In einem dystopischen und von Verbrechen heimgesuchten Detroit kehrt ein tödlich verwundeter Polizist als mächtiger Cyborg zurück, der von versunkenen Erinnerungen heimgesucht wird.In einem dystopischen und von Verbrechen heimgesuchten Detroit kehrt ein tödlich verwundeter Polizist als mächtiger Cyborg zurück, der von versunkenen Erinnerungen heimgesucht wird.In einem dystopischen und von Verbrechen heimgesuchten Detroit kehrt ein tödlich verwundeter Polizist als mächtiger Cyborg zurück, der von versunkenen Erinnerungen heimgesucht wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 11 Gewinne & 13 Nominierungen insgesamt
Dan O'Herlihy
- The Old Man
- (as Daniel O'Herlihy)
Jesse D. Goins
- Joe
- (as Jesse Goins)
Lee de Broux
- Sal
- (as Lee DeBroux)
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Robocop is an unbelieveable experience. I haven't watched the film since 1988 and the other day I recieved it on DVD. So I eagerly popped it in the player and BOOM!!! The only way I can describe Robocop is ultraviolence. The film is so over the top and out of control. The film speaks of a future where big companies will run the governmental defense. Those times are upon us more and more everyday. Paul Verhoeven has made one of the most important science fiction films ever made and it's a brillant piece of cinema.
In a futurist Detroit, crime is high and the police are run by a massive private company, keener to reduce running costs than reduce crime. When their new police robot ED209 develops a glitch, they turn to a prototype that blends human tissue with high-tech circuitry. Meanwhile Police officer Murphy and his partner Lewis are out gunned by criminals leaving Murphy mortally wounded. OCP take Murphy's body and use it to make Robocop. However Robocop is so successful that he is targeted by criminal Boddicker. Boddicker turns to his shadowy partners in crime, while Robocop struggles to deal with human memories and a programming system that seems designed to control him and keep him in the dark.
Verhoeven's first US film was to set the mould for how the rest of his career would pan out - extreme violence and very little idea of restraint. However this is one of his best films and has much in common with one of his other best (Starship Troopers) - ultra-violence, funny black humour, great action and tonnes of satirical digs at modern life. Here the plot revolves around the creation of Robocop and his fight against crime that goes right to the top. This is complimented by the sub-plot of him trying to rediscover his human side. This is full of great action scenes and eccentric villains.
The black comedy is funny, although sometimes you feel bad laughing at so much violence, but the sideswipes are the best. Verhoeven takes digs at TV with his advert filled news broadcasts, at privatisation by showing the crumbling police stations and the huge corporate towers and at heroism by showing Robocop creating just as much mayhem and destruction as the criminals he pursues. His strength however is the action scenes and the sense of tension he creates - I'll don't think anyone can forget the sheer terror of ED209's `glitch'.
Weller is good - cast because of his strong jaw and ability to project emotion through a suit of armour - and he does manage to bring out the human side. Allen is good but a but dry. The real support comes from the eccentric, and well known villains and corporate bosses. Ronny Cox, Smith, Ray Wise, Perry, O'Herlihy and Miguel Ferrer are all great in various capacities. Criminal or greedy corporate leader - it's hard to tell which is which at times.
A classic bit of sci-fi. Verhoeven has sadly not had a moment as fine as this since and has recently had problems being excessive in Hollywood - the land of excess! This is a landmark film that may not be to everyone's taste.
Verhoeven's first US film was to set the mould for how the rest of his career would pan out - extreme violence and very little idea of restraint. However this is one of his best films and has much in common with one of his other best (Starship Troopers) - ultra-violence, funny black humour, great action and tonnes of satirical digs at modern life. Here the plot revolves around the creation of Robocop and his fight against crime that goes right to the top. This is complimented by the sub-plot of him trying to rediscover his human side. This is full of great action scenes and eccentric villains.
The black comedy is funny, although sometimes you feel bad laughing at so much violence, but the sideswipes are the best. Verhoeven takes digs at TV with his advert filled news broadcasts, at privatisation by showing the crumbling police stations and the huge corporate towers and at heroism by showing Robocop creating just as much mayhem and destruction as the criminals he pursues. His strength however is the action scenes and the sense of tension he creates - I'll don't think anyone can forget the sheer terror of ED209's `glitch'.
Weller is good - cast because of his strong jaw and ability to project emotion through a suit of armour - and he does manage to bring out the human side. Allen is good but a but dry. The real support comes from the eccentric, and well known villains and corporate bosses. Ronny Cox, Smith, Ray Wise, Perry, O'Herlihy and Miguel Ferrer are all great in various capacities. Criminal or greedy corporate leader - it's hard to tell which is which at times.
A classic bit of sci-fi. Verhoeven has sadly not had a moment as fine as this since and has recently had problems being excessive in Hollywood - the land of excess! This is a landmark film that may not be to everyone's taste.
Paul Verhoeven's career in recent years has been wildly uneven, but back in the 1980s he rocked! His movies 'Spetters', 'The Fourth Man' and 'Flesh & Blood' are all brilliant and worth tracking down. His next movie, his first Hollywood one, could have been a complete disaster. Verhoeven initially passed on it without reading the script and wasn't experienced in working with special effects or a fan of science fiction. Thankfully his wife insisted he make the picture and the end result was a triumph. Apparently this was a very tough shoot for all concerned but the bottom line is what is on screen, and it really works. Few movies if any have managed to juggle SF, action and grim satire in such an entertaining and original fashion. Verhoeven was blessed with an excellent script, a well chosen bunch of actors, and a great behind the scenes team, and added to his own vision 'RoboCop' turned out to be one of the best movies of the 1980s, whatever the genre. Peter Weller ('Buckaroo Banzai') pulls off a difficult job - making the audience care about a guy in a monster suit. Probably the best performance of its kind since Boris Karloff in James Whale's 'Frankenstein' back in the 1930s. Nancy Allen ('Dressed To Kill'), Kurtwood Smith ('12.01 PM'), Ronny Cox ('Deliverance'), Miguel Ferrer ('Twin Peaks'), and the rest of the supporting cast are all first rate, and everything about this movie is perfect. Verhoeven stumbled with his next movie 'Total Recall', and apart from 'Starship Troopers' has pretty much failed to fulfill his potential, but 'RoboCop' remains a classic SF/action movie and a fantastic way to end a great decade of work.
"RoboCop" is a surprisingly impressive action film about a young cop (Peter Weller) who is killed by a gang of cruel criminals and is brought back to life with both human and robotic characteristics. Now he is cleaning up the city of Detroit and going after those who brutally murdered him when he was 100% human. This film is ultra-violent in every sense of the word. Anyone under the age of 17 should be strongly cautioned before seeing this film. However, the violence makes the film realistic and more exciting. Paul Verhoeven does some of his best work as a director. The screenplay is very smart for an action film and all the actors give bravura performances. Peter Weller will always be remembered as the original "RoboCop". Ronny Cox, Nancy Allen, Miguel Ferrer, and an incredibly evil Kurtwood Smith all do the best work of their careers. An impressive film from the action genre. 4 stars out of 5.
My favorite Paul Verhoeven feature by a mile. It's a decent film if you like action but everything around it makes Robocop a different film in the genre. It's a movie that's blatant and upfront about its story but depending on who you are you can interpret it in different ways. It could be about public funding, gentrification, humanism, or just a dude who goes around shooting drug dealers. But what I really like about it is even though it's a movie that might seem fascistic on the surface it surprisingly doesn't punch down, at least not like films of the era that were just military propaganda. I know not everything I'm mentioning is an intentional decision on the writer's part, and to be honest I never thought the action was that great (except during the end), but my main point is this movie deserves more thought IF you're a fan of the genre.
Wusstest du schon
- WissenswertesMost shots of RoboCop and the police car show him getting out or preparing to get in. Peter Weller didn't fit into the police car in full costume. When he needed to be in the car, he wore the top part of the costume and sat in his underwear. To maintain the illusion that RoboCop wears the entire suit while inside a car, most shots show his robotic feet exiting first.
- PatzerWhen RoboCop goes to the grocery store robbery and sends the robber through the glass door of the small refrigerator, you can see that the glass is already cracked and starts to break before the man goes through it.
- Crazy CreditsThe standard copyright notice at the end of the film includes a warning that "This motion picture is protected under the laws of the United States and other countries and its unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution by enforcement droids."
- Alternative VersionenIn 1995, The Criterion Collection premiered the 'unrated' edition of RoboCop on LaserDisc. The 1987 theatrical release was cut in several scenes to attain an R-rating, and this unrated version restored that footage. The unrated version has subsequently been used for many of the film's DVD and Blu-Ray releases.
- The first cuts appear in the scene where ED-209 goes berserk and shoots Kinney during the meeting. In the director's cut there is another frontal shot of Kinney getting riddled with bullets at the start of the scene. When Kinney collapses onto the model of Delta City, there are extra shots of him being bloodily hit with more bullets, as well as the ED-209 technicians struggling to rip wiring out of the circuit board. Restoring this footage makes the scene much more darkly comical.
- During the car chase, when Clarence's henchman Bobby is shot in the leg, the R-rated version shows a long shot, while the unrated has a gruesome close-up of Bobby's leg being shot.
- Murphy's death is almost a minute longer in the unrated version. After his hand is blown off, Murphy looks in horror at the stump, before Clarence's gang blows off his entire arm with gunfire. The subsequent part with him being riddled with bullets is much longer as well. An elaborate tracking shot is used only in the unrated that shows the back of Murphy's head exploding into the camera when he is finally shot by Clarence. This shot made use of a fully-mechanical prosthetic Murphy built by make-up special effect artist Rob Bottin. The overhead shot of Lewis kneeling beside Murphy's body at the end of the scene is also exclusive to the unrated version.
- Clarence Boddicker's death is shown in different shots depending on the version. The R-rated shows a long shot of him staggering away immediately after being stabbed, while the unrated shows a tight close-up.
- VerbindungenEdited into Zeiram (1991)
- SoundtracksShow Me Your Spine
Music by P.T.P.
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Everything New on Prime Video in July
Everything New on Prime Video in July
Your guide to all the new movies and shows streaming on Prime Video in the US this month.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Robocop, el defensor del futuro
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 53.424.681 $
- Eröffnungswochenende in den USA und in Kanada
- 8.008.721 $
- 19. Juli 1987
- Weltweiter Bruttoertrag
- 53.430.348 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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