In einer gewalttätigen, futuristischen Stadt, in der die Polizei die Befugnis hat, als Richter, Jury und Henker zu fungieren, arbeitet ein Polizist mit einem Praktikanten zusammen, um eine B... Alles lesenIn einer gewalttätigen, futuristischen Stadt, in der die Polizei die Befugnis hat, als Richter, Jury und Henker zu fungieren, arbeitet ein Polizist mit einem Praktikanten zusammen, um eine Bande zu erledigen, die mit der realitätsverändernden Droge SLO-MO handelt.In einer gewalttätigen, futuristischen Stadt, in der die Polizei die Befugnis hat, als Richter, Jury und Henker zu fungieren, arbeitet ein Polizist mit einem Praktikanten zusammen, um eine Bande zu erledigen, die mit der realitätsverändernden Droge SLO-MO handelt.
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- 2 Gewinne & 14 Nominierungen insgesamt
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I really hope that everyone goes out to see the movie, because how often do we really get an extremely violent, faithful, intelligent science fiction movie in cinemas nowadays. I also want them to make more sequels. There is so much potential for sequels, as this movie has set up the character and the scenario, and we can really get into the more epic storytelling. The story in 'Dredd' is very confined, 85% of the film takes place in one of the huge tower blocks, and I kinda wanted to see more of the city and more of Dredd's world. But for what it is, 'Dredd' is a very good movie. There are also lots of nice character moments in between all the action, and some truly breathtaking slow-motion sequences, that almost makes the extra price of the 3D worthwhile.
Dredd is such a great character. He is a challenging anti-hero and an uncompromising bad-ass. And don't worry, the film does not glamorise violence, or justify Mega City One's judicial system. People often compare Dredd to 'Dirty Harry', but I would argue that Dredd is a more heroic character, because he would never break the rules, like Dirty Harry does. He isn't a hero because he executes bad guys, but because he is incorruptible, and will always fight for what he believes is right, despite the danger of doing it. If it is right or not, the movie leaves to the audience.
Its such an enjoyable movie that deserves success. Now go watch 'Dredd'. Creep!!
The previous version of Judge Dredd (1995) starring Sly is a campy affair. Consider that it had Rob Schneider in it. 'nuff said. This one brings us into the comics once again but this time, they drop the camp. It is well written probably because they had Alex Garland who also wrote 28 Days Later... and Sunshine among others. Karl Urban is not as imposing as Sly but he does a solid job. Most importantly, he's not impersonating Sly. Olivia Thirlby is great as a foil or conscience to Dredd. Their relationship is the heart of the movie. Lena Headey does a good job as the baddie. It's an interesting unusual choice. It's certainly not your average muscle bound villain.
I did have 2 problems. First, Slo-Mo happens too many times. The first couple of times are interesting. I'm sure it's cool 3D fun, but even that would get tiresome. It's a balancing act between pace and cool and the climax needs pace more than cool. Second problem is the ending. The final fight with Lena Headey is not as climatic as needed. It's a bit of a letdown. Overall, this is super-fun despite the minor problems.
Wusstest du schon
- WissenswertesKarl Urban insisted on riding the Lawmaster motorcycle himself.
- PatzerWhen Dredd throws Kay across the room, he rolls over a desk and his arms come apart even though he is handcuffed.
- Zitate
Anderson: [reads Kay's mind] Sir, he's thinking about going for your gun.
Judge Dredd: Yeah.
Anderson: [reads it again] He just changed his mind.
Judge Dredd: Yeah.
- VerbindungenEdited into 5 Second Movies: Dredd 3D (2014)
- SoundtracksJubilee (Don't Let Nobody Turn You Around)
Written by Bobby Womack, Harold Payne, Damon Albarn and Richard Russell
Published by ABKCO Music, Inc. (BMI), Chrysalis Music Ltd, Copyright Control
Performed by Bobby Womack
Licensed courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Ltd.
(p) 2012 XL Recordings Ltd.
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Details
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- Auch bekannt als
- Hội Thẩm Phán
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Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 13.414.714 $
- Eröffnungswochenende in den USA und in Kanada
- 6.278.491 $
- 23. Sept. 2012
- Weltweiter Bruttoertrag
- 41.037.742 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1