimony to that.
Kunal Khemu is an under-rated actor in the mould of Abhay Deol. Luckily, the latter has found his groove with the last couple of releases. Kunal is still stuck at 99 (pun intended), despite excellent nuanced performances in some excellent but forgotten films like "SuperStar (2008)". He has an easy charm and superb comic timing. At the same time, his vulnerable eyes poke through your heart during the tragic scenes. I really hope he breaks the jinx of successful child actors (like Urmila Matondkar, probably the only success so far).
This movie also enjoys the acting talent of powerhouses like Boman Irani (who started in similar Indy films like "Let's Talk (2002)" but now needs no introduction), Mahesh Manjrekar, Amit Mistry (a bonafide superstar at Bombay's Prithvi Theatres) and Cyrus Broacha. All these guys have significant theatre experience and it shows in their comic timing, body language and diction. In smaller roles, the bhojpuri actor and the sidekick provide many laughs with their natural presence. Among the ladies, Soha and Simone are important to the plot but don't have any spectacular scenes where they get to shine.
So here is my second question to Krishna DK, Raj Nidimoru and Anupam Mittal: "Why didn't you repeat the ravishing and very funny Pooja Kumar from Flavors, in the role of (who else?) Pooja?". She'd be so purrrfect-- and a treat to watch.
The production is very well designed. The movie is set in 99-2000 and it almost feels as if that is when it was shot. Be it the film hoardings across the city (imagine "Kaho Na Pyar Hai (2000)" blocking the skyline, for chrissakes!), the mobile phone models they use, the cars they drive or their amazement at the advent of "cyber cafes"--- this could well be one of India's first period films (NOT about the Freedom Struggle)! If anything, that's one award it deserves for sure. The background score is also well used and adds to the tension/fun of the chase.
As for the story itself, this is a chase/heist movie in the genre of what Guy Ritchie does. The two losers are on the run from everyone, with their IOUs adding up faster than Sachin's centuries. Their misfortunes and bravado makes for some very comic situations, without resorting to any toilet humor (well, almost) or Priyadarshan style confusion-climax. The audience kept laughing and clapping all through. Especially loved were the Bombay versus Delhi references (the cities are known for their cultural rivalry and pride). The movie is peppered with cricket metaphors, delivered in Cyrus's inimitable style. Cricket forms an important part of the plot and it is made by true lovers of the game.
Even though it reminds you of many Hollywood films, it is not a copy but in their genre. This slight difference sets it apart from the 99% junk that Bollywood ends up celebrating annually with the likes of Anees Bazmee, Priyadarshan, David Dhawan and Hansal Mehta. So here's my third question for Krishna DK, Raj Nidimoru and Anupam Mittal: "Agli picture kab bana rahe ho?"
Like their previous work, "99" is pure brilliance with a tight plot, jokes that work and pop-culture references that make you go "A-ha!". In other words, a MUST WATCH. The packed house at PVR on a weekday late-night show is testimony to that.
Kunal Khemu is an under-rated actor in the mould of Abhay Deol. Luckily, the latter has found his groove with the last couple of releases. Kunal is still stuck at 99 (pun intended), despite excellent nuanced performances in some excellent but forgotten films like "SuperStar (2008)". He has an easy charm and superb comic timing. At the same time, his vulnerable eyes poke through your heart during the tragic scenes. I really hope he breaks the jinx of successful child actors (like Urmila Matondkar, probably the only success so far).
This movie also enjoys the acting talent of powerhouses like Boman Irani (who started in similar Indy films like "Let's Talk (2002)" but now needs no introduction), Mahesh Manjrekar, Amit Mistry (a bonafide superstar at Bombay's Prithvi Theatres) and Cyrus Broacha. All these guys have significant theatre experience and it shows in their comic timing, body language and diction. In smaller roles, the bhojpuri actor and the sidekick provide many laughs with their natural presence. Among the ladies, Soha and Simone are important to the plot but don't have any spectacular scenes where they get to shine.
So here is my second question to Krishna DK, Raj Nidimoru and Anupam Mittal: "Why didn't you repeat the ravishing and very funny Pooja Kumar from Flavors, in the role of (who else?) Pooja?". She'd be so purrrfect-- and a treat to watch.
The production is very well designed. The movie is set in 99-2000 and it almost feels as if that is when it was shot. Be it the film hoardings across the city (imagine "Kaho Na Pyar Hai (2000)" blocking the skyline, for chrissakes!), the mobile phone models they use, the cars they drive or their amazement at the advent of "cyber cafes"--- this could well be one of India's first period films (NOT about the Freedom Struggle)! If anything, that's one award it deserves for sure. The background score is also well used and adds to the tension/fun of the chase.
As for the story itself, this is a chase/heist movie in the genre of what Guy Ritchie does. The two losers are on the run from everyone, with their IOUs adding up faster than Sachin's centuries. Their misfortunes and bravado makes for some very comic situations, without resorting to any toilet humor (well, almost) or Priyadarshan style confusion-climax. The audience kept laughing and clapping all through. Especially loved were the Bombay versus Delhi references (the cities are known for their cultural rivalry and pride). The movie is peppered with cricket metaphors, delivered in Cyrus's inimitable style. Cricket forms an important part of the plot and it is made by true lovers of the game.
Even though it reminds you of many Hollywood films, it is not a copy but in their genre. This slight difference sets it apart from the 99% junk that Bollywood ends up celebrating annually with the likes of Anees Bazmee, Priyadarshan, David Dhawan and Hansal Mehta. So here's my third question for Krishna DK, Raj Nidimoru and Anupam Mittal: "Agli picture kab bana rahe ho?"
I never expected that the film will be such a great experience but film was great with great background score and great direction and acting the film is a must watch...
10sree_c
Imagine I asked you to describe what your life was like a decade ago... Right, me neither - so instead, Imagine I asked you to make up a story of your life based on key events that happened to you 10 years ago but fill in the rest as you like... Now imagine how much harder it would be if I asked that the story you were creating also had to bridge to the current day events back then
It is a daunting task and one which the writers of 99 have done with flair and function. The script is whip-smart in the way it combines popular trends (cell phones, bhojpuri movies, the onset of cafes) of the time with the news making events (y2k, cricket match fixing) of the time to narrate a truly innovative story. All this while adding twists and turns to the main plot that will keep you buckled to your seat for the 2hr ride.
The casting was genius - Especially true of, Soha Ali Khan (as the girl next door that you want to take home to mom) Kunal Khemu (as 'NOT the bigger-than-thou hero who doesn't need your rooting for him to make a century'), Amit Mistry (as the lil guy with a big stick - aka dimple) and Boman Irani (as the most frustrating, gambler-husband-who-you-love-nevertheless ever).
Kunal is a natural born actor and in Amit, a star has just been born.
Why you will love it : Sharp dialogues, sharper delivery, excellent acting all round, awesome cinematography, fantastic music Why you might settle for liking it : The movie is in a genre that is new to Bollywood - "What, I don't have to be awed by the hero's machismo and the heroine's svelte body?", "What, the lead characters are the underdogs that I will want to root for, rather than supermen who drive Lamborghinis and live in palaces?", "what, I will hope that the hero escapes from the bad guy rather than making mincemeat of the villains face?".
The genre is called a 'crime caper' but 99, refuses to be boxed neatly into a category and insists on being a comedy-historical fiction-and-much-more
This movie wont change your life - don't expect to leave the movie inspired and moved. It will be more like you stepped off a roller coaster ride and you want to go back to the end of the line again.
Ladies, It would be like eating a perfectly whipped chocolate mousse - Enjoy!
It is a daunting task and one which the writers of 99 have done with flair and function. The script is whip-smart in the way it combines popular trends (cell phones, bhojpuri movies, the onset of cafes) of the time with the news making events (y2k, cricket match fixing) of the time to narrate a truly innovative story. All this while adding twists and turns to the main plot that will keep you buckled to your seat for the 2hr ride.
The casting was genius - Especially true of, Soha Ali Khan (as the girl next door that you want to take home to mom) Kunal Khemu (as 'NOT the bigger-than-thou hero who doesn't need your rooting for him to make a century'), Amit Mistry (as the lil guy with a big stick - aka dimple) and Boman Irani (as the most frustrating, gambler-husband-who-you-love-nevertheless ever).
Kunal is a natural born actor and in Amit, a star has just been born.
Why you will love it : Sharp dialogues, sharper delivery, excellent acting all round, awesome cinematography, fantastic music Why you might settle for liking it : The movie is in a genre that is new to Bollywood - "What, I don't have to be awed by the hero's machismo and the heroine's svelte body?", "What, the lead characters are the underdogs that I will want to root for, rather than supermen who drive Lamborghinis and live in palaces?", "what, I will hope that the hero escapes from the bad guy rather than making mincemeat of the villains face?".
The genre is called a 'crime caper' but 99, refuses to be boxed neatly into a category and insists on being a comedy-historical fiction-and-much-more
This movie wont change your life - don't expect to leave the movie inspired and moved. It will be more like you stepped off a roller coaster ride and you want to go back to the end of the line again.
Ladies, It would be like eating a perfectly whipped chocolate mousse - Enjoy!
Wusstest du schon
- WissenswertesTwo songs from Duplicate and Kaho Na... Pyaar Hai, are played in the film. Both these songs are also heard in The Big Bang Theory, while Raj Koothrapalli watches TV in two different episodes.
- Patzer99 is set in the year 1999 and early 2000. CNG auto-rickshaws were introduced in Delhi around 2001-2002. But the movie still shows the green three-wheelers (though not the CNG label on them).
- VerbindungenReferences Qurbani (1980)
- SoundtracksSoch Mat Dobara
Written by Amitabh Bhattacharya
Composed by Roshan Machado
Performed by Bonnie Chakraborty and Earl D'Souza
Courtesy of Saregama HMV
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Details
Box Office
- Weltweiter Bruttoertrag
- 2.017.979 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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