Manorama: Six Feet Under

I saw this movie after johny gaddar and before seeing i liked johny gaddar but Manorama exceeded my expectations.. it was superb suspense movie with very normal background and yet it showed powerful message in the film.. till half way of the film I lost patience and interest but then again it started and I am glad that I did not left the movie at half way.. nowadays movies have big stars and beautiful backgrounds and splendid film sets.. this movie proves that big sets and good makeups are really not needed nowadays..(But the mass don't understand this) Good film needs good direction, good script and finally good execution.. Manorama deserves 10 out of 10.. but still can not give that as perfection is dangerous for ambition..!!

First things First, if I need to describe Path Breaking Cinema, I will use Manorma Six Feet Under as an example. And this film is not a Direct lift of Roman Polanski's famous hit Chinatown, Manorma hold on its own. The first word that comes to my mind while I intend to describe this movie is Efficiency.

There have been few thrillers that so effortlessly thrill you, keep you right on the edge of your seat, get you acquainted with such rich characters yet manage to knock you with killer twists and pull a fast one on you. Endlessly inventive, this is not one of those films that are just that. It explores the psychology of being a wannabe spy like no other film.

Abhay Deol is in a role thats tailor made for him, he's such a natural actor, he brings life to Satyaveer Singh and you feel that Satyaveer is a small town Rajasthani and you never feel that the character actually is played by a Punjabi Jat living in Bombay.

This is Navdeep Singh's first film as a director, and it is apparent he has the heart and soul of a storyteller. He never imposes himself upon the film; he just lets the narration flow effortlessly. He seems to be an actor's director, and the finesse with which he handles them, in close ups, dealing with each other reminds me of Steven Soderbergh.

Gul Panag is one of the Finest Actresses in India today (Lot more talented than a Rani, Priety & Aishwaria). She already proved it with Dor and now in Manorma in a not so significant role, she still proves why she's the most underrated actress in the Hindi Film Industry.

Vinay Pathak, Kulbushan Kharbanda & Sarika are competent too.

Only Raima Sen hams here.

Anyways a 9.7 out of 10 from me for this Masterpiece.

Too bad for most of my friends who had to settle tor Over The top Nonsense movies like Partner, Hey Baby & Welcome while I loved every bit of Manorama.

Manorama Six Feet Under is a neo-noir gem that stands out in the landscape of Indian cinema. Film directed by Navdeep Singh, which is an adaptation of Roman Polanski's classic film "Chinatown." Set against the backdrop of the dusty, desolate town of Rajasthan, the film offers an intricate narrative filled with intrigue, betrayal, and an exploration of human frailty.

The story revolves around Satyaveer (Abhay Deol), an unambitious and disillusioned irrigation officer who finds himself embroiled in a web of deceit when he is approached by a beautiful woman, Manorama (Gul Panag), the wife of a powerful politician. Manorama seeks his help to find evidence of her husband's infidelity. As Satyaveer delves deeper into the investigation, he uncovers a web of lies, corruption, and murder.

One of the film's strongest assets is its screenplay, which is sharp and layered. With a running time of around 120 minutes, the film deftly balances pacing and exposition, allowing viewers to slowly piece together the mystery alongside Satyaveer. The dialogues are well-crafted, often laced with dark humor and irony, which adds a unique flavor to the narrative.

The film's cinematography is exceptional. The dusty landscapes of Rajasthan are captured with a stark beauty that perfectly complements the film's noirish tone. The background score, with its haunting melodies, adds to the suspenseful atmosphere.

Abhay Deol delivers a remarkable performance as Satyaveer; he embodies the character's cynicism and vulnerability with ease, making him relatable and compelling. Gul Panag shines in her role as Manorama, bringing an enigmatic charm that engages the audience. The supporting cast, including the likes of Raima Sen and Vinay Pathak, adds depth to the film, each character contributing intricately to the unfolding mystery.

One of the film's strengths is its deliberate pacing. It's a film that requires patience, as it slowly unravels its complex plot. While this may not appeal to everyone, it contributes to the overall atmosphere of suspense and intrigue.

The film's ending is open to interpretation, leaving viewers to ponder the true nature of the characters and their motivations. This ambiguity adds depth to the narrative and encourages repeated viewings.

In the End, Manorama Six Feet Under is a film that rewards patient viewers. Its compelling story, strong performances, and atmospheric visuals make it a standout in Indian cinema. It's a film that lingers in your mind long after the fiml end's.

Before watching Manorama, i considered Johnny Gaddar as best scripted suspense movie of modern times, but Manorama is far above from Johnny. The best thing is that the storyline looks real and on the level of a common person. It is not like a typical Hindi Cinema (bollywood) suspense movie with the protagonist playing a hero. I gave 9 because i felt detached in middle of the movie but approaching to the end, it captures attention and the climax is well written. I'll curse myself for not watching it for so long even after i heard its praise from my friends. Abhay Deol looks good as a Middle class Rajasthani and so as Gul Panag. Vinay Pathak is exceptional as usual.

Manorama Six Feet Under is akin to reading a novel. Viewers who are not fond of reading might judge the pace of the movie to be slow. It takes a while to build the atmosphere, characters gets established, suspense builds up and races ahead to a grand finale.

Screenplay and cinematography is commendable, you can almost feel the heat of the desert and sand on your face. A few places you can see the shades of Tarantino style of movie-making.

MSFU is the story of Satyaveer who stumbles upon a mystery and the (failed!) writer in him itches to seek the truth – redemption or quest?

Abhay Deol apparently is focusing on building his competency in the "new-age cinema" genre (there is too much competition in the mainstream anyway). As Satyaveer he puts on a convincing get-up coupled with a restrained performance.

Gul Panag uses the usual sarcastic house-wife lines to portrays a convincing character.

Vinay Pathak goes to shows that he is good at everything and not just comedy. Minor hitch here: why does he carry a strong accent while her sister doesn't? Convent studies maybe?

Raima Sen character staunchly believes "Men and coffee are good rich" and the tension which prevails between Abhay and Raima over the game of snake and ladders is truly amazing, especially the come-hither passes.

Sarika has a small but effective role. Its goes to show that acting is akin to ride a bicycle.

Khulbhushan Kharbanda is as usual dependable.

The two henchmen have portrayed their parts well (apologies for not knowing their names).

Finally I must add that gone are the days where Bollywood used to paint the perfect world. Its emotionally gratifying to see just like true-to-life, the movie also depicts shades of grey.